SENNHEISER Ambeo VR Mic Condenser Microphone with four microphone capsules in a tetrahedral arrangement

The AMBEO VR MIC uses Ambisonics. Ambisonics is a technology for sound field description and playback at a single point in space. The recorded signals can be reproduced from all directions in space. This enables full audio immersion – with sound arriving from all directions (360°) in three dimensions (3D). The AMBEO VR MIC is fitted with four microphone capsules in a tetrahedral arrangement. The microphone\'s four capsules produce signals in Ambisonics\' A-format that are then converted to Ambisonics\' B-format using the AMBEO A-B format converter software. The software is available as a plug-in for Mac and PC. Playback through loudspeakers or headphones requires the use of software that supports Ambisonics\' B-format rendering/decoding. Editing and working with audio recorded using the AMBEO VR MIC requires tools that support Ambisonics\' B-Format (most VR audio workflows).

Delivery includes

- AMBEO VR MIC - Shock mount - Windshield - DIN12 to 4× XLR-3M adapter cable

The R?DE NT6 is specifically designed for difficult mounting applications. Although
clearly relevant to instrument mic'ing, the new NT6 is extremely well suited to any
situation where a small 'unobtrusive' but powerful microphone system is required.
The NT6 utilises the 1/2" (externally biased) gold sputtered true condenser transducer
used in the internationally renowned R?DE NT5. The capsule is designed to attach to
a custom made, multi-position swivel mount allowing it to be independently positioned
with ease.
To further increase the versatility of the NT6, it is supplied with 2 thread adaptors - 1/4"
to 5/8" and 1/4" to 3/8" that enable the capsule assembly to be securely attached to a
wide variety of mic stands, tripods and boom poles.
The capsule is connected to the pre-amplifier (body) by a custom 3 m Kevlar? fibre reinforced
cable. Housed within the heavy duty satin-nickel-plated body, is a state-of-the-art low noise
balanced output preamplifier, exhibiting a wide dynamic range and full frequency response.
The surface-mount pre-amplifier circuit also incorporates a 2-position variable pad: 0 dB an -10 dB
attenuation, and a 2-position variable high-pass filter that enables you to step from a flat response
to 80 Hz high pass filter; both conveniently located away from the capsule, providing additional
control without the need to move the capsule once in position.
The NT6 is intended for Film, Television, Broadcast, Live Performance, Theatre, Television,
Surround and Environmental recording applications or wherever your imagination takes you.
The NT6 is produced in R?DE's design and manufacturing facility in Sydney, Australia. Utilising
state of the art computer controlled machining and assembly technologies, R?DE is able to
achieve levels of finish and repeatability of the most exacting standards and tolerances.
The NT6 comes supplied with Microphone Preamp (Body), Capsule, 3 m Kevlar? fibre reinforced
cable, RM5 Stand Mount, 2-axis Swivel Mount, 2 thread adaptors, ZP1 Zip Pouch and WS5 Wind Shield.
 
FEATURES:
? 1/2? (externally biased) gold sputtered true condenser capsule ? Heavy duty satin-nickel-plated body
? 2-position variable pad: 0 dB and -10 dB ? 2-position variable high-pass filter: flat and 80 Hz ? Surface
mount technology ? Low noise ? Wide dynamic range ? Full frequency response ? Supplied complete
with 2-axis swivel mount, 2 thread adaptors, M5 clip, WS5 (Black) Wind Shield and Soft Pouch ? Designed
& manufactured in Australia ? Full 2 year guarantee 
 
Operation power:
The NT6 is designed to operate from phantom power to the P48 standard. The NT6 will operate
between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector. 
Operation output impedance:
Output Impedance: The NT6 will operate satisfactorily into a load impedance as low as 1 kΩ. If a
load below this is used, the output signal level will be reduced. The NT6 output is balanced between
pin 2 (hot) and pin 3 (cold). Pin 1 is ground.
 Acoustic principle:
Externally polarised 1/2" (13mm) pressure gradient condenser
Directional pattern:  Cardioid
Frequency range:
40 Hz ~ 20,000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
75 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 19 dB SPL (per IEC651, IEC268-15)
Maximum spl:
138 dB (@ 1% THD into 1 kΩ)148 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity:
-38 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB
Dynamic range din iec 651: 119 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Weight: 386 grm.
Maximum output voltage: 6 dBu (@ 1% THD into 1 kΩ)
Pin assignment:
3 pin XLR, balanced output between pin 2(+), pin (-) & pin 1 (ground)
 

The Stereo wonder. The new NT4, a visually striking microphone that solves
the age-old problem of stereo recording by eliminating the need to purchase
matched pairs and the associated complex set-up bars and adaptors to get
professional results. With a fixed 90 Deg. X/Y configuration and perfectly
matched stereo condenser capsules, the NT4 lets you record any source with
immaculate stereo detail.
The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering
selectable battery or phantom power operation with power indicator light, the NT4
is ideally suited to both studio and location recording.
The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack
and dual XLR cables for portable DAT or professional balanced input connection.

SPECIFICATIONS:
Acoustic principle:
Stereo Microphone. 90° XY placement. Each side comprises an
externally polarised single diaphragm condenser transducer
Directional pattern:  Cardioid per capsule
Frequency range:  20Hz - 20kHz
Output impedance: 200? per side
Signal noise ratio din iec 651: 78dB
Equvalent noise:128 dB
Power supply voltage:
P48 (38V?52V), P24 (20V-26V), P12 (10.8V-13.2V), 9V battery
Current consumption:  4 mA, 2 mA, 2.8 mA, 2.4mA
Weight without battery:  480g
Weight with battery:  2.3kg
 

The ME 65 is a super-cardioid microphone head designed for use with the K6 and K6P powering modules. It is especially suited to vocal and speech applications. Matt black, anodised, scratch-resistant finish.

• Pick-up pattern : super-cardioid
• Sensitivity in free field, no load (1kHz) : 10 mV/Pa +- 2,5 dB
• Nominal impedance : 200 Ohm (K6)
• Min. terminating impedance : 1000 Ohm (K6)
• Equivalent noise level : 20 dB
• Dimensions : d 44 x 131 mm
• Weight :

• Ultra-light vibration pickup
• Condenser transducer in sealed enclosure
• Cable with lockable miniature XLR connector

The e 914  is a high grade condenser microphone  for very demanding applications.
Its outstanding sound properties qualify the e 914 for highly sophisticated tasks.
The e 914 is a perfect microphone for ambitious recordings and live performances.
Its main areas of application are acoustic guitars, cymbals, percussion, overhead,
orchestras, grand pianos etc . 
 
Features
Exceptionally lively, clear sound
Three-position sensitivity switch
Three-position bass roll-off/cut-off switch
Very high sound pressure handling capability
Exchangeable microphone capsule
Delivery Includes
e 914 microphone
Microphone clamp
Windscreen
Pouch
User manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...20 000 Hz 
Sensitivity in free field, no load (1kHz)  7 mV/Pa 
Equivalent noise level  19 dB(A) 
Attenuation  0, -10, -20 dB 
Max. Sound pressure level (aktiv)  137, 147, 157 dB 
Nominal impedance  100 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  24 x 157 mm 
Weight  198 g