| Content | Complete drum microphone set
- Set consisting of one dyn. kick drum microphone KDM-500, two dyn. bass drum microphones BDM-500 and two IM-500 electret microphones (incl. two windshields)
- Rugged microphones with cardoid characteristics for studio and stage use
- All microphones with bal. XLR output and stand holders with 1 cm (3/8“) and 1.5 cm (5/8“) thread
- Delivery includes padded flightcase, black laminated with aluminum profile frames
- Excellent quality at a low price
| Frequency range: |
20 - 10000 Hz |
| Weight: |
3,05 kg |
| KDM-500: |
|
| Type: |
Dynamic |
| Directivity pattern: |
Cardioid |
| Impedance: |
150 ohms |
| Sensitivity: |
-58 dB (±3 dB) |
| BDM-500: |
|
| Type: |
Dynamic |
| Directivity pattern: |
Cardioid |
| Impedance: |
250 ohms |
| Sensitivity: |
-54 dB (±3 dB) |
| IM-500: |
|
| Type: |
Condenser (back electret) |
| Directivity pattern: |
Cardioid |
| Impedance: |
200 ohms |
| Sensitivity: |
-45 dB (±3 dB) |
| Maximum SPL: |
136 dB |
| S/N ratio: |
>60 dB |
| Phantom power: |
9-52 V DC, 2.0 mA |
| The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments.
Features
Rugged reinforced glass-fibre body
Low sensitivity to impact and handling noise
Very high sound pressure handling capability
Low distortion microphone
Hum compensating coil
Easy to position due to compact design
Integral stand mount
Delivery Includes
1 e 604
1 drum clip
1 pouch
Technical Data
Frequency Response 40.....18000 Hz
Sensitivity in free field, no load (1kHz) 1,8 mV/Pa
Min. terminating impedance 1000 Ohm
Dimensions d 33 x 59 mm
Weight w/o cable 60 g |
Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string musical instruments
|
Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin
Made in Germany
Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!
Flexible tool iN The studio
The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.
|
Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
|
- Especially for tom and snare recording
- Polar pattern: cardioid
- Frequency range: 40 - 18,000 Hz
- Impedance: 350 Ω
- Robust metal chassis
- Incl. special tom holder
- Bag included
- Dimensions: 63 x 41 mm
- Weight: 125 g
|
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