LD Systems PPA 2 Phono RIAA Preamplifier and Equalizer

30.00 incl. GR VAT

Only 5 left in stock (can be backordered)

EAN: 4049521179440
Installments calculation
CompareAdd to wishlist Submit Better Price
User’s manual   Ultra compact phono preamplifier and equalizer Proper RIAA equalization RCA inputs and outputs 6.3 mm stereo headphone output connector Sturdy metal housing 12 V AC/DC adapter included The LD Systems PPA 2 is a very compact analogue phono preamplifier, which equalises the extremely low output signal of conventional turntables to RIAA standards. […]

 

Read more

User’s manual

 

  • Ultra compact phono preamplifier and equalizer
  • Proper RIAA equalization
  • RCA inputs and outputs
  • 6.3 mm stereo headphone output connector
  • Sturdy metal housing
  • 12 V AC/DC adapter included

The LD Systems PPA 2 is a very compact analogue phono preamplifier, which equalises the extremely low output signal of conventional turntables to RIAA standards. It allows you to connect to devices without any phono input, such as mixers, PA power amplifiers or sound cards. The phono inputs are designed as RCA jacks, just like the line outputs; the PPA 2 also has a screw terminal for the ground conductor of the turntable and a 6.3 mm stereo jack for connecting a headset. The THD factor of the preamplifier is below 0.05% and the channel separation is -75 dB. The LD Systems PPA 2 uses a 12 V AC adapter; a bright LED indicates the power supply on the top of the sturdy metal chassis.

Product type

Other Studio and Recording Equipment


Type

Stereo Input / Stereo Output


Frequency response

RIAA Curve Hz


Signal-to-noise ratio

70 dB


THD

Weight 0.30 kg

Reviews

There are no reviews yet.

Be the first to review “LD Systems PPA 2 Phono RIAA Preamplifier and Equalizer”

Your email address will not be published. Required fields are marked *

Quick Comparison

LD Systems PPA 2 Phono RIAA Preamplifier and Equalizer removeFOCUSRITE ISA 428 MKII FOUR CHANNELS MIC PREAMPLIFIER removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removeEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier remove
NameLD Systems PPA 2 Phono RIAA Preamplifier and Equalizer removeFOCUSRITE ISA 428 MKII FOUR CHANNELS MIC PREAMPLIFIER removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removeEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier remove
Image
SKULDPPA2ISA 428 MKIIE-PREPDI-100E005316AUCPR12
Rating
Price 30.00 incl. GR VAT 2,523.00 incl. GR VAT 162.49 incl. GR VAT 130.19 incl. GR VAT 166.00 incl. GR VAT 487.31 incl. GR VAT
Stock

Only 5 left in stock (can be backordered)

Available on backorder

Available on backorder

Only 4 left in stock

Available on backorder

In stock

AvailabilityOnly 5 left in stock (can be backordered)Available on backorderAvailable on backorderOnly 4 left in stockAvailable on backorderIn stock
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
ContentUser's manual  
  • Ultra compact phono preamplifier and equalizer
  • Proper RIAA equalization
  • RCA inputs and outputs
  • 6.3 mm stereo headphone output connector
  • Sturdy metal housing
  • 12 V AC/DC adapter included
The LD Systems PPA 2 is a very compact analogue phono preamplifier, which equalises the extremely low output signal of conventional turntables to RIAA standards. It allows you to connect to devices without any phono input, such as mixers, PA power amplifiers or sound cards. The phono inputs are designed as RCA jacks, just like the line outputs; the PPA 2 also has a screw terminal for the ground conductor of the turntable and a 6.3 mm stereo jack for connecting a headset. The THD factor of the preamplifier is below 0.05% and the channel separation is -75 dB. The LD Systems PPA 2 uses a 12 V AC adapter; a bright LED indicates the power supply on the top of the sturdy metal chassis. Product type Other Studio and Recording Equipment
Type Stereo Input / Stereo Output
Frequency response RIAA Curve Hz
Signal-to-noise ratio 70 dB
THD

Mic Inputs
• Frequency response at minimum gain (0dB): -0.35dB at 20Hz and –3dB at 122kHz
• Frequency response at maximum gain (60dB): –2.5dB at 20Hz and –3dB 103kHz
• Gain range: 0dB to +60dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +7.4dBu
• THD+N: 0.0009% (measured at 1kHz -20dBu input signal, at 30dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise EIN: -126dB (measured at 60dB of gain with 150Ω termination and 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -98dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 123dB (relative to max output 25dBu)
• SNR: 120dB (relative to 0dBFS (+22dBu)
• CMRR: 88dB.
• Input Impedance, variable: 600Ω, 1400Ω, 2400Ω, 6800Ω

Line Inputs
• Frequency Response at unity gain (0dB): -0.3dB at 20Hz and –3dB at 94kHz
• Gain range: -20dB to +10dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +25.4dBu
• THD+N: 0.002% (measured with +4dBu input signal, 0dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -91dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 116dB (relative to max output 25dBu)
• SNR: 113dB (relative to 0dBFS +22dBu). Input Impedance: 10kΩ

Instrument Inputs
• Frequency Response at +10dB gain: -0.2dB at 20Hz and 0dB at 200kHz
• Frequency Response at +40dB gain: -3dB at 20Hz and –3dB at 38.4kHz
• Gain range: +10dB to +40dB continuously variable
• Maximum headroom: +11.5dBu
• THD+N: 0.006% (measured with –20dBu input signal, at minimum gain (+10dB), with a 20Hz/22kHz bandpass filter)
• Noise at main output with minimum gain (+10dB): -95dBu (measured with a 20Hz/22kHz bandpass filter)
• Input Impedance = >1MΩ

High Pass Filter
• Roll off = 18dB per octave 3 pole filter
• Frequency range: 16Hz to 420Hz (continuously variable, measured at the 3dB down point)

Meters
• 6 LED meter is calibrated 0dBFS = +22dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs). The meter calibration points are as follows:

Meter panel calibration value in dBFS / Equivalent dBu value
0dBFS / +22dBu
-2dBFS / +20dBu
-6dBFS / +16dBu
-12dBFS / +10dBu
-18dBFS / +4dBu
-42dBFS / -20dBu



Front and rear connectivity

Analogue Channel Inputs (Inputs 1-4)
• 4 instrument 1⁄4” TS jack inputs on front panel
• 4 microphone XLR inputs on rear panel
• 4 line 1⁄4” TRS jacks on rear panel
• 4 insert return 1⁄4” TRS jacks on rear panel
• 4 ADC XLR inputs on rear panel

Analogue Audio Outputs (Outputs 1-4)
• 4 line XLR outputs on rear panel
• 4 insert send 1⁄4” TRS jacks on rear panel

Other I/O
• IEC power input connector 100Vac – 240Vac

Front Panel Indicators
• 8 output meters, 6 segment
• 4 30-60 mic gain range selection indicator
• 4 +48V phantom power indicator
• 4 Phase indicator
• 4 Insert In indicator
• 4 Filter In indicator
• 4 Input selection indicators (Mic, Line, Inst)
• 4 Z In microphone input impedance selection indicators (Low, ISA110, Med, High) Clock select indicators (44.1, 48, 88.2, 96, 176.4, 192)
• Ext clock indicators (Lock, Word clock, 256X)

Weight
5.5kg
12.2lbs

Dimensions (W x H x D)
480mm (W) x 88mm (H) x 280mm (D)
19" (W) x 3.5" (H) x 11" (D)


Features
Superlative sound
Studio quality mic preamp
Total control - Input Gain, EQ contour, Output Gain,
Overload indicator
Multiple output connectors
XLR/jack combo input 
Switchable 48 V DC Phantom Power for condenser Mics
Compact, computer friendly package
Needs no external power supply
 
ARX is proud to introduce the e-pre - the ultimate microphone pre-amp for
hard disk recording, designed by audio professionals, not computer engineers.
The all-new e-pre is so much a part of your system that it fits right into a spare
5?" slot in your computer case! It's the perfect tool for all your day-to-day
recording requirements. No equipment racks to plug in, no masses of cabling to
connect - the e-pre is ready and waiting when you need it.
The e-pre is a studio quality microphone pre-amp using the same internal components
as high end mixing consoles, built into a compact, computer friendly package.
It has controls for:
Input Gain - fully variable from 10dB through to 60dB to suit all types of microphones,
plus switchable 48 V Phantom Power to enable condenser microphones to deliver
their best.
A Contour control for EQ sweetening, providing fast, easy access to a whole range
of useful EQ curves
Output level control - fully variable to match the e-pre's output to the input of the sound
card. From -10dB consumer cards through to +4dB for professional sound cards, the
e-pre can handle it.
Multiple output connectors match up with any kind of sound card, including mini jacks,
standard jack, RCA (phono) plugs, and even a connector to link to the internal CD ROM
audio input of your sound card (if fitted).
We've even fitted a 12 VDC input connector on the rear to enable the e-pre to run from an
external power supply if required (eg for use with notebook computers or stand-alone use).

Any way you look at it, the e-pre by ARX is the total professional microphone pre-amp for
all your hard disk recording needs

e-pre Benefits
Professional Balanced XLR mic input
True 48v phantom power
Runs into the Line input of ANY sound card - uses the card you've already paid for
High headroom = clean recordings
Smart EQ
Compatible with non-computer audio equipment
Professional performance and specs in a user friendly package
 

T E C H N I C A L  S P E C I F I C A T I O N S
Input Impedance
Mic 2 K Ohms Balanced; XLR type Pin 1 Audio Ground, Pin 2 +, Pin 3-
Line 25 K Ohms Balanced, ?" TRS jack Tip +, Ring , Sleeve Audio Ground
Phantom Power Voltage Switchable +48 V DC on XLR Pins 2 and 3
Max Input Level Mic +15 dB, Line +20 dB
Input Gain 10 dB Minimum, variable to 60 dB Maximum
Output Level -10 dB variable through 0 dB to +4 dB
Overload Indicator Measured at all Gain points throughout the circuitry
Output Noise -90 dB Unweighted, -97 dB 'A' weighted
(Measured with Gain nominal 20 dB, Output level -10 dB)
Frequency Response 20 - 20 KHz ± 0.25 dB
Distortion
100 Hz 0.0085%
1 KHz 0.008%
10 KHz 0.0083%
(Measured with Mic Gain 20 dB, Output 0 dB)
Power Requirements 12 V DC from either computer supply or external supply
(external power supply not included in e-pre package)
Size 148mmW x 42mmH x 150mm D (5?“W x 1?H x 6“D)
Weight Under 1 Kilo (2.2 lbs)
 

EWI PDI-100 PARA ACOUSTIC DI Box   This is a medium grade professional application Para Acoustic Active DI, which will work well on instruments with passive pickups or active pickups.  The construction is reasonably rugged and the components are well suited for the application yielding results that are typically acceptable for all but the most discerning artists.    The on-board tone and volume controls give the operator a lot of choices in shaping their sound prior to sending the signal to the mix console.  This allows an artist to use this device in-place of or in addition to a traditional stage amp for their instrument.  This is an excellent choice for IEM bands, or bands that like to keep their stage volume low.   This item is typically used to split the instrument signal going to a stage amp so a feed can be sent also to the mix board, or be used as a stand-alone instrument pre-amp.  It is equipped with a ¼” jack for input, a 1/4" jack for output to a stage amp, one XLR jack for the send to the board and a TRS jack for inserting an FX device.Since this is an active D.I. box, it needs to be powered which can be done either with Phantom Power from the mix board, or with the supplied internal 9v battery.  The battery is fairly easy to change by removing one screw in the bottom of the case.

Behringer MIC-2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box

The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQ?s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality.

The CPR12 is an easy to use, flexible and multifunctional 10 channel pre-amplifier. Six of these input channels are selectable between Mic / Line level and equipped with a 3 band tone control. The first two can be switched to priority and phantom power. The other four channels are direct line inputs.

Every input channel has its own gain and fader volume control with PFL button which makes it possible to pre-listen each input or output channel with the built-in pre-listening speaker, and can be routed to one or both output channels. This makes the CPR12 a full two-zone system.

Other present features are a priority input, a recording output, separate sub-out channels and the 24 V DC emergency power connection. This last feature makes it possible to power the CPR12 with emergency power when the main power is shut down. In this case, the priority input will automatically mute all input signals, and a evacuation message will be announced. The steel 19" housing has a height of 2 HE.


  • 10 audio input sources
  • 6 Mic / Line inputs with 3 band EQ
  • 4 Direct Line Inputs
  • Fader volume control
  • Two output zones
  • Built-in pre-listening speaker
  • Priority input for emergency situations
  • + 15 V DC Phantom power
  • Works on 24 V DC emergency power
Specifications
  • Model Name / Type: CPR12 / 10 channel 2 zone pre-amplifier
  • THD+N:
  • Signal/Noise: > 90 dB
  • Frequency Response: 20 Hz - 20 kHz
  • Phantom Power: + 15 V DC
  • Emergency Power: + 24 V DC
  • Power Supply: 100 - 240 V AC / 50 - 60 Hz
  • Dimensions (W x H x D): 420 x 88 x 320 mm
Weight0.30 kg5.50 kg1.00 kg0.50 kg4.20 kg6.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.30 kg
Weight 5.50 kg
Weight 1.00 kg
Weight 0.50 kg
Weight 4.20 kg
Weight 6.80 kg