TASCAM TM-80 Condenser Microphone

90.00 incl. GR VAT

Available on backorder

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TASCAMʼs TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality. Included with the TM-80 are […]

 

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TASCAMʼs TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality.

Included with the TM-80 are a tabletop stand, six-foot XLR cable, and a elastic shockmount to reduce rumble and noise during recording. Priced less than many dynamic microphones, the TM-80 is a must-have for any size studio.

  • Microphone capsule assembly features an 18mm pure aluminum diaphragm
  • Cardioid polar pattern
  • Frequency response: 20Hz to 20kHz
  • Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
  • Phantom power requirement: 9 – 48V DC
  • Output impedance : 200ohm +/-30% (at 1kHz)
  • Load impedance : >1k ohm
  • Max SPL : 136dB (at 1kHz=1% THD)
  • S/N ratio : 77dB
  • Housing : Die cast zinc
  • Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
  • Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)

TM-80 SPECIFICATIONS

  • Microphone capsule assembly features an 18mm pure aluminum diaphragm
  • Cardioid polar pattern
  • Frequency response: 20Hz to 20kHz
  • Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
  • Phantom power requirement: 9 – 48V DC
  • Output impedance : 200ohm +/-30% (at 1kHz)
  • Load impedance : >1k ohm
  • Max SPL : 136dB (at 1kHz=1% THD)
  • S/N ratio : 77dB
  • Housing : Die cast zinc
  • Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
  • Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)
Weight 2.50 kg

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Quick Comparison

TASCAM TM-80 Condenser Microphone removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones removeRODE NT-1000 1 STUDIO CONDESER MICROPHONE removeAKG C 3000B Condenser cardioid microphone removeRODE NTK TUBE CONDENSER STUDIO MICROPHONE removeRODE NT-2A Multipattern Condenser Microphone remove
NameTASCAM TM-80 Condenser Microphone removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones removeRODE NT-1000 1 STUDIO CONDESER MICROPHONE removeAKG C 3000B Condenser cardioid microphone removeRODE NTK TUBE CONDENSER STUDIO MICROPHONE removeRODE NT-2A Multipattern Condenser Microphone remove
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SKUTA/EM/000436E005251H11RD00002C 3000BH11RD00012H11RD00030
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Description
ContentTASCAMʼs TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality. Included with the TM-80 are a tabletop stand, six-foot XLR cable, and a elastic shockmount to reduce rumble and noise during recording. Priced less than many dynamic microphones, the TM-80 is a must-have for any size studio.
  • Microphone capsule assembly features an 18mm pure aluminum diaphragm
  • Cardioid polar pattern
  • Frequency response: 20Hz to 20kHz
  • Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
  • Phantom power requirement: 9 - 48V DC
  • Output impedance : 200ohm +/-30% (at 1kHz)
  • Load impedance : >1k ohm
  • Max SPL : 136dB (at 1kHz=1% THD)
  • S/N ratio : 77dB
  • Housing : Die cast zinc
  • Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
  • Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)
TM-80 SPECIFICATIONS
  • Microphone capsule assembly features an 18mm pure aluminum diaphragm
  • Cardioid polar pattern
  • Frequency response: 20Hz to 20kHz
  • Sensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)
  • Phantom power requirement: 9 - 48V DC
  • Output impedance : 200ohm +/-30% (at 1kHz)
  • Load impedance : >1k ohm
  • Max SPL : 136dB (at 1kHz=1% THD)
  • S/N ratio : 77dB
  • Housing : Die cast zinc
  • Dimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inch
  • Includes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)
Behringer C-2 2 Matched Studio Condenser Microphones 2 Matched Studio Condenser Microphones
  • 2 matched condenser microphones for stereo studio recording and live applications
  • Ideal as main and support microphones for studio and live applications
  • Cardioid pickup pattern for effective feedback elimination
  • Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
  • Switchable low-frequency roll-off and input attenuation
  • Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Sound That Astounds Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity. Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response. Excellent Source Isolation The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. You Are Covered We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world. As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.

NT1000 - ?Pure Performance? Ultra Versatile 1? Studio Condenser Microphone.

With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the
R?DE NT1000 exhibits exceptional performance when recording both vocals
and instruments in the studio.
Voiced for ?application versatility?, the NT1000 has been hailed by many as the
ultimate drum over-head and grand piano mic selection. The NT1000 is also
equally at home as a first call vocal mic. With its Australian made 1? HF-2 capsule
incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range,
and 140 dBA SPL capabilities and a 20 Hz ? 20 kHz frequency response.
Built of a heavy-duty cast metal satin nickel body, the NT1000 incorporates a
high-strength, heat-treated mesh head, and comes supplied in a zip pouch with a
stand mount.

SPECIFICATIONS:
Acoustic principle:
Externally polarised 1? (25mm) pressure-gradient condenser
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651:
> 88dB (A-weighted, per IEC268-15)
Equvalent noise:
6dB SPL (A-weighted per IEC268-15) +/-1dB
Maximum spl:
> 140dB SPL (@ 1kHz, 1% THD into 1k( load)
Sensitivity:
-36dB re 1V/Pa (16mV @ 94dB SPL) +/-1dB
Dynamic range din iec 651: > 134dB (A-weighted, per IEC268-15)
Power supply voltage: P48 (35V - 53V)
Current consumption: 6mA
Weight without battery: 682 gm
Weight with battery:  882 gm

 
  • Polar pattern: Cardioid
  • Switchable -10dB PAD
  • Frequency response: 20 - 20,000 Hz
  • Max. SPL: 140/150 dB (THD = 0.5%)
  • Electrical impedance: 200 Ohm
  • Requires phantom power
  • Diameter: 53 mm
  • Length: 162 mm
  • Net weight: 320 g
  • Colour: Black
  • Incl. shock mount
  • Highly affordable AKG large-diaphragm microphone technology
  • Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost. Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem. An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 25 mV/Pa (-32 dBV)
Max. SPL 140/150 dB (k=0,5%)
Equivalent noise level (CCIR 468-3) 25 dB
Equivalent noise level 14 dB-A
Signal/noise ratio (A-weighted) 80 dB
Preattenuation pad 10 dB, switchable
Bass filter 6 dB/octave below 500 Hz
Impedance 200 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption
Connector 3-pin XLR
Finish silver gray
Net weight 320 g / 11.3 oz.
Shipping weight 950 g / 2.1 lbs.
Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)

Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.

Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter

Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)

Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount

NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
 
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
 
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range:  20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm

Weight2.50 kg0.90 kg1.50 kg1.00 kg2.00 kg2.90 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 0.90 kg
Weight 1.50 kg
Weight 1.00 kg
Weight 2.00 kg
Weight 2.90 kg

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