RODE iXY CONDESER MICROPHONE FOR iPhone-iPad

 Manual Download

The RΟDE iXY is the ultimate recording microphone for iPhone®, iPad® or iPod® touch. With up to 24-bit/96k* recording and on-board high-fidelity A/D conversion, your iXY recordings are rich, smooth and accurate.

At the heart of the iXY is a matched pair of ½" cardioid condenser capsules, fixed in a perfect 90 degree ʽnear-coincident' alignment. This results in immersive and true-to-life stereo recordings, captured in incredibly high detail.

The iXY is supplied with a foam windshield for outdoor recording as well as a reinforced protective zip case to ensure your iXY is available whenever you need it.

For more information and to hear audio samples visit www.ixymic.com.

The iXY is compatible with iPhone® 4S, iPhone® 4, iPad® (3rd generation), iPad® 2, iPad® & iPod touch® (4th generation).

*RØDE Rec or RØDE Rec LE app required for 24/96 quality.

iPhone, iPod and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.

The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.

Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62

Technical Data
Pick-up pattern  omni 
Sensitivity in free field, no load (1kHz)  31 mV/Pa +- 2,5 dB 
Nominal impedance  200 Ohm (K6) 
Min. terminating impedance  1000 Ohm (K6) 
Equivalent noise level  15 dB 
Equivalent noise level weighted as per CCIR 468-3  27 dB 
Dimensions  d 22,5 x 94 mm 
Weight  30 g 

The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.

The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.

The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.

• Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
• Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
• Mono compatibility ideal for broadcast applications
• 40 to 20,000 Hz frequency response
• Low noise and distortion
• Wide dynamic range
• Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
• Operates on phantom power or a 6V camera battery
• LED power indicator
• Internal shock mount for reduced stand vibration and handling noise
• Built-in "pop" screen
• Includes windscreen, swivel adapter, and Y-cable

 Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter

One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.

• A standard for acoustic instruments, including guitar and cymbals
• Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
• Built-in, switchable 10 dB attenuator for use in high SPL situations
• Phantom power only
• Windscreen included
• Low noise and high output clipping
• Cardioid condenser
• Frequency response: 20 to 20,000 Hz

C 568 B 

Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
 
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
 
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption