Content |
SECOND HAND Soundcraft GB8 40 channel with flight case !!!
GOOD CONDITION
PRICE WITHOUT VAT 23%
Specification
Analogue/Digital: | Analogue | Frame Sizes: | 24 32 40 48 | Stereo Channels: | 4 | Digital I/O: | No | FX Processors: | 0 | Fixed Send (Group) Buses: | 8 | EQ Bands: | 4 | Variable Send (Aux) Buses: | 8 | Returns: | 5 | Direct Outputs: | Yes | Matrix Buses: | 4 | Main Bus Out: | LRC |
| SECOND HAND with Flight Case
USED IN PERFECT CONDITION. All channels works perfect
Price does not include vat 24%
Venice is Midas' first truly compact console built in direct response to customer demand.
It does exactly what was asked in that it provides a high quality alternative in a huge number
of applications where previously Midas was not an option. These range from smaller conference
or live band applications, to effects returns or additional inputs in a large multi-console application,
or indeed as part of a small complete mobile system. It also provides the perfect feature set
for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact
and light enough to fit on even the most cramped performance area. As usual, Midas has paid
attention to the details that set their consoles apart taking care to provide high quality mic
preamps and a stable, responsive EQ section, just as they do on their larger consoles.
The simple but intuitive outputs make the overall configuration of the console extremely quick
and easy to use.
Features and Specifications Venice 320
Inputs (total) 46
Mono-Inputs (Mic/Line) with Inserts 24
Stereo-Line/Mono-Mic-Input Channels 4/4
Stereo-Effect-Returns (Line) 4
Stereo-Tape-Return (Line)
Busses 15
Subgroups 4
Aux Pre-Fader (Monitor) 2
Aux Post-Fader (Effects) 2
Aux switchable Pre/Post-Fader 2
Master L/R 2
Mono-PFL 1
Stereo-AFL 2
Outputs
Subgroups (with Inserts) 4 impedanced balanced 1/4 inch jacks
Aux Pre-Fader (Monitor) 2 XLR (balanced)
Aux Post-Fader (Effects) 2 impedanced balanced 1/4 inch jacks
Aux switchable Pre/Post-Fader 2 XLR (balanced)
Master (with Inserts) 2 XLR (balanced)
Master B Out 2 XLR (balanced) (switchable Mono/Stereo, pre- post
Fader) 2 XLR (balanced)
Tape Send (Recording) 1 Stereo (Phono)
Direct Outputs (1/4 inch Jack) 24
Stereo-Headphones 2 Stereo-1/4 inch jack
Stereo-Speakers 2 impedanced balanced 1/4 inch jacks
Additional Features
Connector for desk lamps 2 x 12V/5W (4-Pin XLR)
19?-rack-mounting- kit, -
rotatable connector panel -
Accesories
Dust Cover (included)
12 V Desk Lamp (not included)
Input Transformer (not included)
Technical Data
Input Impedance
Mic 2 Kohms Balanced
Line 20 Kohms Balanced
Input Gain
Mic Continuously variable 0dB to +60dB
Line (Mono Channell) Continuously variable -20dB to +40dB
Line (Stereo Channel) Continuously variable -10dB to +20dB
Line Level Inputs 0dB
Maximum Input Level
Microphone and Line +22dBu
Line Level Inputs (Mono) +42dBu
Line Level Inputs (Stereo) +22dBu
CMR at 1kHz
Mic (Gain +30dB) > 80dB Line > 40dB
CMR at 100Hz
Mic (Gain +30dB) 70dB typical
Frequency Response (20Hz-20kHz)
Mic to Mix (Gain +60dB) + 0dB to -1dB
Noise (20Hz-20kHz)
Mic EIN ref. 150gain +60dB -129dBuMic EIN ref. 150gain 0dB -107dBu
System Noise (20Hz-20kHz)
Summing Noise (12 channels routed, faders down) -90dBu
Line to Mix Noise (12 channels routet at 0dB) -84dBu
Distortion at 1kHz
Mic to Insert (+30dB Gain. +20dBu Output) Typ 0,0007%
Mic to Master (+30dB Gain, +20dBu Output) < 0,009%
Crosstalk at 1kHz
Channel to Channel < -80dB
Mix to Mix < -80dB
Channel to Mix < -80dB
Fader Attenuation > 100dB
Switch Rejection > 100dB
Output Impedance
Line Outputs 75 Ohm balanced
Headphones to drive 32 Ohm
Maximum Output Level
Master Outputs +25dBu
Line Outputs +22dBu
Headphones +22dBu / 600
Nominal Signal Level
Microphone - 60dBu to 0dBu
Line 0dBu
Equaliser Mono Channel
Hi Pass Filter 2nd order Butterworth, 80Hz
Treble +/-15dB at 12kHz (Shelv)
Hi Mid Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB
Lo Mid Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB
Bass + /-15dB at 80Hz (Shelv)
Equaliser Stereo Channel
Treble +/-15dB at 12kHz (Shelv)
Hi Mid 3kHz (1,4 Oct) +/-15dB
Lo Mid 300Hz (1,4 Oct) +/-15dB
Bass +/-15dB at 80Hz (Shelv)
Size (mm/inch)
Width 906 / 35.7?
Depth 568 / 22.4?
Heights 194 / 7.6?
Weight (kg/lb) 25,8 / 56.9 | PRICE WITHOUT VAT 24%
Used Yamaha mixer that has been tested by our techs and works fine. Also comes optional with a real solid road case with all clasps working great. Terrific protection for this mixer.
With 20 channels and 500W per side or 1,000W bridged, the Yamaha EMX5000-20 20-Channel Powered Mixer will handle the bigger gigs and bands. Channels 1-16 provide XLR and TRS phone connection. Channels 17/18 and 19/20 have phone and RCA jacks. Channel inserts on all 16 mono channels. 3-band EQ is provided on all channels, plus a 9-band graphic. Dual SPX 24-bit digital effects engines deliver 2 blocks of 16 presets. 4 aux sends include 2 pre/post and 2 for effects. 2 - 13-point meters. Other features include a power select switch, low-pass filter on mono out, standby switch, lamp connector, and a footswitch connection for Effect 2 on/off and Tap.
Features
- Power - 500W per side (1,000W bridged)
- Power select switch (500W/300W/100W)
- Channels - 20
- Channel inserts on 16 mono channels
- EQ: 3 Band graphic EQ on all channels
- 4 aux sends (2 pre/post, 2 effects)
- Frequency Response - 20 Hz–20 kHz +1 dB
- Graphic Equalizer - 9 band
- Effects - Dual blocks of 16 - 24-bit digital effects
- Phantom Power - +48V phantom power
- 2 - 13-point meters
- Yamaha speaker processing
- Low-pass filter on mono out
- Standby switch
- Footswitch connection for Effect 2 on/off and Tap
- Lamp connector (Lamp Included)(Case has foam lined pocket for light)
- Mixer Dimensions - 27” W x 6” H x 21” D
- Case Dimensions - 28 3/4" x 8" x 26"
- Weight - 42 lbs Without Case / 80 lbs in case
This auction is for a used YAMAHA EMX5000 powered mixer in excellent condition. Has some marks on the carry handle and a couple of marks on the back panel. Just reviewed by our service tech and everything is working.
PRICE WITHOUT VAT 24%
| VERY GOOD CONDITION
Si Performer 3 Highlights |
• |
Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer |
• |
2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others. |
• |
Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list! |
• |
1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer. |
• |
TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders. |
• |
Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again! |
• |
DMX interface - control sound and light from the same device. |
• |
BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing. |
• |
Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings. |
• |
Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup. |
• |
D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs. |
• |
Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions. |
• |
Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor. |
• |
Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus. |
• |
Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc. |
|
|
|
|
Key Features
• 32 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface |
Reviews
There are no reviews yet.