AKG PERCEPTION 120 Condenser microphone

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Live sound Podcasting Home recording Vocals Musical instruments Perception 120 General-purpose cardioid recording microphone Extended frequency response Roadworthy construction Switchable 20 dB preattenuation pad Switchable bass cut filter Designed and engineered by AKG in Vienna, Austria The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent […]

 

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Live sound
Podcasting
Home recording
Vocals
Musical instruments
Perception 120
  • General-purpose cardioid recording microphone
  • Extended frequency response
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Designed and engineered by AKG in Vienna, Austria

The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.

Backed by AKG\’s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.

Type 2/3\” Diaphragm True Condenser
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 22 mV/Pa (-33 dBV)
Max. SPL 130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level 22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 72 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave at 300 Hz
Impedance
Recommended load impedance >= 1,000 ohms
Powering
Power requirement 48 V phantom power to DIN/IEC
Connector 3-pin XLR
Finish metallic blue
Dimensions 53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight 525 g (18.5 oz.)
Shipping weight 955 g (33.7 oz.)
Weight 0.50 kg

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Quick Comparison

AKG PERCEPTION 120 Condenser microphone removeRODE NT-1000 1 STUDIO CONDESER MICROPHONE removeNEUMANN TLM-193 Cardioid Condenser Microphone removeAKG C-214 Condenser Microphone removeRODE NT-1A STUDIO CONDESER MICROPHONE BUNDLE removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones remove
NameAKG PERCEPTION 120 Condenser microphone removeRODE NT-1000 1 STUDIO CONDESER MICROPHONE removeNEUMANN TLM-193 Cardioid Condenser Microphone removeAKG C-214 Condenser Microphone removeRODE NT-1A STUDIO CONDESER MICROPHONE BUNDLE removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones remove
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SKUPERCEPTION 120H11RD00002H11NE00001C 214H11RD00025E005251
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Price 110.00 incl. GR VAT 332.00 incl. GR VAT 1,399.00 incl. GR VAT 408.00 incl. GR VAT 188.00 incl. GR VAT67.00 incl. GR VAT
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Description
ContentLive sound
Podcasting Home recording Vocals Musical instruments Perception 120
  • General-purpose cardioid recording microphone
  • Extended frequency response
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications. Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type 2/3\" Diaphragm True Condenser
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 22 mV/Pa (-33 dBV)
Max. SPL 130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level 22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 72 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave at 300 Hz
Impedance
Recommended load impedance >= 1,000 ohms
Powering
Power requirement 48 V phantom power to DIN/IEC
Connector 3-pin XLR
Finish metallic blue
Dimensions 53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight 525 g (18.5 oz.)
Shipping weight 955 g (33.7 oz.)

NT1000 - ?Pure Performance? Ultra Versatile 1? Studio Condenser Microphone.

With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the
R?DE NT1000 exhibits exceptional performance when recording both vocals
and instruments in the studio.
Voiced for ?application versatility?, the NT1000 has been hailed by many as the
ultimate drum over-head and grand piano mic selection. The NT1000 is also
equally at home as a first call vocal mic. With its Australian made 1? HF-2 capsule
incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range,
and 140 dBA SPL capabilities and a 20 Hz ? 20 kHz frequency response.
Built of a heavy-duty cast metal satin nickel body, the NT1000 incorporates a
high-strength, heat-treated mesh head, and comes supplied in a zip pouch with a
stand mount.

SPECIFICATIONS:
Acoustic principle:
Externally polarised 1? (25mm) pressure-gradient condenser
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651:
> 88dB (A-weighted, per IEC268-15)
Equvalent noise:
6dB SPL (A-weighted per IEC268-15) +/-1dB
Maximum spl:
> 140dB SPL (@ 1kHz, 1% THD into 1k( load)
Sensitivity:
-36dB re 1V/Pa (16mV @ 94dB SPL) +/-1dB
Dynamic range din iec 651: > 134dB (A-weighted, per IEC268-15)
Power supply voltage: P48 (35V - 53V)
Current consumption: 6mA
Weight without battery: 682 gm
Weight with battery:  882 gm

Acoustical operating principlePressure gradient transducer
Directional patternCardioid
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohms18 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-321 dB
Equivalent SPL DIN/IEC 65110 dB-A
S/N ratio CCIR 468-373 dB
S/N ratio DIN/IEC 65184 dB
Maximum SPL for THD 0.5%140 dB
Maximum output voltage13 dBu
Dynamic range of the microphone amplifier DIN/IEC 651130 dB
Supply voltage48 V ± 4 V
Current consumption3 mA
Matching connectorsXLR 3F
Weight480 g
Diameter49 mm
Length175 mm
AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61 The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII. Sonic character of the C414 XLII for beautifully detailed recording of lead vocals and solo instruments Outstanding dynamic range and ultralow noise for close-up recording of high-output sources of up to 156dB SPL Switchable 20dB attenuator and bass-cut filter for close-up recording and reduction of proximity effect Integrated suspension to reduce mechanical noise and vibration from stage Roadworthy design all-metal die-cast body with shock- and scratch-resistant finishThe RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones. Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
  • Large 1" (25mm) capsule with gold plated diaphragm
  • Cardioid polar pattern
  • Self noise of only 5dB (A)
  • Ultra low noise, transformerless surface mount circuitry
  • Wide dynamic range
  • Gold plated output contacts
  • True condenser (externally biased)
  • Internal capsule shock mounting
Microphone Impedance: 100 Ohms Microphone Dynamic Range: > 132dB (per IEC268-15) Microphone Sensitivity: -31.9dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) Microphone Diameter: 50mm Microphone Powering: +48 Volts (Phantom Power) Physical Weight: 326.00g Frequency Curve Image:
Behringer C-2 2 Matched Studio Condenser Microphones 2 Matched Studio Condenser Microphones
  • 2 matched condenser microphones for stereo studio recording and live applications
  • Ideal as main and support microphones for studio and live applications
  • Cardioid pickup pattern for effective feedback elimination
  • Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
  • Switchable low-frequency roll-off and input attenuation
  • Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Sound That Astounds Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity. Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response. Excellent Source Isolation The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. You Are Covered We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world. As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.
Weight0.50 kg1.50 kg0.48 kg0.40 kg3.00 kg0.90 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 1.50 kg
Weight 0.48 kg
Weight 0.40 kg
Weight 3.00 kg
Weight 0.90 kg