| Content | Professional, Hypercardioid, Electret Microphone for drums
(overhead pair, cymbals, hi-hats), stringed instruments & vocals# Features: Shock-mounted cartridge/metal housing/ Integral protection grille/ Built-in 3-pin XLRm connector #Spec's/ Element: pre-polarized backplate (electret)
- Polar pattern: hyper-cardioid
- Imp: 100 Ohms (balanced)
- Sensitivity: 12.6 mV/Pa or -38dB (1V/Pa @ 1 Khz)
- Freq. Resp: 30 Hz to 18 Khz
- Max SPL: 135 dB (1% THD @ 1Kz)
- S/N ratio: >70 dB (Ref. 1Pa, A-weighted)
- Power source (external): 9-52 Vdc (phantom)
- Size(diam*length): (20 * 128) mm/ (0.79 * 5.04) in
- Weight: 110 g/ 3.9 oz
- Including: Break-resistant swivel adator/ Foam windscreen
- ROHS Compliant- Colour: Silver-Aluminium Matt |
The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.
Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62
Technical Data
Pick-up pattern omni
Sensitivity in free field, no load (1kHz) 31 mV/Pa +- 2,5 dB
Nominal impedance 200 Ohm (K6)
Min. terminating impedance 1000 Ohm (K6)
Equivalent noise level 15 dB
Equivalent noise level weighted as per CCIR 468-3 27 dB
Dimensions d 22,5 x 94 mm
Weight 30 g
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Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 PP: For hardwire applications, with standard XLR connector for phantom powering. |
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
- A standard for acoustic instruments, including guitar and cymbals
- Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
- Built-in, switchable 10 dB attenuator for use in high SPL situations
- Phantom power only
- Windscreen included
- Low noise and high output clipping
- Cardioid condenser
- Frequency response: 20 to 20,000 Hz
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The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.
Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g
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Back-electret Microphone Capsule suitable for K6 and K6P Powering Modules. The ME 64 is a cardioid microphone capsule designed for use with the K6 and K6P powering modules. It has a very wide range of applications including reporting, interviews, dubbing, live sound reinforcement and recording applications. Matte black, anodized, scratch-resistant finish.
Features
Excellent directivity across whole frequency range
Very good feedback rejection
Effective rejection of incidental rear noise
High speech clarity
High maximum sound pressure level
Wide frequency range
Integrated pop filter
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