RODE Stereo Video Mic SVM STEREO Condenser Camera Microphone

119.00 incl. GR VAT

Available on backorder

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This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording. Now videographers may use true ʽstudioʼ stereo recording techniques in […]

 

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This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews.

Rode Stereo Video Mic Features

  • Stereo X/Y condenser microphone
  • Broadcast sound quality
  • Two stp high-pass filter – flat or 80 Hz
  • Rugged cast aluminum body
  • 9V battery operation
  • Custom designed integral windshield
  • Low noise circuitry
  • Low handling noise
  • Integral camera-shoe mount
  • Includes Dead Kitten windscreen

 

 

  • Acoustic Principle: Pressure Gradient
  • Directional Pattern: Super Cardioid
  • Frequency range: 40 Hz – 20 kHz
  • Output Impedance: 200 Ohms
  • Signal/Noise Ratio: 74 dB SPL (A – weighted per IEC651)
  • Equivalent Noise: 20 dB SPL (A – weighted per IEC651)
  • Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
  • Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
  • Battery Life: 60+ hours
  • Output Connection: Stereo mini jack plug – ø3.5mm (Right Channel – Ring, Left Channel – Tip)
  • Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
  • Weight: .72 lbs (330 grams)

 

Weight 0.50 kg

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Quick Comparison

RODE Stereo Video Mic SVM STEREO Condenser Camera Microphone removeNEUMANN BCM-104 BROADCAST CARDIOID CONDENSER MICROPHONE removeAUDIO TECHNICA AT897 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY removeAUDIO TECHNICA BP892cW-TH BROADCAST HEAD MICROPHONE removeRODE NTG4 SUPER CARDIOID SHOTGUN MICROPHONE removeSENNHEISER MD-42 Reporting Dynamic Microphone remove
NameRODE Stereo Video Mic SVM STEREO Condenser Camera Microphone removeNEUMANN BCM-104 BROADCAST CARDIOID CONDENSER MICROPHONE removeAUDIO TECHNICA AT897 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY removeAUDIO TECHNICA BP892cW-TH BROADCAST HEAD MICROPHONE removeRODE NTG4 SUPER CARDIOID SHOTGUN MICROPHONE removeSENNHEISER MD-42 Reporting Dynamic Microphone remove
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Description
Content

This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews. Rode Stereo Video Mic Features

  • Stereo X/Y condenser microphone
  • Broadcast sound quality
  • Two stp high-pass filter - flat or 80 Hz
  • Rugged cast aluminum body
  • 9V battery operation
  • Custom designed integral windshield
  • Low noise circuitry
  • Low handling noise
  • Integral camera-shoe mount
  • Includes Dead Kitten windscreen
   
  • Acoustic Principle: Pressure Gradient
  • Directional Pattern: Super Cardioid
  • Frequency range: 40 Hz - 20 kHz
  • Output Impedance: 200 Ohms
  • Signal/Noise Ratio: 74 dB SPL (A - weighted per IEC651)
  • Equivalent Noise: 20 dB SPL (A - weighted per IEC651)
  • Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
  • Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
  • Battery Life: 60+ hours
  • Output Connection: Stereo mini jack plug - ø3.5mm (Right Channel - Ring, Left Channel - Tip)
  • Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
  • Weight: .72 lbs (330 grams)
 

Internally switchable proximity effect compensation and sensitivity reduction.

The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.

Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user

Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.

Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.

Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.

Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm

Audio-Technica's AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Short length (11“) ensures mic stays out of the shot -- even when used with compact digital cameras
Smooth, natural-sounding on-axis audio quality
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 20-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -40 dB (10.0 mV) re 1V at 1 Pa Battery: -41 dB (8.9 mV) re 1V at 1 Pa
Impedance: Phantom: 200 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 129 dB SPL, 1 kHz at 1% T.H.D. Battery: 115 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 112 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 77 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off (recessed)
Weight: 5.1 oz (145 g)
Dimensions: 10.98" (279.0 mm) long, 0.83" (21.0 mm) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8134 windscreen; battery; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case

Audio-Technicaʼs high-SPL BP892 MicroSet® offers the ultimate in low-profile, high-performance audio. Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight BP892 hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit.

The microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.

Handles high sound pressure levels with ease
Extremely intelligible natural audio
Inconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibility
Ergonomic under-ear design—flexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glasses
Comes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn unit for maximum stability and comfort
High-pass filter on power module provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Omnidirectional
Frequency Response: 20-20,000 Hz
Low Frequency Roll-Off: 80 Hz, 18 dB/octave (wired only)
Open Circuit Sensitivity: –49 dB (3.5 mV) re 1V at 1 Pa
Impedance: 250 ohms (wired only)
Maximum Input Sound Level: 135 dB SPL, 1 kHz at 3% T.H.D.
Dynamic Range: (Typical)    104 dB, 1 kHz at Max SPL (wired only)
Signal-To-Noise Ratio: 63 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 11-52V DC, 2 mA typical (wired only)
Switch: Flat, roll-off (wired only)
Current Consumption: 0.1 mA typical at 5V (wireless only)
Voltage Range: 2.5-11V (wireless only)
Weight (Microphone):    Microphone, boom & earpiece: 2.6 g (0.09 oz)
Weight (Power Module): 85 g (3.0 oz) (wired only)
Dimensions Microphone: 8.1 mm (0.32“) long, 2.6 mm (0.10“) diameter Boom: 98.4 mm (3.87“) long, 1.07 mm (0.04“) diameter
Dimensions (Power Module)@ 97.6 mm (3.84“) long, 18.9 mm (0.74“) diameter (wired only)
Output Connector: (Power Module)    Integral 3-pin XLRM-type
Cable: 1.4 m (55“) long (permanently attached to microphone), 1.6 mm (0.06“) diameter, 2-conductor shielded cable with locking 4-pin connector (wired only)
Accessories Furnished: BP892: AT8539 power module (wired only); AT8464 dual-ear microphone mount; AT8440 cable clip; two AT8157 windscreens; two AT8156 element covers; moisture guard; belt clip (wired only); carrying case BP892-TH: AT8539 power module (wired only); AT8464-TH dual-ear microphone mount; AT8440 cable clip; two AT8157-TH windscreens; two AT8156-TH element covers; moisture guard; belt clip (wired only); carrying case
Audio-Technica Case Style: M31


Broadcast sound quality
Low noise circuitry
Rugged metal construction
Convenient digital switching
High Frequency Boost
High Pass Filter (Flat/75Hz)
PAD (-10db)
Ten year extended warranty with online registration
The NTG4 builds on the platform created by RØDE's award-winning NTG1 shotgun microphone. A broadcast-quality directional condenser microphone designed to provide premium audio recording in a versatile range of applications including on-camera and boom mounted.

Visit the NTG4 feature page

NTG4 Specifications
Acoustic Principle    Line Gradient
Capsule    0.50“
Polar Pattern    Supercardioid
Address Type    End
Frequency Range    20Hz - 20kHz(selected HPF @75Hz)
Output Impedance    200Ω
Maximum SPL    135dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity    -32.0dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted)    16dB-A
Power Options    +12V phantom power+24V phantom power+48V phantom power
Weight    126gm
Dimensions    225mmH x 22mmW x 22mmD
Output    XLR Output
Warranty    1 year with free extension to 10 years following registration

The MD 42 is a high-quality reporter's microphone with omni-directional pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 42 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.
Features

    Two-ply sound inlet basket provides increased protection from wind and pop noise
    Rugged metal housing
    Rubber mounted capsule (or Elastically mounted capsule) ensures low sensitivity to handling noise
    Omni-directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partner

Pick Up Pattern omni-directional

Frequency response 40 - 18 000 Hz

Sensitivity 2,0 mV/Pa

Ιmpedance 1000 Ohm

Dimensions Ø 49 x 250 mm

Weight 360 gr

Weight0.50 kg1.00 kg0.30 kg0.30 kg0.20 kg0.10 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 1.00 kg
Weight 0.30 kg
Weight 0.30 kg
Weight 0.20 kg
Weight 0.10 kg