SOUND DEVICES MixPre-6 Digital recorder/Usb interface

1,338.00 incl. GR VAT

Available on backorder

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Frequency Response10Hz to 80kHz +/- 0.5dB re 1kHz @ 192kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs Mic: XLR active-balanced; 4k input Z Line: XLR active-balanced; 4k input […]

 

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Frequency Response10Hz to 80kHz +/- 0.5dB re 1kHz @ 192kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs

  • Mic: XLR active-balanced; 4k input Z
  • Line: XLR active-balanced; 4k input Z
  • Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
  • Line: ¼-inch TRS active-balanced; 4k input Z
  • USB Audio: 4 channels
  • All inputs fully RF-filtered and overload protected.

Gain

  • Mic input: +6dB to +76dB
  • Line input: -20dB to +30dB
  • Fader: -inf to +20dB
  • Headphone: -inf to +20dB
  • Total, Mic-to-recording (max): +96dB
  • Aux In (Mic): Gain = +10dB to +40dB
  • Aux In (Line): Gain = -10dB to +20dB
  • Total Aux Gain including Fader (Mic-to-recording): +60dB

Maximum Input Level

  • Mic XLR: +14dBu (limiters on or off)
  • Line XLR/¼-inch: +40dBu (limiters on or off)
  • Aux In (Mic): -10dBu
  • Aux In (Line): +10dBu

Low Cut Filters40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering

  • Mic XLRs: 48V via 6.8k resistors, 10mA each
  • Mic 3.5mm: 3V @ 3k source Z

LimitersLimiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital. DAC feeding Stereo Out, Headphone Out32 bit precision; 115dB dynamic range (A-weighted) Stereo Out3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level Headphones Out3.5mm TRS stereo unbalanced, for use with any impedance headphones USB

  • Audio Interface (USB-C): 8-in/4-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
  • Mass Storage (USB-C): USB 2.0 high speed
  • Keyboard (USB-A): Text entry and control

Maximum Record Tracks 8 Tracks: Stereo mix + 6 ISOs Sampling Frequency

  • 44.1 kHz
  • 48 kHz
  • 96 kHz
  • 192 kHz

Bit Depth16, 24 Recording Storage

  • Type: SD, SDXC, SDHC Card
  • Max Storage Size: 512 GB (SDXC)
  • Card format: FAT32 (32GB or less) or exFAT (>32GB)

File TypeWAV (Broadcast Wave File Format) with embedded timecode stamp and metadata Timecode Modes

  • Time of Day (file stamped w/current ToD)
  • LTC Input (file stamped w/incoming LTC on Aux 3.5mm)
  • HDMI TC (file stamped w/incoming TC from HDMI & sample clock slaved from HDMI sample clock. Only works on specific cameras that support HDMI TC.

Timecode Frame Rates:

  • Auto-detects (fps): 23.98 (same as 23.976)
  • 24
  • 25
  • 29.97
  • 29.97DF
  • 30

Remote Control

  • Bluetooth Smart: Wireless control using Wingman app
  • HDMI: Auto-record start/stop trigger from cameras that output record flag over HDMI
  • Timecode: Auto-record start/stop trigger via Aux In timecode

Touch Screen320x240; 1.6-inch, color, sunlight-viewable IPS LCD Power

  • AA Batteries: 4x AA sled (included); 8x AA sled (optional accessory). NiMH recommended
  • From computer: Bus-powered via USB-C port; use MX-USBY cable (included), connects one USB-C to two USB-A ports
  • AC Adapter: MX-Charge (not included) Power supply wall adapter w/ USB-C connector; 15W; has 4 adapter plugs for US, UK, AU & Europe
  • L-Mount: Optional sled for 2x (hot-swappable) Sony L-type Li-ion batteries

Environmental

  • Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
  • Storage: -40°C to 85°C

Dimensions and Weight

  • Dimensions: 166 mm x 118 mm x 36 mm (H x W x D); 6.53” x 4.65” x 1.40”
  • Weight: .56 kg; 19.9 oz. (unpackaged, without batteries)

Specifications are subject to change without prior notice.

Weight 1.00 kg

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Quick Comparison

SOUND DEVICES MixPre-6 Digital recorder/Usb interface removeAPOGEE X-VID EXPANSION CARD FOR Video I/O for Big Ben removeEDIROL UR-80 USB RECORDING SYSTEM AND CONTROLLER removeDIGIDESIGN Pro Tools Custom Keyboard — Mac removeDIGIDESIGN Pro Tools Custom Keyboard-Windows removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD remove
NameSOUND DEVICES MixPre-6 Digital recorder/Usb interface removeAPOGEE X-VID EXPANSION CARD FOR Video I/O for Big Ben removeEDIROL UR-80 USB RECORDING SYSTEM AND CONTROLLER removeDIGIDESIGN Pro Tools Custom Keyboard — Mac removeDIGIDESIGN Pro Tools Custom Keyboard-Windows removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD remove
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SKUMIXPRE6X-VIDUR-80ProToolsCustomKeyboardMacProToolsCustKeyWinLIQUID MIX HD
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Price 1,338.00 incl. GR VAT 462.73 incl. GR VAT 395.35 incl. GR VAT 103.93 incl. GR VAT 94.04 incl. GR VAT 282.00 incl. GR VAT
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Description
Content

Frequency Response10Hz to 80kHz +/- 0.5dB re 1kHz @ 192kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs

  • Mic: XLR active-balanced; 4k input Z
  • Line: XLR active-balanced; 4k input Z
  • Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
  • Line: ¼-inch TRS active-balanced; 4k input Z
  • USB Audio: 4 channels
  • All inputs fully RF-filtered and overload protected.
Gain
  • Mic input: +6dB to +76dB
  • Line input: -20dB to +30dB
  • Fader: -inf to +20dB
  • Headphone: -inf to +20dB
  • Total, Mic-to-recording (max): +96dB
  • Aux In (Mic): Gain = +10dB to +40dB
  • Aux In (Line): Gain = -10dB to +20dB
  • Total Aux Gain including Fader (Mic-to-recording): +60dB
Maximum Input Level
  • Mic XLR: +14dBu (limiters on or off)
  • Line XLR/¼-inch: +40dBu (limiters on or off)
  • Aux In (Mic): -10dBu
  • Aux In (Line): +10dBu
Low Cut Filters40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering
  • Mic XLRs: 48V via 6.8k resistors, 10mA each
  • Mic 3.5mm: 3V @ 3k source Z
LimitersLimiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital. DAC feeding Stereo Out, Headphone Out32 bit precision; 115dB dynamic range (A-weighted) Stereo Out3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level Headphones Out3.5mm TRS stereo unbalanced, for use with any impedance headphones USB
  • Audio Interface (USB-C): 8-in/4-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
  • Mass Storage (USB-C): USB 2.0 high speed
  • Keyboard (USB-A): Text entry and control
Maximum Record Tracks 8 Tracks: Stereo mix + 6 ISOs Sampling Frequency
  • 44.1 kHz
  • 48 kHz
  • 96 kHz
  • 192 kHz
Bit Depth16, 24 Recording Storage
  • Type: SD, SDXC, SDHC Card
  • Max Storage Size: 512 GB (SDXC)
  • Card format: FAT32 (32GB or less) or exFAT (>32GB)
File TypeWAV (Broadcast Wave File Format) with embedded timecode stamp and metadata Timecode Modes
  • Time of Day (file stamped w/current ToD)
  • LTC Input (file stamped w/incoming LTC on Aux 3.5mm)
  • HDMI TC (file stamped w/incoming TC from HDMI & sample clock slaved from HDMI sample clock. Only works on specific cameras that support HDMI TC.
Timecode Frame Rates:
  • Auto-detects (fps): 23.98 (same as 23.976)
  • 24
  • 25
  • 29.97
  • 29.97DF
  • 30
Remote Control
  • Bluetooth Smart: Wireless control using Wingman app
  • HDMI: Auto-record start/stop trigger from cameras that output record flag over HDMI
  • Timecode: Auto-record start/stop trigger via Aux In timecode
Touch Screen320x240; 1.6-inch, color, sunlight-viewable IPS LCD Power
  • AA Batteries: 4x AA sled (included); 8x AA sled (optional accessory). NiMH recommended
  • From computer: Bus-powered via USB-C port; use MX-USBY cable (included), connects one USB-C to two USB-A ports
  • AC Adapter: MX-Charge (not included) Power supply wall adapter w/ USB-C connector; 15W; has 4 adapter plugs for US, UK, AU & Europe
  • L-Mount: Optional sled for 2x (hot-swappable) Sony L-type Li-ion batteries
Environmental
  • Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
  • Storage: -40°C to 85°C
Dimensions and Weight
  • Dimensions: 166 mm x 118 mm x 36 mm (H x W x D); 6.53” x 4.65” x 1.40”
  • Weight: .56 kg; 19.9 oz. (unpackaged, without batteries)

Specifications are subject to change without prior notice.

The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.

The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal


•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal

•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently

 

Features
  • Support for PAL, NTSC and 60 Hz B&W standards
  • One composite video input and three composite video outputs
  • Can operate as a master black-burst generator
  • Can operate as genlocking slave device

 

UR-80: 24 Bit/96 kHz USB Recording System Features

  • Over forty assignable controls
  • Up to 24-bit/96KHz recording
  • 2x XLR/TRS combo jack with qualified microphone preamp & phantom power
  • Included HQ-GM2, HyperCanvas software synthesizer
  • ASIO2.0/WDM, MacOS X compatible drivers, low-latency support.
  • UR-80 Editor Software Included
  • V-Link support

Knob8Fader9Rotary Encoder1Button25LED10Number of Memory SetsPreset1User7Number of Audio Record/Playback Channels (Full duplex (except for 96 kHz setting))Record2 channels (stereo)Playback2 channels (stereo)Signal ProcessingAD/DA Conversion24 bits (linear)PC interface24 bitsSampling Frequency24 bitsDigital output44.1/48/96 kHzDigital input32/44.1/48/96 kHz* Built-in realtime sample rate converterAD/DA Conversion44.1/48/96 kHzFrequency Response96.0 kHz20 Hz to 40 kHz (+0 dB/-2 dB)48.0 kHz20 Hz to 22 kHz (+0 dB/-2 dB)44.1 kHz20 Hz to 20 kHz (+0 dB/-2 dB)Nominal Input Level (variable)Input Jack 1, 2 (XLR type)-50 to -10 dBuInput Jack 1, 2 (1/4 inch TRS phone type)-35 to +4 dBuInput ImpedanceInput Jack 1, 2 (XLR type)5 k ohmsInput Jack 1, 2 (1/4 inch TRS phone type, Lo-Z)32 k ohmsInput Jack 2 (Hi-Z)1 M ohmsNominal Output LevelOutput Jack0 dBuOutput ImpedanceOutput Jack1 k ohmsHeadphones160 ohmsResidual Noise LevelOutput Jack-90 dBu or less
(input terminated with 1 k ohms, OUTPUT VOLUME: max., INPUT SENS = min., INPUT MONITOR = min., IHF-A, typ.)InterfaceUSB
Digital input/output Coaxial type
Optical type(conforms to S/P DIF)ConnectorsInput Jack 1, 2 (XLR type (phantom power)
1/4 inch TRS phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Headphones Jack (Stereo 1/4 inch phone type)
Output Jack L/R (RCA phone type)OthersPower SupplyAC adaptorCurrent Draw1000 mAAccessoriesInstallation Guide
Owner's Manual
USB cable
AC adaptor
CD-ROM
Overlay Sheets with Application LabelsSize and WeightWidth379 mm14-15/16 inchesDepth239 mm9-7/16 inchesHeight84 mm3-5/16 inchesWeight1.7 kg3 lbs. 11 oz.

Work faster in your Pro Tools® environment with direct access to primary transport and editing functions. This affordable Digidesign® Pro Tools Custom Keyboard uses the same symbols and color coding system built into the ICON D-Control™ worksurface and other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards.

With functionality specific to Mac systems, the keyboard features plug-and-play USB connectivity.

Features

  • Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
  • Based on Apple Mac G5 Pro Keyboard
  • Two USB ports and USB connection cord

System Requirements
  • Digidesign-qualified Mac-based Pro Tools|HD®, Pro Tools LE™, or Pro Tools M-Powered™ system. (Note that some key commands are available only with Pro Tools HD software or with the DV Toolkit™ 2 option for Pro Tools LE.)

Designed for Windows based Pro Tools systems, the affordable Digidesign Pro Tools Custom Keyboard WIN let users work faster in their Pro Tools environment by providing direct access to primary transport and editing functions.

The Digidesign Pro Tools Custom Keyboard use the same symbols and color coding system built into the keyboards on the ICON D-Control worksurface and the other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards. The Digidesign Pro Tools Custom Keyboard provides plug-and-play USB connectivity and offers a fresh new look at a lower price than ever before. The keyboard also supports a PS-2 connection for maximum compatibility.

Digidesign Pro Tools Custom Keyboard WIN Features

  • Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
  • Windows - PS-2 connection cord and USB adapter for easy connection with either method

Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD

Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.

Weight1.00 kg0.30 kg1.70 kg0.50 kg1.00 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.30 kg
Weight 1.70 kg
Weight 0.50 kg
Weight 1.00 kg
Weight 1.00 kg