STAGG DM-5020-H Microphone for Tom

47.00 incl. GR VAT

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Polar Pattern: Cardioid (unidirectional) – Output Impedance: 500 Ohm – Sensitivity: 1.8 mV/Pa; -54 dB (1V/Pa @ 1 Khz) – Freq. Response: 60 Hz to 13 Khz – Net Weight: 210 g / 7.4 oz – Shock-mounted cartridge in diecast metal case w/ universal 3/8″ & 5/8″ thread swivel mount and built-in 3-pin XLRM connector […]

 

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Polar Pattern: Cardioid (unidirectional) – Output Impedance: 500 Ohm – Sensitivity: 1.8 mV/Pa; -54 dB (1V/Pa @ 1 Khz) – Freq. Response: 60 Hz to 13 Khz – Net Weight: 210 g / 7.4 oz – Shock-mounted cartridge in diecast metal case w/ universal 3/8″ & 5/8″ thread swivel mount and built-in 3-pin XLRM connector – ROHS Compliant – Colour: Black.

Weight 1.00 kg

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Quick Comparison

STAGG DM-5020-H Microphone for Tom removeSENNHEISER E-609 Dynamic Microphone for Strings removeSHURE SM-57LCE - Dynamic Instrument Microphone removeAKG C 451B B/ST Matched Pair removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz remove
NameSTAGG DM-5020-H Microphone for Tom removeSENNHEISER E-609 Dynamic Microphone for Strings removeSHURE SM-57LCE - Dynamic Instrument Microphone removeAKG C 451B B/ST Matched Pair removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz remove
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SKUH10ST00003H10SE00147SM-57LCEC 451B STEREO PAIR520DXBETA 56A
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Price 47.00 incl. GR VAT 98.00 incl. GR VAT 119.95 incl. GR VAT 917.03 incl. GR VAT 165.12 incl. GR VAT 196.80 incl. GR VAT
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Only 1 left in stock (can be backordered)

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Description
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Polar Pattern: Cardioid (unidirectional) - Output Impedance: 500 Ohm - Sensitivity: 1.8 mV/Pa; -54 dB (1V/Pa @ 1 Khz) - Freq. Response: 60 Hz to 13 Khz - Net Weight: 210 g / 7.4 oz - Shock-mounted cartridge in diecast metal case w/ universal 3/8" & 5/8" thread swivel mount and built-in 3-pin XLRM connector - ROHS Compliant - Colour: Black.

The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.

Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g

The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
  • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
  • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
  • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
  • Pneumatic shock-mount system cuts down handling noise
  • Extremely durable under the heaviest use
  • Frequency response: 40 to 15,000 Hz
Frequency Range 40 Hz to 15 kHz
Impedance 150 Ohms
Load Impedance 310 Ohms
Sensitivity 56 dBV/Pa (Open Circuit Voltage, 1 kHz)
Color Gray
Mounting 5/8"-27 Female, Mic Clip (Included)
Construction Material Steel, Steel Wire Grille
Dimensions ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
Weight 10.02 oz / 284 g
 

Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

Features:

  • Identical acoustics of the legendary CK 1.
  • Rugged construction.
  • Ruler-flat on-axis frequency response.
  • Precise, nearly frequency independent cardioid.
  • Extremely accurate signal transfer.
  • Transformerless output stage for minimum distortion at low frequencies.
  • Protected against electrostatic and magnetic interference.
  • Selectable 10-dB and 20-dB preattenuation pads.
  • Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
  • Operates on phantom power to DIN/IEC between 12 V and 48 V.
  • Complete with SA 40 stand adapter and W 90 windscreen.
  • Each microphone comes with its own individual frequency response plot.

Specifications:

  • Polar pattern: Cardioid
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 9 mV/Pa (-41 dBV)
  • Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
  • Equivalent noise level (CCIR 468-3): 29 dB
  • Equivalent noise level: 18 dB-A
  • Signal/noise ratio (A-weighted): 76 dB
  • Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
  • Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
  • Impedance: 1000 ohms
  • Supply voltage: 9 to 52 V phantom power to DIN 45596
  • Current consumption:

Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.

  • New volume control knob allows musicians to adjust the volume to fit each musical situation
  • New rugged, dynamic cartridge with improved response
  • High-impedance, omnidirectional
  • Supplied with 1/4 inch connector
  • Frequency response: 100 to 5,000 Hz

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
Weight1.00 kg0.14 kg1.00 kg2.00 kg0.80 kg0.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.14 kg
Weight 1.00 kg
Weight 2.00 kg
Weight 0.80 kg
Weight 0.80 kg