PALMER AUDIO MONICON XL Active Studio Monitor Controller

272.08 incl. GR VAT

Available on backorder

EAN: 4049521402883
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Latency-free analogue signal path Customisable Level indicator L/R with +4, +10 and +18 dBu calibration options Correlation meter for verifying mono-compatibility Two headphone outputs with volume controllers and main cue selector switches Three analogue inputs, one S/PDIF input Three loudspeaker outputs with volume controllers for level calibration Mono summed output for subwoofer or mono monitor […]

 

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  • Latency-free analogue signal path
  • Customisable
  • Level indicator L/R with +4, +10 and +18 dBu calibration options
  • Correlation meter for verifying mono-compatibility
  • Two headphone outputs with volume controllers and main cue selector switches
  • Three analogue inputs, one S/PDIF input
  • Three loudspeaker outputs with volume controllers for level calibration
  • Mono summed output for subwoofer or mono monitor
  • Main and cue direct outputs

Switching between different signal sources and monitors is one of the most common tasks in any studio. Ergonomic console design and two clearly structured control levels makes the Palmer MONICON XL the perfect, intuitive nerve centre for all your requirements. Selecting audio sources and loudspeakers is convenient and at the touch of a button.

The Palmer studio monitor controller features three analog stereo inputs, one S/PDIF input and outputs for three monitor pairs, each with its own volume controller for level calibration. A further mono summed full-range output is also available for connecting either a mono monitor or a subwoofer. An exclusive highlight of the MONICON XL is its correlation meter, which displays the phase difference between a stereo signal\’s left and right channels. This facilitates the quick and simple discovery of mono-compatibility errors in mixes. The controller is also customisable to your personal work style.

Its fully analogue audio circuit means that the MONICON XL demonstrates absolutely no latency or signal distortion. Additional features that are a must for any studio make the device far more than simply a monitor controller. Two headphone outputs with volume controllers and main cue selector switches, a cue master controller and an on/off talkback microphone with volume control are all also included. As are a mute button and a dim button, with volume control, that instantly reduces the monitor level by a pre-set amount.

Product type
Other Studio and Recording Equipment


Channels
3 x switchable balanced outputs, 1 x CUE output, 1 x main output


Inputs
3 + SPDIF


Input connectors
3.5 mm TRS , 6.3 mm jack , RCA , SPDIF


Input type
balanced/unbalanced (depending on TS/TRS connection)


Max. input level
20 dBu


Input impedance
(balanced) 10.000 Ohm(s) , (unbalanced) 5.000 Ohm(s)


Outputs
7 x stereo


Output connectors
TRS balanced (1 – 3) , TRS unbalanced (CUE, MAIN, headphones 1 & 2)


Output impedance
600 Ohm(s)


Frequency response
12 – 90000 Hz


Total Harmonic Distortion (THD)
0.002 % (BW 20 – 20,000 Hz)


Signal-to-noise ratio (SNR)
102 dB (a-weighted) @ + 4 dBu


Dynamic range (DR AES17)
115 dB


CMRR
> 55 dB


Max. attenuation
(Attenuator + Mute) 111 dB , (Attenuator) 86 dB


Controls
attenuation , Audio DIM , input selector , mono , mute , output selector , PFL source , Talkback


Housing material
sheet steel , wood


Cabinet surface
Powder coated


Width
254 mm


Height
84 mm


Depth
215 mm


Weight
1,512 kg

Weight 1.50 kg

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Quick Comparison

PALMER AUDIO MONICON XL Active Studio Monitor Controller removeDRAWMER CMC3 Monitor controller removeDRAWMER CMC7 - Surround Monitor Controller removePRESONUS Monitor Station V2 Monitor Controller removeDRAWMER MC 7.1 Surround Monitor Controller removeMACKIE BIG KNOB PASSIVE 2in/2out remove
NamePALMER AUDIO MONICON XL Active Studio Monitor Controller removeDRAWMER CMC3 Monitor controller removeDRAWMER CMC7 - Surround Monitor Controller removePRESONUS Monitor Station V2 Monitor Controller removeDRAWMER MC 7.1 Surround Monitor Controller removeMACKIE BIG KNOB PASSIVE 2in/2out remove
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SKUPMONICONXLUA31161UA31162APA2018-21688UA30860149.076
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Price 272.08 incl. GR VAT537.70 incl. GR VAT550.00 incl. GR VAT 295.00 incl. GR VAT1,211.00 incl. GR VAT 79.00 incl. GR VAT
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Description
Content
  • Latency-free analogue signal path
  • Customisable
  • Level indicator L/R with +4, +10 and +18 dBu calibration options
  • Correlation meter for verifying mono-compatibility
  • Two headphone outputs with volume controllers and main cue selector switches
  • Three analogue inputs, one S/PDIF input
  • Three loudspeaker outputs with volume controllers for level calibration
  • Mono summed output for subwoofer or mono monitor
  • Main and cue direct outputs
Switching between different signal sources and monitors is one of the most common tasks in any studio. Ergonomic console design and two clearly structured control levels makes the Palmer MONICON XL the perfect, intuitive nerve centre for all your requirements. Selecting audio sources and loudspeakers is convenient and at the touch of a button. The Palmer studio monitor controller features three analog stereo inputs, one S/PDIF input and outputs for three monitor pairs, each with its own volume controller for level calibration. A further mono summed full-range output is also available for connecting either a mono monitor or a subwoofer. An exclusive highlight of the MONICON XL is its correlation meter, which displays the phase difference between a stereo signal\'s left and right channels. This facilitates the quick and simple discovery of mono-compatibility errors in mixes. The controller is also customisable to your personal work style. Its fully analogue audio circuit means that the MONICON XL demonstrates absolutely no latency or signal distortion. Additional features that are a must for any studio make the device far more than simply a monitor controller. Two headphone outputs with volume controllers and main cue selector switches, a cue master controller and an on/off talkback microphone with volume control are all also included. As are a mute button and a dim button, with volume control, that instantly reduces the monitor level by a pre-set amount. Product type Other Studio and Recording Equipment
Channels 3 x switchable balanced outputs, 1 x CUE output, 1 x main output
Inputs 3 + SPDIF
Input connectors 3.5 mm TRS , 6.3 mm jack , RCA , SPDIF
Input type balanced/unbalanced (depending on TS/TRS connection)
Max. input level 20 dBu
Input impedance (balanced) 10.000 Ohm(s) , (unbalanced) 5.000 Ohm(s)
Outputs 7 x stereo
Output connectors TRS balanced (1 - 3) , TRS unbalanced (CUE, MAIN, headphones 1 & 2)
Output impedance 600 Ohm(s)
Frequency response 12 - 90000 Hz
Total Harmonic Distortion (THD) 0.002 % (BW 20 - 20,000 Hz)
Signal-to-noise ratio (SNR) 102 dB (a-weighted) @ + 4 dBu
Dynamic range (DR AES17) 115 dB
CMRR > 55 dB
Max. attenuation (Attenuator + Mute) 111 dB , (Attenuator) 86 dB
Controls attenuation , Audio DIM , input selector , mono , mute , output selector , PFL source , Talkback
Housing material sheet steel , wood
Cabinet surface Powder coated
Width 254 mm
Height 84 mm
Depth 215 mm
Weight 1,512 kg

CMC3 - Monitor Controller

FULLY FEATURED MONITOR CONTROLLER FOR STUDIOS OF ALL SIZES. PRECISE, COMPACT & AFFORDABLE.

The CMC3 Compact Monitor Controller consolidates the feature sets of Drawmer's 3 most popular monitor controllers: Whilst retaining the famed accurate, and transparent audio quality of the MC2.1, it has the precision and control of the MC3.1 and the low profile, compact design of the CMC2. It is equally at home in a serious home studio as in a professional recording facility.

There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller. Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? There are far to many monitor controllers available that do in one way or another - Drawmer monitor controllers do not flavour, colour, warm, improve or brighten the signal, the active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear.

Accurate & Transparent

With the same Drawmer pedigree as the MC2.1, the CMC3 circuit is just as transparent and accurate. It has been designed to remove the limitations that a passive circuit brings, such as the ability to increase the volume for quiet passages and improved mix checking, without adding the artifacts that lesser quality active circuits introduce. 

You hear exactly what you've recorded!

Precision

The CMC3 supports 3 sets of stereo monitors, plus a dedicated mono speaker/sub-woofer output, each can be switched individually and simultaneously and in any order, especially useful for A/B comparisons. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether. 

The volume control utilizes a parallelled custom quad pot for excellent channel matching and smooth feel, as does the secondary preset volume control on the front. This provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.

Multiple Connections

The CMC3 is very well connected with 4 stereo inputs in total: 1x SPDIF digital input (24 bit/192kHz), using the same DAC chipset as our established MC3.1 monitor controller, 2 stereo balanced jack inputs, plus a 3.5mm jack with variable level control for your Smartphone/MP3 Player.

In addition, it has a 2 professional quality headphone outputs with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC3 does through the speakers. Talkback is also included with internal or external microphone, level control and audio routing to a dedicated mono output jack & headphones.

Advanced Mix Checking

The comprehensive mix checking facilities of the CMC3 include dim, mono, phase reverse, left and right cut as well as an easy access mute switch, allowing you to check the quality of your recordings: tune into your mix to hear any unwanted artefacts, test the effectiveness of the stereo mix, check for phase cancellation, listen to the stereo difference. Features that many monitor controllers lack.

Compact

The CMC3 packs a lot of features into a small unit. The whole package is presented in a very low profile desktop enclosure of just 3.5cm high with a footprint of 27x16cm (10.5”x6.5”x1.4”).

Tough & Secure

Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC3 is built to last. In addition, a Kensington security slot provides protection from thieves.

Features:
  • Ultra low noise and transparent circuit design.
  • Source switches can be active in any combination. 4 Inputs in Total - 1x Digital SPDIF (192 kHz / 24 Bit) & 2 on balanced analogue 1/4" jacks & 1 3.5mm Front Panel Aux jack for your Smartphone/MP3.
  • 3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel.
  • 2x Headphone Amplifiers with Individual Level Controls with easy access to the jacks on the front.
  • Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc.
  • Built In Talkback with Level Control, Internal or External Microphone, and Internal Routing to a Mono Output Jack & Headphones.
  • Comprehensive Mix Checking facilities Include Dim, Phase Reverse and Mono, Left and Right Cut as well as an easy access Mute switch.
  • Kensington security slot (also called a K-Slot or Kensington lock).
  • Very low profile desktop enclosure with a footprint of just 18x16cm.
  • Stylish and Rugged Enclosure will withstand the knocks of the studio.
  • Designed and manufactured by Drawmer in the UK.

The CMC7 is a compact 8 channel / 7.1 / 5.1 surround volume controller and cost-effective alternative to the more complex and feature rich MC7.1. In order to maintain it's compact proportions and to keep the product budget friendly the CMC7 does away with controls that can often be found within your workstation software and concentrates on essential features such as ease of use and the quality of the signal path, ensuring that the audio is transparent and accurate across all channels and operation intuitive. 

Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all-encompassing orchestral piece, one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever-increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. The budget friendly CMC7 allows you to do this without the large financial outlay that other setups will produce.

Coming from the same stable as the MC2.1, MC3.1 and MC7.1 you can be sure of the same high quality for the Drawmer CMC7 Surround Monitor Controller. The circuit is just as transparent and accurate. It's controls have the same quality feel and operation and the huge volume knob provides excellent channel matching, and smooth feel.

You hear exactly what you've recorded!

Surround Sound

The 8 inputs and outputs are provided via two balanced 25 pin d-sub connectors wired to the Tascam standard making connecting easy. It allows for 8 independent channels, 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc, the setup is up to the user.

With the Stereo Mix switch active the surround mix can be bounced down to a 2.1 signal in the front left and right monitors and sub-woofer, to test the quality of the recording when in stereo. In addition, it has a professional quality stereo headphone output with a separate amplifier and level control, that provides private mix checking, a DIM switch reduces output by 20dB and a MUTE switch is also available to cut the output completely.

Precision

The circuit design of the CMC7 ensures that the channel matching of all 8 channels is consistent throughout the full range of the volume control. Other manufaturers of surround controllers use multi-ganged potentiometers to achieve the levels of the 8 channels, this is especially true of passive surround controllers, this simplifies the circuit but leads to discrepancies in the level of each channel, especially at the lower and upper volumes, where accurate channel matching can vary wildly.

Compact

The CMC7 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC7 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.

Tough & Secure

Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC7 is built to last. In addition, a Kensington security slot provides protection from thieves.

Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

Features:
  • Ultra low noise and transparent circuit design.
  • All 8 inputs and outputs are via 2 tascam standard 25 Pin D-Sub connectors making connection to interfaces and speakers simple and intuitive.
  • Mix down switch enables you to check the Surround as a Stereo mix with an independent Sub switch controlling the LFE/Sub.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • A large volume knob incorporating excellent channel matching and smooth feel.
  • An independent Headphone Amplifier with Individual Level Control with jack on the rear.
  • Kensington security slot (also called a K-Slot or Kensington lock).
  • Very low profile desktop enclosure with a footprint of just 18x16cm.
  • Stylish and Rugged Enclosure will withstand the knocks of the studio.

 

Manage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer—all from your desktop. Switch quickly and easily between up to four audio sources with a selection of input types. Audition your music with your choice of three stereo pairs of speaker outputs, each with separate level control—and four screaming-loud headphone outs. With Monitor Station V2, you can evict the drummer from the main room, banish the guitarist to the bathroom, shove the singer into a closet, and make them like it.

MC7.1 - Surround Monitor Controller

MULTIPLE SOURCE STUDIO MONITOR CONTROLLER FOR 7.1/5.1 SURROUND & STEREO APPLICATIONS.

The Drawmer MC7.1 Surround Monitor Controller is a combined 7.1/5.1 and stereo monitor controller. Designed to provide all the mix checking features required for surround recordings without compromising on those used in stereo monitoring. It has the same pristine & transparent design as others from the Drawmer monitor controller pedigree, with a rugged desk top "wedge" form factor as used in the popular MC3.1. 

Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all encompassing orchestral piece, be it in 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc., one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. 

Boasting two sets of balanced 7.1 Inputs, a 7.1 through, 1 Balanced Stereo Input and a convenient front panel Aux Input, with Balanced 7.1 Speaker outs and an independent Stereo main out with its own sub woofer option, there are no shortage of connectivity options. The Drawmer MC7.1 is capable of supporting any speaker seup, from mono, to stereo, various modes of surround, or 8 independent channels, depending on input type and speaker positioning.

The MC7.1 is a powerful Surround Monitor Controller in its own right, but is also perfect for controlling and checking your stereo mixes. This is one area where other surround monitoring controllers fall short. All studios, whether dedicated to film audio post production, or small home studio will at at some time (if not most of the time) work in stereo as well as surround. Aside from the surround capabilities, the MC7.1 contains the same comprehensive set of stereo "mix check" functions that are presented on the MC3.1 and which can of course be applied to the stereo input channel or any of the surround channels when these are routed to stereo.

The ability to "mix down" the surround mix to the FL and FR speakers OR the independent Stereo main speakers combined with the comprehensive cut or solo matrix means any combination of the surround channels can be listened to in the front mains. Want to focus in on the rear channels? Simply mix down to the front stereo speakers then solo them out of the mix! Whilst soloing out the centre or LFE channels give a central mono representation across the fronts or stereo mains!

Speaker level matching with switchable Mono/Sub output, the popular Low/Mid/High band solo feature, Internal Talkback Mic with footswitch control, and External Talkback Mic input are all brought over from the MC3.1, completing the rich array of features available on the MC7.1.

  • Pristine, ultra low noise & transparent circuit design gives you an accurate representation of your mix whether it be surround or stereo.
  • There are a total of 20 input sources. These include two separate 7.1 inputs (one via balanced jacks and one via 25 pin D-sub) with a through output to send to a multitrack recorder, for example. A Stereo input via Neutrik combijacks, and a Top panel 3.5mm AUX Input & Level Control for connecting MP3 players, smartphones or tablets etc.
  • 3x Sets of Speaker Outputs. One 7.1 (or 8 Speakers in any configuration), one Stereo Left/Right pair, and one Mono/Sub. Each can be switched individually & simultaneously or give A/B comparisons. All eleven outputs have level trims to provide precise channel matching and ease of calibration.
  • Each of the eight 7.1 speakers can be cut or soloed individually.
  • 7.1 channels can be mixed down to 5.1, Stereo and Mono, though any configuration of up to 8 monitors should be possible depending on the source and the speaker layout.
  • Stereo outputs (including those mixed down from surround) can be monitored via the main stereo speaker outputs or the FL and FR from the surround speakers.
  • When in stereo operation comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
  • Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has excellent channel matching and smooth feel.
  • 2x Headphone Amplifiers with Individual Level Control.
  • Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, & Internal Routing to Headphones and also a Mono Output Jack.
  • The MC7.1 is all analogue so won’t need to be rebooted due to software crashes, and doesn’t require firmware updates.
  • Desktop 'wedge' form factor with a rugged steel chassis and a Kensington security slot for added protection.

The Mackie Big Knob Passive is a monitor controller that allows you to choose between two audio sources and two monitor pairs. It can be used for project and professional studios and is designed to increase your workflow for recording and mixing applications.

It features mono, mute, and dim functions and delivers pristine audio quality. Built with the classic Big Knob volume control, it is designed with a passive audio path, which requires no power supply. The Big Knob Passive studio monitor controller is sturdy and has a built-like-a-tank design.

The Big Knob Passive features a download for ProTools | First and Waveform software and The Musician\'s Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer\'s serial number on the website.

  • Choose between two sources and two monitor pairs
  • Classic Big Knob volume control
  • Mono, mute, and dim functions
  • Flexible source connections including convenient 3.5mm input for your smartphone
  • 1/4\" inputs and outputs support balanced or unbalanced connections
  • Passive design requires no power source
  • Content
    • Pro Tools | First and Waveform OEM professional software and plugin packages included
    • The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
  • Included Software from Avid, including Pro Tools | First
    • An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems. 
    • In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
      • Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
      • Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
      • BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
      • Black Op Distortion: Add rich distortion based on a classic distortion pedal
      • Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
      • Black Spring Reverb: Get the twang and space of a vintage amplifier
      • C1 Chorus: Emulates a classic chorus pedal
      • DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
      • Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
      • Flanger: Create esoteric sounds with this homage to vintage and modern flangers
      • Graphic EQ: Sculpt frequencies with ease
      • Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
      • Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
      • In-Tune: Keep your instruments in tune with this digital tuner
      • Orange Phaser: Create interesting effects with this phase shifter based on a classic design
      • Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
      • Sci-Fi: Add analog synth-type ring and frequency modulation
      • Studio Reverb: Create natural-sounding reverb and ambient effects
      • Tape Echo: Add vintage analog delay and chorus effects
      • Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
      • Vari-Fi: Create the effect of audio changing tape speed
      • Vibe Phaser: Add phase-shift and rotary speaker effects
      • White Boost: Boost gain without coloring tone

Inputs 4 x 1/4\" TRS Balanced/Unbalanced Line Inputs
1 x 1/8\" / 3.5 mm TRS Unbalanced Stereo Input
Outputs 4 x 1/4\" TRS Balanced/Unbalanced Monitor Outputs
Mono/Mute/Dim Yes
Frequency Response 10 Hz to 30 kHz (±1 dB, 0 dBu Input)
THD + N
Weight1.50 kg1.50 kg1.50 kg2.00 kg3.00 kg1.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.50 kg
Weight 1.50 kg
Weight 1.50 kg
Weight 2.00 kg
Weight 3.00 kg
Weight 1.20 kg

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