| Content | The PRM1 Precision Reference Microphone is a special type of condenser microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools such as real-time analyzers (RTAs) and spectrographs.
- ¼-inch, pre-polarized electret-condenser capsule
- Linear frequency response between 20 Hz and 20 kHz
- Omnidirectional polar pattern
- Low noise, low distortion
- All-metal chassis
- Comes with a clip, foam windscreen, and hard case
- High-quality components and rugged construction
- Suitable for system analysis and measurement
- Especially recommended for use with PreSonus StudioLive mixers and VSL with Smaart® Measurement Technology
| General Specifications |
| Type |
Black electret condenser |
| Element |
Pressure, FET preamplifier |
| Polar Pattern |
Omnidirectional |
| Connections |
| Polarity |
Pin 2 output positive voltage (relative to Pin 3) when diaphragm receives positive pressure (moves inward) |
| Connector |
3-pin XLR Male |
| Performance |
| Frequency Response |
20 Hz to 20 kHz |
| Sensitivity (@ 1 kHz open-circuit voltage) |
-37 dB/Pa (14 mV/Pa) 1 Pa=94 dB SPL |
| Rated Impedance |
200Ω |
| Minimum Load Impedance |
1,000Ω |
| EIN (A-weighted) |
26 dB |
| Max. SPL (1 kΩ load) |
132 dB SPL (THD ≤ 1%, 1 kHz) |
| Dynamic Range (1 kΩ load) |
106 dB |
| S/N Ratio |
70 dB |
| Power |
| Phantom Power |
9-52V |
| Current Consumption |
2 mA |
| Physical |
| Length |
7.56" (192 mm) |
| Width |
0.83" (21 mm) |
| Weight |
5.3 oz (150g) |
| Finish |
Metal, matte black |
| Environmental Conditions |
10-50˚ C, humidity 0-95% |
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Back-electret Microphone Capsule suitable for K6 and K6P Powering Modules. The ME 64 is a cardioid microphone capsule designed for use with the K6 and K6P powering modules. It has a very wide range of applications including reporting, interviews, dubbing, live sound reinforcement and recording applications. Matte black, anodized, scratch-resistant finish.
Features
Excellent directivity across whole frequency range
Very good feedback rejection
Effective rejection of incidental rear noise
High speech clarity
High maximum sound pressure level
Wide frequency range
Integrated pop filter
|
Technical specifications | Polar pattern | | hypercardioid | | Frequency range | | 50 to 20,000 Hz | | Sensitivity | | 20 mV/Pa (?34 dBV) | | Max. SPL | | 125 dB (k=1 %) | | Equivalent noise level | | 21 dB-A | | Signal/noise ratio (A-weighted) | | 73 dB | | Impedance | | 600 ohms | | Recommended load impedance | | >2000 ohms | | Supply voltage | | 9 to 52 V phantom power, requires DPA adapter (supplied with most Installation Modules) | | Current consumption | | | | Connector | | Discreet Acoustics Modular standard | | Finish | | matte dark gray | | Dimensions | | 13.5 x 20 mm dia. (0.5 dia. x 0.8 in.) | | Net weight | | 5 g (0.17 oz.) | | Shipping weight | | 88 g (3.1 oz.) | | Accessories (included) | | W 30 |
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Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 PP: For hardwire applications, with standard XLR connector for phantom powering. |
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
- A standard for acoustic instruments, including guitar and cymbals
- Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
- Built-in, switchable 10 dB attenuator for use in high SPL situations
- Phantom power only
- Windscreen included
- Low noise and high output clipping
- Cardioid condenser
- Frequency response: 20 to 20,000 Hz
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C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
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