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Signal distributor. 1 stereo input / 4 stereo outputs or 1 mono input / 8 mono outputs
This audio distributor is very useful to supply several audio devices with only one audio source. Its 2 operating modes allow to work with mono or stereo signals. Output level can be controlled independently.
WD 421 adapts itself to work with different impedances, ensuring that output signal level is at least equal to input signal level. It avoids any undesired attenuation and features a LED vumeter to visualize the input signal level.
Audio signal distributor with 2 inputs and 8 outputs. Two operating modes: 1 stereo input with 4 stereo outputs. 1 mono input with 8 mono outputs. Adjusting Output level. Balanced LINK output for interconnecting several units. Individual gain control of each channel
Inputs: 2 x XLR3 female balanced. Outputs: 8 x XLR3 male balanced. Input sensitivity: 0 dBu. Max. level input: 22 dBu. Input impedance: 10 kohm. Level range: ? to - 12dBu. Frequency response: 20 Hz to 22 kHz. Distortion: 110 dBu. Noise and hum: < - 80 dB @ 20 Hz - 22 kHz. Crosstalk: < - 80 dB @ 20 Hz - 22 kHz. Output impedance: 120ohm. Main supply: 110 - 120 V / 220 - 240 V 50/60 Hz. Power consumption: 20 W. Dimensions (WxHxD): 483 x 44 x 220 mm. Weight: 2.75 kg. |
Features: Two channel / four way split Channels linkable for 1 in, 8 out Ultra low noise design ?SilentSwitch? Phantom Power switch ?20 dB pad switch 0 to +40 dB Gain available via rear switches Electronically Balanced Inputs and Outputs (standard) Transformer Balanced Outputs option 12 VDC supply connector for remote or mobile applications Intuitive, 'user friendly' layout Flawless performance in any audio environment
Today?s venues face a growing need to provide a multiplicity of audio feeds from presentations, conferences, orchestral performances and lectures. The advent of digital broadcasting, the growth of webcasts and direct-to-CD archiving highlight the deficiencies in audio splitting systems more than ever before. Whether the final product is a broadcast feed or CD sales of an unrepeatable lecture, performance or event, end-users? expectations of audio quality are higher than ever.With these requirements in mind, ARX has developed the MSX 8 Active Microphone/Line Splitter to deliver the performance required by today?s standards of audio production. Active microphone and line splitting has a number of benefits over passive splitters: primarily these are improved sound quality, noise figures comparable to the best microphone inputs, and increased resistance to RFI. All of which translate into superb audio quality for your clients. About the MSX 8 The MSX 8 consists of two channels of actively buffered ultra low noise Microphone/ Line Splitter. Each of these channels has four electronically Balanced splits ? two on the rear panel, plus two more on the front panel. All four output splits have the option of transformer balancing if so specified.Each channel has a ?20 dB pad switch plus silently switchable 48V Phantom power with indicator LED.Gain through the MSX 8 can be set individually by the small DIP switches on the rear of each channel, from 0dB through to +40 dB in 10 dB stepsA ?Link? switch links Channel 1 to Channel 2, providing an ultimate maximum of 8 Outputs from a single input. An indicator LED shows when this is active. A Clip LED indicates imminent signal overload through the channel, and a numbered marker panel on the front provides a space where individual channel connections can be noted.For remote or mobile applications a 5 pin DIN connector on the rear panel provides an access point to connect a 12V DC power supply Inside Information Internally, powerful RF input filtering removes both common mode and differential interference at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components throughout.Advanced user options include internally jumper linking Inputs to Main outputs, and Ground lifting Output Pins 1as required. Internal Power Supply The MSX 8 has a low noise transformer based power supply to obtain the maximum benefit from the ultra low noise design of the splitter circuitry. Summing up, the feature packed MSX 8 is the answer wherever transparent signal buffering and routing is required. T E C H N I C A L S P E C I F I C A T I O N S Signal / Noise Ratio -94dB Distortion .008% 20Hz - 20KHz Gain through unit Switchable 0, +10, +20, +30, +40 dB Maximum Output +24dB Pad Switch ?20dB attenuation Gain Switch +20dB gain Phantom Power +48VDC slow turn on/turn off Output Impedance 100 Ohms Electronically Balanced (Optional Transformer balancing available) Clip LED 1dB before clipping 12 Volt Connector 5 pin DIN AC Mains Input Fused IEC socket AC Power 100-120VAC 2 amp, 220-240VAC 1 amp Transformer Type Low noise toroidal Size 19?W x 1??H x 6?D, 482 x 44 x 125 mm Weight 5 lbs (2.2 Kg)
Front Panel A and B balanced XLR Output splits Channels 1 and 2. Pin 3?-, Pin 2 +, Pin 1 Ground 48V Phantom Power switch and LED Channel link switch and LED switch ?20dB pad switch Numbered marker panel for labelling individual channel assigns AC power LED Rear Panel Channel Gain DIP switches: 0, +10, +20, +30, +40dB Balanced XLR Input Channels 1 and 2. Pin 3 ?, Pin 2 +, Pin 1 Ground Balanced XLR Main (FOH) Output (same wiring as Input) Channels 1 and 2 Balanced XLR Monitor Output (same wiring as Input) Channels 1 and 2 12 Volt DC power supply input for remote or mobile applications IEC 3 pin AC connector and integral fuseholder. Replace fuse with correct value only: 100?120 V AC 2 amp, 220?240 V AC 1 amp |
A passive dual channel line splitter that is mainly used to feed the left and right master outputs of a mixer into several inputs such as power amplifiers, recording machines etc. A specially designed audio frequency transformer maintains signal integrity and prevents ground loop hum. This unit also converts unbalanced signals into balanced signals and vice versa. Rugged diecast aluminium box.
Technical specifications:
2 channel micro splitter "1 into 3“, each channel with:
- Input: female XLR type with parallel male XLR Type
- Output 2 transformer isolated male XLR type outputs
- Transformer ratio 1 : 1 Nominal level: 0 dB, max. level +20 dB
- Nominal impedance input and output: 600 ohms
- Ground lift switch
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DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction
It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!
SPECIFICATIONS:
INPUT
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Connectors:
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1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
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Type:
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Electronically balanced/unbalanced, RF filtered
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Impedance:
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Balanced 40k ohm, unbalanced 20k ohm
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Max Input Level:
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>+21dBu balanced or unbalanced
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CMRR:
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>40dB, typically >55dB at 1kHz
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OUTPUTS
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Connectors:
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1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
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Type:
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Impedance-balanaced/unbalanced, RF filtered
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Impedance:
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Balanced 200 ohm, unbalanced 100 ohm
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Max Output Level:
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>+21dBu balanced/unbalanced into 2k or greater
>+18dBm balanced/unbalanced (into 600)
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SYSTEM PERFORMANCE
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Bandwidth:
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20Hz to 20kHz, +/-0.5dB
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Frequency Response:
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50kHz, +0.5/-3dB
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Noise Reduction In:
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(+/-6 and +/-15dB range):
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Signal-to-Noise:
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>102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>120dB, unweighted
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Noise Reduction Out:
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(+/-6dB range):
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Signal-to-Noise:
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>94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth
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Dynamic Range:
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>112dB, unweighted
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Noise Reduction Out:
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(+/-15dB range):
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Signal-to-Noise:
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>90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>108dB, unweighted
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THD + Noise:
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Features: Eight channel / four way split per channel Channels linkable up to 1 in, 32 out Ultra low noise design 'SilentSwitch' Phantom Power switching ?20 dB pad switch 0 to +40 dB Gain available via rear switches Headphone monitoring and PFL metering Electronically Balanced Inputs and Outputs (standard) Transformer balanced Outputs option Intuitive, 'user friendly' layout Flawless audio performance
EC-2 Superb Audio Quality Active microphone and line signal splitting has a number of benefits over using passive splitters: primarily these are improved sound quality, noise figures comparable to the best microphone inputs, and increased resistance to RFI. About the MSX 32 With these benefits in mind, the ARX MSX 32 Active Microphone/Line Splitter has been developed to deliver the performance required by the increasing complexity of today?s standards of audio production. The MSX 32 consists of eight channels of actively buffered ultra low noise Microphone/Line Splitter. Each of these channels has four electronically Balanced splits ? two outputs on the rear panel for Main and Monitor, plus two more output splits on the front panel. All splits have the option of transformer balancing if so specified.Each channel has a ?20 dB pad switch plus silently switchable 48V Phantom power with indicator LED. A PFL switch and 6 LED metering enables each channel to be easily checked with headphones for signal monitoring, and also for line tracing when troubleshooting. Gain through the MSX 32 can be set individually by the small DIP switches on the rear of each channel, from 0dB through to +40 dB in 10 dB stepsA ?Link? switch links each channel to the previous one, providing an ultimate maximum of 32 Outputs from a single input. An indicator LED shows when this is active. A Clip LED indicates imminent signal overload through the channel, and a numbered marker panel on the front provides a space where individual channel connections can be noted. Number stickers are provided to give each channel an individual number for up to 40 channels when multiple MSX32s are being used.Internally, powerful RF input filtering removes both common mode and differential interference at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components throughout. Advanced user options include internally jumper linking Inputs to Main outputs, and Ground lifting Output Pins 1 as required. Internal Power Supply The MSX 32?s internal toroidal transformer based power supply is triple shielded to get the maximum benefit from the ultra low noise design of the splitter circuitry. An illuminated power switch on the front panel provides visual confirmation of AC power connection to the unit.The headphone output and the 6 LED PFL metering are both mounted on the right hand side of the front panel. Rear panel connectors enable this function to be linked when using multiple MSX 32 units. To sum up, this feature packed two RU device is the answer wherever transparent signal buffering and routing is required.
T E C H N I C A L S P E C I F I C A T I O N S Signal / Noise Ratio -94dB Distortion .008% 20Hz - 20KHz Gain through unit Switchable 0, +10, +20, +30, +40 dB Maximum Output +24dB Pad Switch ?20dB attenuation Phantom Power +48VDC slow turn on/turn off Output Impedance 100 Ohms Electronically Balanced (Optional Transformer balancing available) Clip LED 1dB before clipping Headphone Output 2 watts/8 ohms AC Mains Input Fused IEC socket AC Power 100-120V AC 2 amp 220-240V AC 1 amp Transformer Type Low noise shielded toroidal Size 2 RU - 19?W x 3½?H x 8?D, 482 x 89 x 200 mm Weight E model - 15 lbs (7 Kg) | Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications
Input Connectors |
1/4" TRS and female XLR (pin 2 hot) |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Input Impedance |
40kΩ balanced/unbalanced |
Max Input |
>+22dBu Balanced or Unbalanced |
Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Output Type |
Impedance-balanced/unbalanced, RF filtered |
Output Impedance |
+4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced |
Max Output |
>+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) |
Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
Sidechain Max Input Level |
Tip = >+22dBu (Input) |
Sidechain Max Output Level |
Ring = >+20dBu (Output) |
Compressor Threshold Range |
-40dBu to +20dBu |
Compressor Threshold Characteristic |
Selectable OverEasy® or hard knee |
Compressor Ratio |
1:1 to Infinity:1 |
Compressor Attack Time |
Scalable Program-Dependent AutoDynamic™ |
Compressor Release Time |
Scalable Program-Dependent AutoDynamic™ |
Expander/Gate Threshold Range |
-60dBu to +15dBu |
Expander/Gate Ratio |
1:1 to 4:1 |
Expander/Gate Attack Time |
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