UNIVERSAL AUDIO Apollo Twin USB Audio interface

Discontinued

779.00 incl. GR VAT

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Key Features World-class 24-bit/192 kHz audio conversion Realtime UAD Processing – track through vintage Compressors, EQs, Tape Machines, and Guitar Amp plug-ins with near-zero latency USB 3 connectivity for Windows-based systems Unison™ technology for stunning models of classic mic preamps and stompboxes Includes UAD-2 DUO DSP Processing onboard 2 premium mic/line preamps; 2 line outs; […]

 

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Key Features

  • World-class 24-bit/192 kHz audio conversion
  • Realtime UAD Processing – track through vintage Compressors, EQs, Tape Machines, and Guitar Amp plug-ins with near-zero latency
  • USB 3 connectivity for Windows-based systems
  • Unison™ technology for stunning models of classic mic preamps and stompboxes
  • Includes UAD-2 DUO DSP Processing onboard
  • 2 premium mic/line preamps; 2 line outs; front-panel Hi-Z instrument input and headphone output
  • Digitally controlled analog monitor outputs for full resolution at all listening levels
  • Uncompromising analog design, superior components, and premium build quality throughout
  • Includes “Realtime Analog Classics” UAD plug-in bundle

 

Key Features

  • Desktop 2×6 USB 3 audio interface with world-class 24-bit/192 kHz audio conversion
  • Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
  • USB 3.0 connection for easy connectivity on Windows-based recording systems
  • Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
  • Two premium mic/line preamps; two line 3-4 outputs; front-panel Hi-Z instrument input and headphones output
  • Two digitally-controlled analog monitor outputs for full resolution at all listening levels
  • Up to eight channels of additional digital input via Optical connection
  • Uncompromising analog design, superior components, and premium build quality
  • Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs

Documents

  • Hardware & Software Manuals

Audio Interface

  • Sample rates up to 192 kHz* at 24-bit word length
  • Up to 10 x 6 simultaneous input/output channels
    • Two channels of analog-to-digital conversion via:
      • Two balanced mic/line inputs
      • One Hi-Z instrument input
    • Six channels of digital-to-analog conversion via:
      • Digitally-controlled stereo monitor outputs
      • Stereo headphone outputs
      • Line outputs 3-4
    • Up to eight channels of digital inputs via:
      • Eight channels ADAT optical with S/MUX for high sample rates, or
      • Two channels S/PDIF optical with sample rate conversion
  • 64-bit device drivers

Microphone Preamplifiers

  • Two high-resolution, ultra-transparent, digitally-controlled analog mic preamps
  • Front panel and software control of all preamp parameters
  • Low cut filter, 48V phantom power, 20 dB pad, polarity inversion, and stereo linking

Monitoring

  • Digitally-controlled analog monitor outputs maintains highest fidelity
  • Independently-addressable stereo headphone outputs
  • Independently-addressable line outputs 3-4 can be used for additional cue mix
  • Front panel control of monitor levels and muting

UAD-2 Inside

  • Two (DUO) SHARC DSP processors
  • Realtime UAD Processing on all analog and digital inputs
  • Same features and functionality as other UAD-2 devices when used with DAW
  • Includes UAD Powered Plug-Ins “Realtime Analog Classics” bundle
  • Complete UAD Powered Plug-Ins library is available online

Software

Console application:

  • Enables tracking and/or monitoring with Realtime UAD Processing
  • Remote control of Apollo Twin features and functionality
  • Virtual I/O for routing DAW tracks through Console
  • Two independent stereo Auxiliary buses

Console Recall plug-in:

  • Saves Apollo Twin configurations inside DAW sessions for easy recall
  • Facilitates control of Apollo Twin USB’s monitoring features from within the DAW
  • VST, RTAS, AAX 64, plug-in formats

UAD Meter & Control Panel application:

  • Configures global UAD settings and monitors system usage

Other

  • Attractive and durable desktop form factor
  • Locking power supply prevents accidental disconnection
  • Easily updateable firmware
  • One year warranty includes parts and labor

 

Apollo Twin USB. System Requirements.

USB Systems

UAD Powered Plug-Ins version 8.7.2

  • Windows 7, 8.1, or 10 (64-Bit Editions)
  • Available built-in* USB 3 SuperSpeed port
  • Intel Core i3, Core i5, Core i7, or Xeon processor*
  • 6 gigabytes available storage
  • USB 3.0 SuperSpeed cable (included)
  • Internet connection to download software and authorize UAD plug-ins
  • Compatible VST, RTAS, or AAX 64 plug-in host DAW software

*Notes:

  • Quad Core i7 or better recommended
  • 2-in-1 systems (notebook/tablet) are not recommended
  • USB 3 adapters (such as PCIe-to-USB 3 expansion cards)
    are not tested for Apollo Twin USB or UAD-2 Satellite USB connections

For additional compatibility information, visit help.uaudio.com

 

Apollo Twin USB. Specifications.

 

All audio specifications are typical performance unless otherwise noted, tested under the following conditions: 48 kHz internal sample rate, 24-bit sample depth, 20 kHz measurement bandwidth, with balanced inputs and outputs.

System

  • I/O Complement
    • Microphone Inputs Two
    • Analog Line Inputs Two
    • Hi-Z Instrument Inputs One
    • Analog Line Outputs Two (independent mix buses)
    • Analog Monitor Outputs Two (one stereo pair, independent L/R mix buses)
    • Headphone Outputs One stereo pair (independent L/R mix buses)
    • Digital Input Port (TOSLINK optical) One (ADAT or S/PDIF, selectable)
    • USB 3 Port One
  • A/D – D/A Conversion
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
    • Bit Depth Per Sample 24
    • Simultaneous A/D conversion Two channels
    • Simultaneous D/A conversion Six channels
    • Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
    • Analog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application 1.1 milliseconds @ 96 kHz sample rate

Analog I/O

  • Line Inputs 1 & 2
    • Jack Type (combo mic/line balanced inputs) Female ¼” TRS Balanced
    • Dynamic Range (A–weighting) 117.5 dB
    • Signal-to-Noise Ratio (A–weighting) 117.5 dB
    • Total Harmonic Distortion + Noise –108 dBFS
    • Common-Mode Rejection Ratio (CMRR) Greater than 60 dB (10ʼ cable)
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Input Impedance 10K Ohms
    • Gain Range +10 dB to +65 dB
    • Maximum Input Level (@ Minimum Gain)18 dBV
    • Maximum Input Level (@ Maximum Gain) –37 dBV
    • Stereo Level Balance ±0.05 dB
  • Microphone Inputs 1 & 2
    • Jack Type (combo mic/line balanced inputs) Female XLR Balanced (pin 2 positive)
    • Phantom Power (switchable per input) +48V
    • Dynamic Range (A–weighting) 118 dB
    • Signal-to-Noise Ratio (A–weighting) 118 dB
    • Total Harmonic Distortion + Noise –110 dBFS
    • Equivalent Input Noise –127 dB
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Common-Mode Rejection Ratio (CMRR) Greater than 70 dB (10ʼ cable)
    • Default Input Impedance 5.4K Ohms (variable via Unison preamp model)
    • Gain Range +10 dB to +65 dB
    • Pad Attenuation (switchable per input) 20 dB (variable via Unison preamp model)
    • Maximum Input Level (@ Minimum Gain, with Pad) 23.8 dBV
    • Maximum Input Level (@ Maximum Gain, with Pad) –31.2 dBV
  • Hi-Z Input
    • Jack Type Female ¼” TS Unbalanced
    • Dynamic Range (A–weighting) 117 dB
    • Signal-to-Noise Ratio (A–weighting) 117 dB
    • Total Harmonic Distortion + Noise –101 dBFS
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Input Impedance 1M Ohms
    • Maximum Input Level (@ Minimum Gain) 10 dBV
    • Maximum Input Level (@ Maximum Gain) –45 dBV
  • Line Outputs 3 & 4
    • Jack Type ¼” Female TRS Balanced
    • Dynamic Range (A–weighting) 118 dB
    • Signal-to-Noise Ratio (A–weighting) 118 dB
    • Total Harmonic Distortion + Noise –107 dBFS
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Stereo Level Balance ±0.05 dB
    • Channel Separation Greater than 120 dB
    • Output Impedance 600 Ohms
    • Maximum Output Level 18 dBV
  • Monitor Outputs 1 & 2
    • Jack Type ¼” Female TRS Balanced
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range (A–weighting) 115 dB
    • Signal-to-Noise Ratio (A–weighting) 115 dB
    • Total Harmonic Distortion + Noise –105 dBFS
    • Channel Separation Greater than 118 dB
    • Stereo Level Balance ±0.05 dB
    • Output Impedance 600 Ohms
    • Output Gain Range –96 dB to 0 dB
    • Maximum Output Level 18 dBV
    • Operating Reference Level +14 dBu, +20 dBu (selectable)
  • Stereo Headphones Output
    • Jack Type ¼” Female TRS Stereo (unbalanced)
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range (A–weighting) 113 dB
    • Signal-to-Noise Ratio (A–weighting) 113 dB
    • Channel Separation Greater than 110 dB
    • Total Harmonic Distortion + Noise –101 dBFS
    • Stereo Level Balance ±0.11 dB
    • Output Impedance 10 Ohms
    • Output Gain Range –INF to 0 dB
    • Maximum Output Power 80 milliwatts into 600 Ohms

Digital I/O

  • S/PDIF
    • Connector Type Optical TOSLINK JIS F05 (shared with ADAT)
    • Format IEC958
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96
    • S/PDIF Input Channels Two (Stereo L/R)
  • ADAT
    • Connector Type Optical TOSLINK JIS F05 (shared with S/PDIF)
    • Format ADAT Digital Lightpipe with S/MUX
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 172.4, 192
    • ADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8
    • ADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S/MUX)
    • ADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S/MUX)
  • Clock Synchronization Sources
    • Internal, S/PDIF, ADAT (digital clock sync source conditional per selected digital input type)

Electrical

  • Power Supply External AC to DC
  • AC Connector Type Changeable blades (UL, VDE, UK, SSA, CCC)
  • AC Requirements 100V – 240V AC, 50 – 60 Hz
  • DC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive
  • DC Requirements 12 VDC, ±5%
  • Maximum Power Consumption 12 Watts

Environmental

  • Operating Temperature Range 32º to 95º Fahrenheit (0º to 35º Celsius)
  • Storage Temperature Range –40º to 176º Fahrenheit (–40 to 80º Celsius)
  • Operating Humidity Range 20% to 80%

Mechanical

  • Dimensions
    • Width 6.31”
    • Height 2.60”
    • Depth, Chassis Only 5.86”
    • Depth, Including Knob & Jack Protrusions 6.20”
    • Shipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)
  • Weight
    • Shipping Weight (with box & accessories) 3.85 pounds
    • Weight (bare unit) 2.35 pounds
  • Package Contents
    • Apollo Twin USB DUO Unit
    • External Power Supply with (4) changeable AC connectors supporting USA, Europe, UK, Australia, China
    • URL Card
    • SuperSpeed USB 3.0 cable

 

Weight 2.00 kg

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Description
  • Transfer and Restore Your Favourite Vinyl Records
  • Free Download of Audacity Audio Editor Software
  • Completely USB Powered - Compatible with Mac and PC
  • RCA Inputs and Outputs, Plus a Headphone Monitoring Output
  • High-Resolution 48kHz Converters Ensure Pristine Audio
Content

Key Features

  • World-class 24-bit/192 kHz audio conversion
  • Realtime UAD Processing - track through vintage Compressors, EQs, Tape Machines, and Guitar Amp plug-ins with near-zero latency
  • USB 3 connectivity for Windows-based systems
  • Unison™ technology for stunning models of classic mic preamps and stompboxes
  • Includes UAD-2 DUO DSP Processing onboard
  • 2 premium mic/line preamps; 2 line outs; front-panel Hi-Z instrument input and headphone output
  • Digitally controlled analog monitor outputs for full resolution at all listening levels
  • Uncompromising analog design, superior components, and premium build quality throughout
  • Includes "Realtime Analog Classics" UAD plug-in bundle
  Key Features
  • Desktop 2x6 USB 3 audio interface with world-class 24-bit/192 kHz audio conversion
  • Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
  • USB 3.0 connection for easy connectivity on Windows-based recording systems
  • Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
  • Two premium mic/line preamps; two line 3-4 outputs; front-panel Hi-Z instrument input and headphones output
  • Two digitally-controlled analog monitor outputs for full resolution at all listening levels
  • Up to eight channels of additional digital input via Optical connection
  • Uncompromising analog design, superior components, and premium build quality
  • Runs UAD Powered Plug-Ins via VST, RTAS, & AAX 64 in all major DAWs
Documents
  • Hardware & Software Manuals
Audio Interface
  • Sample rates up to 192 kHz* at 24-bit word length
  • Up to 10 x 6 simultaneous input/output channels
    • Two channels of analog-to-digital conversion via:
      • Two balanced mic/line inputs
      • One Hi-Z instrument input
    • Six channels of digital-to-analog conversion via:
      • Digitally-controlled stereo monitor outputs
      • Stereo headphone outputs
      • Line outputs 3-4
    • Up to eight channels of digital inputs via:
      • Eight channels ADAT optical with S/MUX for high sample rates, or
      • Two channels S/PDIF optical with sample rate conversion
  • 64-bit device drivers
Microphone Preamplifiers
  • Two high-resolution, ultra-transparent, digitally-controlled analog mic preamps
  • Front panel and software control of all preamp parameters
  • Low cut filter, 48V phantom power, 20 dB pad, polarity inversion, and stereo linking
Monitoring
  • Digitally-controlled analog monitor outputs maintains highest fidelity
  • Independently-addressable stereo headphone outputs
  • Independently-addressable line outputs 3-4 can be used for additional cue mix
  • Front panel control of monitor levels and muting
UAD-2 Inside
  • Two (DUO) SHARC DSP processors
  • Realtime UAD Processing on all analog and digital inputs
  • Same features and functionality as other UAD-2 devices when used with DAW
  • Includes UAD Powered Plug-Ins "Realtime Analog Classics” bundle
  • Complete UAD Powered Plug-Ins library is available online
Software Console application:
  • Enables tracking and/or monitoring with Realtime UAD Processing
  • Remote control of Apollo Twin features and functionality
  • Virtual I/O for routing DAW tracks through Console
  • Two independent stereo Auxiliary buses
Console Recall plug-in:
  • Saves Apollo Twin configurations inside DAW sessions for easy recall
  • Facilitates control of Apollo Twin USB's monitoring features from within the DAW
  • VST, RTAS, AAX 64, plug-in formats
UAD Meter & Control Panel application:
  • Configures global UAD settings and monitors system usage
Other
  • Attractive and durable desktop form factor
  • Locking power supply prevents accidental disconnection
  • Easily updateable firmware
  • One year warranty includes parts and labor

 

Apollo Twin USB. System Requirements.

USB Systems

UAD Powered Plug-Ins version 8.7.2

  • Windows 7, 8.1, or 10 (64-Bit Editions)
  • Available built-in* USB 3 SuperSpeed port
  • Intel Core i3, Core i5, Core i7, or Xeon processor*
  • 6 gigabytes available storage
  • USB 3.0 SuperSpeed cable (included)
  • Internet connection to download software and authorize UAD plug-ins
  • Compatible VST, RTAS, or AAX 64 plug-in host DAW software

*Notes:

  • Quad Core i7 or better recommended
  • 2-in-1 systems (notebook/tablet) are not recommended
  • USB 3 adapters (such as PCIe-to-USB 3 expansion cards)
    are not tested for Apollo Twin USB or UAD-2 Satellite USB connections

For additional compatibility information, visit help.uaudio.com

 

Apollo Twin USB. Specifications.

 

All audio specifications are typical performance unless otherwise noted, tested under the following conditions: 48 kHz internal sample rate, 24-bit sample depth, 20 kHz measurement bandwidth, with balanced inputs and outputs.

System
  • I/O Complement
    • Microphone Inputs Two
    • Analog Line Inputs Two
    • Hi-Z Instrument Inputs One
    • Analog Line Outputs Two (independent mix buses)
    • Analog Monitor Outputs Two (one stereo pair, independent L/R mix buses)
    • Headphone Outputs One stereo pair (independent L/R mix buses)
    • Digital Input Port (TOSLINK optical) One (ADAT or S/PDIF, selectable)
    • USB 3 Port One
  • A/D – D/A Conversion
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
    • Bit Depth Per Sample 24
    • Simultaneous A/D conversion Two channels
    • Simultaneous D/A conversion Six channels
    • Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
    • Analog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application 1.1 milliseconds @ 96 kHz sample rate
Analog I/O
  • Line Inputs 1 & 2
    • Jack Type (combo mic/line balanced inputs) Female ¼” TRS Balanced
    • Dynamic Range (A–weighting) 117.5 dB
    • Signal-to-Noise Ratio (A–weighting) 117.5 dB
    • Total Harmonic Distortion + Noise –108 dBFS
    • Common-Mode Rejection Ratio (CMRR) Greater than 60 dB (10ʼ cable)
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Input Impedance 10K Ohms
    • Gain Range +10 dB to +65 dB
    • Maximum Input Level (@ Minimum Gain)18 dBV
    • Maximum Input Level (@ Maximum Gain) –37 dBV
    • Stereo Level Balance ±0.05 dB
  • Microphone Inputs 1 & 2
    • Jack Type (combo mic/line balanced inputs) Female XLR Balanced (pin 2 positive)
    • Phantom Power (switchable per input) +48V
    • Dynamic Range (A–weighting) 118 dB
    • Signal-to-Noise Ratio (A–weighting) 118 dB
    • Total Harmonic Distortion + Noise –110 dBFS
    • Equivalent Input Noise –127 dB
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Common-Mode Rejection Ratio (CMRR) Greater than 70 dB (10ʼ cable)
    • Default Input Impedance 5.4K Ohms (variable via Unison preamp model)
    • Gain Range +10 dB to +65 dB
    • Pad Attenuation (switchable per input) 20 dB (variable via Unison preamp model)
    • Maximum Input Level (@ Minimum Gain, with Pad) 23.8 dBV
    • Maximum Input Level (@ Maximum Gain, with Pad) –31.2 dBV
  • Hi-Z Input
    • Jack Type Female ¼” TS Unbalanced
    • Dynamic Range (A–weighting) 117 dB
    • Signal-to-Noise Ratio (A–weighting) 117 dB
    • Total Harmonic Distortion + Noise –101 dBFS
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Input Impedance 1M Ohms
    • Maximum Input Level (@ Minimum Gain) 10 dBV
    • Maximum Input Level (@ Maximum Gain) –45 dBV
  • Line Outputs 3 & 4
    • Jack Type ¼” Female TRS Balanced
    • Dynamic Range (A–weighting) 118 dB
    • Signal-to-Noise Ratio (A–weighting) 118 dB
    • Total Harmonic Distortion + Noise –107 dBFS
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Stereo Level Balance ±0.05 dB
    • Channel Separation Greater than 120 dB
    • Output Impedance 600 Ohms
    • Maximum Output Level 18 dBV
  • Monitor Outputs 1 & 2
    • Jack Type ¼” Female TRS Balanced
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range (A–weighting) 115 dB
    • Signal-to-Noise Ratio (A–weighting) 115 dB
    • Total Harmonic Distortion + Noise –105 dBFS
    • Channel Separation Greater than 118 dB
    • Stereo Level Balance ±0.05 dB
    • Output Impedance 600 Ohms
    • Output Gain Range –96 dB to 0 dB
    • Maximum Output Level 18 dBV
    • Operating Reference Level +14 dBu, +20 dBu (selectable)
  • Stereo Headphones Output
    • Jack Type ¼” Female TRS Stereo (unbalanced)
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range (A–weighting) 113 dB
    • Signal-to-Noise Ratio (A–weighting) 113 dB
    • Channel Separation Greater than 110 dB
    • Total Harmonic Distortion + Noise –101 dBFS
    • Stereo Level Balance ±0.11 dB
    • Output Impedance 10 Ohms
    • Output Gain Range –INF to 0 dB
    • Maximum Output Power 80 milliwatts into 600 Ohms
Digital I/O
  • S/PDIF
    • Connector Type Optical TOSLINK JIS F05 (shared with ADAT)
    • Format IEC958
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96
    • S/PDIF Input Channels Two (Stereo L/R)
  • ADAT
    • Connector Type Optical TOSLINK JIS F05 (shared with S/PDIF)
    • Format ADAT Digital Lightpipe with S/MUX
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 172.4, 192
    • ADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8
    • ADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S/MUX)
    • ADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S/MUX)
  • Clock Synchronization Sources
    • Internal, S/PDIF, ADAT (digital clock sync source conditional per selected digital input type)
Electrical
  • Power Supply External AC to DC
  • AC Connector Type Changeable blades (UL, VDE, UK, SSA, CCC)
  • AC Requirements 100V – 240V AC, 50 – 60 Hz
  • DC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive
  • DC Requirements 12 VDC, ±5%
  • Maximum Power Consumption 12 Watts
Environmental
  • Operating Temperature Range 32º to 95º Fahrenheit (0º to 35º Celsius)
  • Storage Temperature Range –40º to 176º Fahrenheit (–40 to 80º Celsius)
  • Operating Humidity Range 20% to 80%
Mechanical
  • Dimensions
    • Width 6.31”
    • Height 2.60”
    • Depth, Chassis Only 5.86”
    • Depth, Including Knob & Jack Protrusions 6.20”
    • Shipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)
  • Weight
    • Shipping Weight (with box & accessories) 3.85 pounds
    • Weight (bare unit) 2.35 pounds
  • Package Contents
    • Apollo Twin USB DUO Unit
    • External Power Supply with (4) changeable AC connectors supporting USA, Europe, UK, Australia, China
    • URL Card
    • SuperSpeed USB 3.0 cable
 
GUITAR LINK UCG102 The Ultimate Guitar-to-USB Interface to Jam and Record with Killer Modeling Amps and Effects
  • Plug in your favorite guitar and turn your PC or Mac computer into a guitar amp and recording system without the need for any other hardware
  • Enjoy immediate access to Guitar Combos from Native Instruments—the leading authentic guitar amp and stomp box modeling software—now including VST, AU and RTAS plugin versions
  • Create Music Now! Incredibly powerful energyXT2 Compact music production software and Audacity editing software—both with full portability on all PC, Mac or Linux computers
  • Directly works with your PC or Mac computer—ultra-low latency ASIO driver for PC audio optimization included
  • Stereo Headphone output lets you jam with your computer and can also be used for monitoring with active monitor speakers
  • Guitar Combos with variable-speed file playback function for MP3, WAV, AIFF audio files—perfect for easy learning and practicing—tuner and metronome function
  • Powered via USB—no additional power supply required
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
  The UCG102 is a USB interface that, like a guitar amp, receives signal from your guitar via a 1/4" input jack. A built-in USB cable then sends signal directly to your computer, where the amazing included software package simulates guitar amps and stomp boxes, in addition to tracking your latest masterpiece. It has a 1/4" headphone jack and PHONES volume dial so you can monitor your performance as you record, a CLIP LED to tell you when your signal is too hot, and a HI/LO level selector. Super Software The UCG102 comes packaged with Native Instruments' "Guitar Combos" software that models guitar amps and stomp boxes. Take your pick of the "PLEXI COMBO“, "TWANG COMBO” or "AC BOX COMBO” for stunningly real amplifier tones. Sample them all, then activate the full version of the classic rockin' "AC BOX COMBO" rig. Native Instruments extends special offers to all registered Guitar Combos users, making it more affordable than ever to take advantage of their award-winning GUITAR RIG software packages. Visit http://co.native-instruments.com/index.php?id=4101&prid=247&redirected=1 for the latest special pricing on this incredible software. You also get energyXT2.5 BEHRINGER Edition, a multi-track recording program. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. energyXT includes its own multi-FX processor, built-in synthesizers and a drum machine, both of which can be accessed directly via an external controller (such as our UMA25S or UMX25) or programmed in step-write mode. To learn more about energyXT Compact BEHRINGER Edition, visit http://www.behringer.com/EN/Support/energyXT.aspx.

Behringer UFO202 USB Audio Interface

The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.

Features

- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback - Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection - Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins - Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms - Phono input switchable to line input source - Stereo output allows easy connection and playback of computer audio files over your home sound system - High-resolution 48 kHz converters for high-end audio quality - Stereo Headphone output with dedicated Level control lets you monitor your input source - Works with your PC or Mac computer -- no setup or drivers required - Powered via USB--no external power supply needed - High-quality components and exceptionally rugged construction ensure long life - Conceived and designed by BEHRINGER Germany

Compact and Versatile

Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.

48kHz Precision

The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.

Audacity Audio Editor Software

The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.

Specifications

  • Input Connector: RCA, Unbalanced
  • Input Impedance: Approx. 27kΩ
  • Maximum Input Level: 2dBV
  • Output Connector: RCA, Unbalanced
  • Output Impedance: Approx. 400Ω
  • Maximum Output Level: 2dBV
  • Digital Output: Toslink, Optical
  • Digital Output Format: S/PDIF
  • USB: Type A
  • Converter: 16-Bit
  • Sample Rate: 32kHz, 44.1kHz, 48kHz
  • Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
    • 10Hz - 22kHz ±1dB @ 48kHz Sample Rate
  • Crosstalk: -77dB @ 0dBV, 1kHz
  • Power Supply: USB, 5V 100mA Maximum
  • Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
  • Weight: 0.10kg

The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.

    * 6-in/6-out 24-bit/96kHz simultaneous performance
    * 4-in/4-out 24-bit/192kHz simultaneous performance
    * 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
    * +4 dB balanced input and output
    * S/PDIF optical input & output ports with Sync LED indicator
    * MIDI in/out ports
    * Built-in analog limiter and indicator
    * FireWire bus powered
    * AC adaptor included
    * Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
    * Zero-latency Direct Monitoring
    * 6-pin and 4-pin IEEE1394 ports
    * Compact, solid-metal construction

The Yamaha GO44 is a mobile audio solution that features high quality line
inputs/outputs and worldclass MIDI and audio recording software enabling
professional quality recording to a computer in a very compact package that
can be carried and used virtually anyway.
The Yamaha GO44 boasts up to 24-bit/192kHz resolution on the analog inputs/
outputs - the best in its class - and 24-bit/96kHz on the digital I/O. This pro-level
quality makes the Yamaha GO44 perfect for any type of recording, and allows
you to capture the full details and nuances of the original source - from the
breathiness of a vocal to the delicate finger slides of an acoustic guitar performance.

The Yamaha GO44 features 4-in/4-out multi-channel audio, with two analog phone
jack terminals for both input and output, and special S/P DIF coaxial terminals for
two-channel digital in/out. This device is simple and easy to use, yet provides high-quality
recording capability - perfect not only for those who want to create music, but also
for those who want an audio playback system for their computer that delivers
outstanding sound quality.

The digital outputs on the Yamaha GO44 are compatible with the AC-3 and DTS
surround sound formats. Simply connect a surround compatible amplifier/speaker
setup, and enjoy the powerful sonic experience of surround sound.

Yamaha GO44 Features:
FireWire audio interface
Durable aluminum die cast body
Simple, small and light weight
2 x Balanced Line inputs / outputs
Headphones output on Front Panel
1 MIDI In /1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible

he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.

As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.

The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.

A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.

U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.

Weight2.00 kg0.50 kg1.00 kg0.70 kg1.50 kg1.36 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 0.50 kg
Weight 1.00 kg
Weight 0.70 kg
Weight 1.50 kg
Weight 1.36 kg