ZOOM F4 Multi Track Field Recorder

Discontinued

593.00 incl. GR VAT

Out of stock

CompareAdd to wishlist Submit Better Price
The Zoom F4 propels your film’s sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget. By putting high-quality sound front and center, you’ve changed how audiences experience film. That’s why we created the Zoom F4. So professional […]

 

Read more

The Zoom F4 propels your film’s sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.

By putting high-quality sound front and center, you’ve changed how audiences experience film. That’s why we created the Zoom F4. So professional quality sound is always within reach.

Super-low-noise microphone preamps

The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4ʼs mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs.

TCXO Time Code

For precise audio/video syncing, the F4 utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy—a first for this price point. The F4 supports all standard drop frame and non-drop formats, and can jam sync to time code provided by external devices. Standard BNC connectors enable easy integration into any rig.

Advanced onboard limiters


Advanced onboard limiters provide overload protection which lets you capture audio in a wide range of dynamic sound environments. Limiting can be applied to all four channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.

 

Rock-solid build and lightweight design

A compact metal chassis makes the F4 both rugged and durable, and keeps its weight down to just 2.27 pounds without batteries.

Recording Features

Multi-track recording

With four XLR/TRS combo inputs, a 3.5mm stereo input, and a Zoom mic capsule input, the F4 can record up to six discrete tracks with an additional stereo mix track—all at resolutions up to 24-bit/192 kHz.

Camera return

Input 5/6 can be used as a camera return for monitoring only. This allows you to monitor audio being sent to the camera for confidence checks.

Dual SD card recording

A dual SD card recording feature lets you record simultaneously on two SD/SDHC/SDXC cards* (up to 512 GB each). This means you can instantly back up or split recordings. For example, you can save eight tracks on one card and a stereo mix on another.

* View a list of confirmed compatible SD cards

File protection


The F4 periodically saves files while recording, providing an extra level of protection from unexpected file interruptions like power loss or sudden SD card removal.

Dual-channel recording


Dual-channel recording mode lets you create safety tracks for inputs 1 and 2, each with independent level, limiting, delay, phase inversion, and high-pass filtering.

Shortcuts

Built-in shortcuts allow easy access to important menus and features. Hold the front panel OPTION button for access to TC Jam, Trim Link, Clear Clip and other important shortcuts.

Three power sources


Power up your F4 with 8 AA batteries or an external DC battery pack with a converter cable connector. The F4 also includes a Zoom AD-19 power supply and a DC-HIROSE adapter which serves as a third power option.

Add Two Additional Mic/Line Inputs

The F4 is outfitted with a 10-pin Zoom

mic capsule input to expand your recording

capabilities even further. Connecting the

optional EXH-6 XLR/TRS Combo Input Capsule

adds two extra mic/line inputs to your F4,

giving you a total of six discrete

XLR/TRS combo inputs.

Zoom Interchangeable Mic Capsules

Use the proprietary Zoom capsule input to connect any of the available Zoom mic capsules—such as the SGH-6 Shotgun Mic Capsule or the XYH-6 Stereo X/Y Mic Capsule—to add an on-board microphone to your F4. The optional ECM extension cable allows for remote positioning of all capsules.

The Best Connections

Inputs


The F4 features four discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input provides a dedicated preamp with gain control knob, phantom power, a six-segment LED level meter, and a Record Ready and PFL switch. The 1/8″ stereo input or the Zoom mic capsule input can provide input for tracks 5 and 6. The F4 also includes a variable-frequency slate tone generator to confirm levels.

Outputs


In addition to the 1/4” headphone jack with dedicated volume control, the F4 provides four other outputs. Two Main Outs (on balanced XLR jacks) let you connect to external mixers and processing devices. Two Sub Outs (on a single unbalanced 1/8″ stereo mini-jack) enable easy connection to a camera. The front panel OUTPUT button allows easy access to output levels and routing.

Time code and USB
 connections

Time code I/O is provided on BNC connectors. The USB port facilitates firmware updates and file transfer. It also allows the F4 to be used as a 6-in/4-out USB audio interface with sample rates up to 96 kHz.

An LCD For All Lighting Conditions

An easy-to-read 1.9-inch white

backlit monochromatic LCD

display makes the F4 suitable

for all lighting environments—

from low light to direct sunlight.

It also performs well in harsh

conditions, like dusty and

hard-to-see environments.

Monitor Your Recordings

Flexible options help you easily monitor

recordings in the field. Route any input,

as well as the stereo track (pre- or

post-fader), to the left or right headphone 

channels. A built-in 100 mW headphone 

amplifier provides plenty of volume for

noisy environments. You can even set

headphone alert tones for low battery,

recording start/stop, or recording errors.

Onboard Mixer And Effects

An onboard mixer allows for flexible signal routing from all inputs to all outputs (pre- or post-fader) with user-adjustable level, pan, and input/output delay. Built-in limiters can be applied to all channels and tracks simultaneously. The F4 also includes built-in high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding.

The Nitty Gritty

The F4 records in BWF-compatible WAV format at 16-bit or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording MP3 files, you can choose bit rates of 128, 192, or 320 kbps.

Easy to Navigate Menus and Metadata

Thanks to simple menu navigation, cataloging with the F4 is easy and straightforward. The F4 features a simple file structure and allows you to enter extensive metadata (both BWF and iXML) directly onto the device.

Includes Recording and Editing Software

The F4 comes with free download licenses for Steinbergʼs Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.

Your Time is Now

Creators are redefining whatʼs possible in film. Let the F4 elevate your creations with professional quality audio that brings your filmmaking efforts full circle.

Features at a glance

  • 6-input/8-track multitrack field recorder with integrated mixer 
  • 6 discrete inputs, including with 4 locking Neutrik XLR/TRS combo connectors, a stereo 3.5mm input, and Zoom mic capsule input
  • Input 5/6 can be used as a camera return for monitoring only.
  • Compact and lightweight metal chassis, weighing just 2 pounds (without batteries)
  • High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and
  • +4 dB line inputs
  • Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz, and 
  • 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution
  • Accurate time code (0.2 ppm) I/O on standard BNC connectors; drop frame/non-drop formats with Jam Sync
  • Three different power supply options: 8x AA batteries, external DC battery pack with 4-pin HIROSE connector, and Zoom AD-19 12V AC Adapter with
  • DHC-1 DC-HIROSE cable (included)
  • Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
  • Phantom power (+48V/+24V) on every preamp 
  • High pass filter, phase invert, and Mid-Side decoder
  • Advanced onboard limiters for input and output
  • Input delay of up to 30 msec per channel / output delay of up to
  • 10 frames per output
  • Compatible with all Zoom mic capsules; optional ECM extender cable enables remote positioning
  • Dedicated headphone output (100 mW) with front panel volume control
  • Dual XLR balanced Main Outs plus 1/8″ stereo mini-jack Sub Out
  • Front panel OPTION button gives quick access to important shortcuts
  • 1.9” white, backlit monochrome LCD
  • Dual SD/SDHC/SDXC card slots, up to 512 GB each 
  • Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
  • Built-in tripod mount; camera mount adapter also included
  • Use as a 6-in/4-out USB audio interface (@ 96 kHz) 
  • The F4 can also be mounted to a tripod and attached to your camera using the included mounting bracket.

*The F4 does not have Bluetooth capabilities and

is not compatible with the Zoom F8 iOS app.

Simultaneus Recording Tracks: Yes
Sampling: 24-bit/192 kHz
Display: 1.9″ monochrome LCD with white backlight
Inputs/Outputs: XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)
Headphones Output: 1/4″ unbalanced stereo output jack
Recording Media: Dual SD card slot supports: 16 MB – 2 GB SD cards 4 GB – 32 GB SDHC cards 64 GB – 512 GB SDXC cards
Effects: User-adjustable level, pan, and input/output delay, built-in limiters, built-in high-pass filter
USB: USB 2.0 High Speed
Dimensions (W x H x D): 177.8 mm (W) ? 141.1 mm (D) ? 54.3 mm (H)
Weight: 1030g

 

 

Weight 1.00 kg

Reviews

There are no reviews yet.

Be the first to review “ZOOM F4 Multi Track Field Recorder”

Your email address will not be published. Required fields are marked *

Quick Comparison

ZOOM F4 Multi Track Field Recorder removeTASCAM DR-10X Portable recorder removeFOSTEX FR-2 Professional Digital recorder removeFOSTEX FR-2LE compact field memory recorder removeTASCAM SS-R200 Digital recorder removeZOOM H5 Handy Recorder remove
NameZOOM F4 Multi Track Field Recorder removeTASCAM DR-10X Portable recorder removeFOSTEX FR-2 Professional Digital recorder removeFOSTEX FR-2LE compact field memory recorder removeTASCAM SS-R200 Digital recorder removeZOOM H5 Handy Recorder remove
Image
SKUG05ZM00101TA/EM/000449FR2FR-2LETAEM000542G05ZM00089
Rating
Price 593.00 incl. GR VAT 179.00 incl. GR VAT 1,023.33 incl. GR VAT694.39 incl. GR VAT 595.00 incl. GR VAT 259.00 incl. GR VAT
Stock

Out of stock

Available on backorder

Available on backorder

Available on backorder

Available on backorder

Only 1 left in stock

AvailabilityOut of stockAvailable on backorderAvailable on backorderAvailable on backorderAvailable on backorderOnly 1 left in stock
Add to cart

Read more

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

The Zoom F4 propels your film's sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.

By putting high-quality sound front and center, you've changed how audiences experience film. That's why we created the Zoom F4. So professional quality sound is always within reach. Super-low-noise microphone preamps
The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4ʼs mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs. TCXO Time Code

For precise audio/video syncing, the F4 utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy—a first for this price point. The F4 supports all standard drop frame and non-drop formats, and can jam sync to time code provided by external devices. Standard BNC connectors enable easy integration into any rig. Advanced onboard limiters


Advanced onboard limiters provide overload protection which lets you capture audio in a wide range of dynamic sound environments. Limiting can be applied to all four channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.   Rock-solid build and lightweight design
A compact metal chassis makes the F4 both rugged and durable, and keeps its weight down to just 2.27 pounds without batteries. Recording Features
Multi-track recording

With four XLR/TRS combo inputs, a 3.5mm stereo input, and a Zoom mic capsule input, the F4 can record up to six discrete tracks with an additional stereo mix track—all at resolutions up to 24-bit/192 kHz. Camera return

Input 5/6 can be used as a camera return for monitoring only. This allows you to monitor audio being sent to the camera for confidence checks. Dual SD card recording

A dual SD card recording feature lets you record simultaneously on two SD/SDHC/SDXC cards* (up to 512 GB each). This means you can instantly back up or split recordings. For example, you can save eight tracks on one card and a stereo mix on another. * View a list of confirmed compatible SD cards File protection


The F4 periodically saves files while recording, providing an extra level of protection from unexpected file interruptions like power loss or sudden SD card removal. Dual-channel recording


Dual-channel recording mode lets you create safety tracks for inputs 1 and 2, each with independent level, limiting, delay, phase inversion, and high-pass filtering. Shortcuts

Built-in shortcuts allow easy access to important menus and features. Hold the front panel OPTION button for access to TC Jam, Trim Link, Clear Clip and other important shortcuts. Three power sources


Power up your F4 with 8 AA batteries or an external DC battery pack with a converter cable connector. The F4 also includes a Zoom AD-19 power supply and a DC-HIROSE adapter which serves as a third power option. Add Two Additional Mic/Line Inputs

The F4 is outfitted with a 10-pin Zoom mic capsule input to expand your recording capabilities even further. Connecting the optional EXH-6 XLR/TRS Combo Input Capsule adds two extra mic/line inputs to your F4, giving you a total of six discrete XLR/TRS combo inputs. Zoom Interchangeable Mic Capsules Use the proprietary Zoom capsule input to connect any of the available Zoom mic capsules—such as the SGH-6 Shotgun Mic Capsule or the XYH-6 Stereo X/Y Mic Capsule—to add an on-board microphone to your F4. The optional ECM extension cable allows for remote positioning of all capsules. The Best Connections

Inputs
 The F4 features four discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input provides a dedicated preamp with gain control knob, phantom power, a six-segment LED level meter, and a Record Ready and PFL switch. The 1/8" stereo input or the Zoom mic capsule input can provide input for tracks 5 and 6. The F4 also includes a variable-frequency slate tone generator to confirm levels. Outputs
 In addition to the 1/4” headphone jack with dedicated volume control, the F4 provides four other outputs. Two Main Outs (on balanced XLR jacks) let you connect to external mixers and processing devices. Two Sub Outs (on a single unbalanced 1/8" stereo mini-jack) enable easy connection to a camera. The front panel OUTPUT button allows easy access to output levels and routing. Time code and USB
 connections

Time code I/O is provided on BNC connectors. The USB port facilitates firmware updates and file transfer. It also allows the F4 to be used as a 6-in/4-out USB audio interface with sample rates up to 96 kHz. An LCD For All Lighting Conditions

An easy-to-read 1.9-inch white backlit monochromatic LCD display makes the F4 suitable for all lighting environments— from low light to direct sunlight. It also performs well in harsh conditions, like dusty and hard-to-see environments. Monitor Your Recordings

Flexible options help you easily monitor recordings in the field. Route any input, as well as the stereo track (pre- or post-fader), to the left or right headphone  channels. A built-in 100 mW headphone  amplifier provides plenty of volume for noisy environments. You can even set headphone alert tones for low battery, recording start/stop, or recording errors. Onboard Mixer And Effects
An onboard mixer allows for flexible signal routing from all inputs to all outputs (pre- or post-fader) with user-adjustable level, pan, and input/output delay. Built-in limiters can be applied to all channels and tracks simultaneously. The F4 also includes built-in high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding. The Nitty Gritty
The F4 records in BWF-compatible WAV format at 16-bit or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording MP3 files, you can choose bit rates of 128, 192, or 320 kbps.
Easy to Navigate Menus and Metadata
Thanks to simple menu navigation, cataloging with the F4 is easy and straightforward. The F4 features a simple file structure and allows you to enter extensive metadata (both BWF and iXML) directly onto the device. Includes Recording and Editing Software The F4 comes with free download licenses for Steinbergʼs Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit. Your Time is Now Creators are redefining whatʼs possible in film. Let the F4 elevate your creations with professional quality audio that brings your filmmaking efforts full circle. Features at a glance

  • 6-input/8-track multitrack field recorder with integrated mixer 
  • 6 discrete inputs, including with 4 locking Neutrik XLR/TRS combo connectors, a stereo 3.5mm input, and Zoom mic capsule input
  • Input 5/6 can be used as a camera return for monitoring only.
  • Compact and lightweight metal chassis, weighing just 2 pounds (without batteries)
  • High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and
  • +4 dB line inputs
  • Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz, and 
  • 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution
  • Accurate time code (0.2 ppm) I/O on standard BNC connectors; drop frame/non-drop formats with Jam Sync
  • Three different power supply options: 8x AA batteries, external DC battery pack with 4-pin HIROSE connector, and Zoom AD-19 12V AC Adapter with
  • DHC-1 DC-HIROSE cable (included)
  • Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
  • Phantom power (+48V/+24V) on every preamp 
  • High pass filter, phase invert, and Mid-Side decoder
  • Advanced onboard limiters for input and output
  • Input delay of up to 30 msec per channel / output delay of up to
  • 10 frames per output
  • Compatible with all Zoom mic capsules; optional ECM extender cable enables remote positioning
  • Dedicated headphone output (100 mW) with front panel volume control
  • Dual XLR balanced Main Outs plus 1/8" stereo mini-jack Sub Out
  • Front panel OPTION button gives quick access to important shortcuts
  • 1.9” white, backlit monochrome LCD
  • Dual SD/SDHC/SDXC card slots, up to 512 GB each 
  • Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
  • Built-in tripod mount; camera mount adapter also included
  • Use as a 6-in/4-out USB audio interface (@ 96 kHz) 
  • The F4 can also be mounted to a tripod and attached to your camera using the included mounting bracket.
*The F4 does not have Bluetooth capabilities and is not compatible with the Zoom F8 iOS app.
Simultaneus Recording Tracks:Yes
Sampling: 24-bit/192 kHz
Display: 1.9" monochrome LCD with white backlight
Inputs/Outputs: XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)
Headphones Output: 1/4" unbalanced stereo output jack
Recording Media: Dual SD card slot supports: 16 MB – 2 GB SD cards 4 GB – 32 GB SDHC cards 64 GB – 512 GB SDXC cards
Effects: User-adjustable level, pan, and input/output delay, built-in limiters, built-in high-pass filter
USB: USB 2.0 High Speed
Dimensions (W x H x D): 177.8 mm (W) ? 141.1 mm (D) ? 54.3 mm (H)
Weight: 1030g
 

 

Features at a glance


To TOP
  • XLR plug-on connection
  • Compatible with dynamic mics as well as bettery-powered condenser mics
  • 48kHz/24-bit linear PCM mono recording
  • WAV files (compatible with BWF format)
  • Media: microSD/SDHC cards (supports 32GB capacities)
  • Sliding record switch and hold function to prevent misoperation during recording
  • Dual recording function
  • automatic file closing function to prevent the loss of already recorded data
  • XLR connector also can use as external input for external input
  • High/Mid/Low recording level settings
  • Low-cut filter
  • Limiter
  • Automatic level function
  • With a built-in clock function, supports BWF files that can have time information added, which is convenient for editing and searching
  • Time track incrementing function can create new files at regular intervals (every 15 minutes) during recording
  • Playback function allows recorded data to be checked immediately
  • Headphone output
  • Locking mechanism assure a tight connection with the microphone body
  • Easy-to-read organic EL display
  • micro USB B port enables easy data exchange with computers
  • Records at least 10 hours on a single AAA battery by using alkaline batteries (EVOLTA)
  • Unit settings can be created and transferred as a computer text file
  • Settings can be transferred between multiple DR-10X units using the infrared transmission function
  • Firmware can be updated using a microSD card
  • RoHS-compliant product

 

The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.

  • Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
  • Up to 24-bit/192kHz uncompressed recording
  • Includes a unique 22.05kHz sampling frequency setting for extended recording
  • Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
  • Fostexʼs "File per Take” system with auto scene & take naming/increment
  • Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
  • 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
  • Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
  • Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
  • Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
  • “Pre-record” loop buffer of approximately 10 seconds*3
  • Easy software update via CF or PCMCIA card with downloads from the internet
  • Optional timecode generator / reader card

    Notes
    *1 May require software update for PCMCIA HD operation
    *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
    *3 Varies depending on sampling frequency“

  • GENERAL
    Recording Media CompactFlash card, PCMCIA HD
    Recording Format BWF
    Number of Channels Stereo / Mono
    Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
    Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
  • PHYSICAL
    Power Requirement 8 x AA type dry cell (NiMH recommended)
    AC adaptor (optional)
    DC 12V
    Power Consumption approx. 5W
    Dimension 250(W) x 77(H) x 220(D) mm
    Weight 1.5kg (w/out battery)
  • PERFORMANCE
    R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
    20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
    20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
    20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
    S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
    Line (input gain: +4dBu): 100dB (typical)
    Mic: (input gain: -60dBu): 87dB (typical)
    Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
    T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
    Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
    Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
    Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
  • INPUT / OUTPUT CONNECTORS
    ANALOG AUDIO INPUT L/R
    Connector XLR-3-31 type (Pin2: Hot)
    Line Input Impedance : More than 6k ohm
    Reference Input Level +4dBu
    Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
    MIC
    Input Impedance More than 6k ohm
    Input Level -60dBu
    Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
    Phantom Power P48
    ANALOG AUDIO OUTPUT L(Mono)/R
    Connector RCA pin type
    Output Load Impedance more than 10k ohm
    Nominal Output Level +4dBu
    HEADPHONE OUTPUT 50 + 50mW (32 ohm)
    Max Speaker Output Level 1W
    DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
    Connector XLR
    Input Format S/P DIF / AES/EBU automatic
    Output Format S/P DIF / AES/EBU switchable
    USB x 2 (keyboard / PC only)
    TIMECODE CARD (OPTIONAL, T.B.A.)
    LTC Input/Output LEMO
    Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
    Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN

 

  • 2-channel field recorder in Stereo or Mono on Compact Flash or Micro drive cards
  • Light weight with rigid chassis
  • FAT32 file system & BWF Stereo file format + MP3 recording/playback
  • Built-in Stereo microphone for quick memo recording
  • 2 x XLR mic inputs with phantom power to accept professional microphones
  • High resolution recording at 24bit 96kHz
  • Mic Trim for accurate recording level adjustment
  • Automatic Level Control (ALC - OFF/ALC/LIMITER)
  • Hi-Pass Filter
  • Backlit 132 x 64 dot matrix LCD display
  • Two-hour capacity on 4GB CF card with Stereo 24 Bit/96 kHz resolution  
  • Pre-record buffer (2 secs) ensures full-take recording with no inadvertent loss
  • Auto File Closing (the recording file auto-closes every minute to secure recorded data)
  • Auto Shut-off function when the input power becomes abnormally low to save data
  • Convenient file naming mode: DATE or TAKE
  • 4 hours operation on 4 x AA Alkaline / Ni-MH batteries
  • 8 hours operation possible with optional rechargeable NiMH battery pack
  • Wired remote controller with microphone attachment belt
  • USB 2.0 data transfer to Mac or PC computers for further editing and post-production
  • Comes with 128MB CF card, AC adapter, dedicated shoulder belt and carrying pouch
• Recording / Playback / General
Recording Medium: Compact Flash Card
Recording Times: see chart above
File Formats: BWF (Broadcast Wave Format), MP3 (MPEG Layer-3)
Sampling Frequency: 44.1 / 48 / 88.2 / 96 kHz
Quantization: 16-bit linear (44.1 / 48 kHz);
24-bit linear (44.1 / 48 / 88.2 / 96);
MP3 192kbps (stereo)
Recording Tracks: 2 tracks (stereo)
Simultaneous Recording: 2 tracks (stereo)
Rec/Play Frequency: 20Hz-20kHz ±2dB (FS 44.1/48kHz); 20Hz-40 kHz ±3dB (FS 88.2/96kHz)
S/N: (ADC-DAC, 24bit, 48kHz) - Line: (Input Gain: +4dBu) 95dB (typical) - Mic: (Input Gain: -60dBu) 85dB (typical)
Dynamic Range: 95dB (typical) (ADC-DAC, 24bit, 48kHz)
THD: (ADC-DAC, 24it, 48kHz) - Line: Channel Separation: more than 90dB (at 1kHz 0dB) (24bit, -20BFS, 48kHz)
Reference Level: -12dBFS
Locate Memory: 99 Cue points per file
Battery Operation Time: approx. 4 hours (4 x AA Alkaline / Ni-MH AA cells); approx. 8 hours (optional Ni-MH battery pack)
• Input / Output
Analogue In (L/R) Connector: XLR-Jack (1/4“) Combo Type
Mic In Connector: XLR (balanced, 2-pin hot)
Line In Connector: Jack (1/4“) (unbalanced)
Input Impedance: > 10k ohm
Reference Input Level: -10dBV
Maximum Input Level: +2dBV
Input Impedance: > 6k ohm
Reference Input Level: -50dBu to -10dBu
Maximum Input Level: +2dBu
Phantom: P48
Monitor Out Connector: RCA Phono (unbalanced)
Load Impedance: > 10k ohm
Reference Output Level: -10dBV
Phones Connector: Stereo Mini Jack (3.5mm)
Load Impedance: > 32 ohm
Maximum Output Level: 15 + 15mW (32 ohm)
USB 2.0 (for PC) Connector: Series "B” Receptacle
Built-in Speaker
Maximum Output: 300mW
 
• Physical

Dimensions: 57(H) x 206(W) x 132(D) mm
Weight: 0.8kgs (w/o battery)
Included Accessories: CF card (128MB), AC Adaptor, shoulder strap, remote control and carry pouch
Pedigree Portable Field Recorder

The FR-2LE is a compact field memory recorder for professional use offering 24bit 96kHz recording in the industry standard BWF file format. It has a good pedigree given Fostex's previous success with their DAT portables (PD2 & PD4) and latterly with their solid state FR-2 and its optional full timecode facility.

Now with their latest FR-2LE, they have an even more compact offering for high quality field recording, interview recording (MP3 mode also available), or simple film/broadcast audio recording.

The FR-2LE is equipped with two professional phantom powered XLR microphone inputs (XLR-Jack combo) complete with precise control over the recording level. It features a 1 take = 1 file recording system which eliminates overwrites and its 2 second ʽpre-recordʼ buffer means there should never be a missed take or lost soundbite. Thereʼs also an MP3 mode and built-in stereo microphone.

Feature rich, elegant in operation, good pedigree - the new FR-2LE looks assured of success.

MAIN FEATURES

• Long Battery Life

The FR-2LE can run for up to 4 hours on 4 x AA Alkaline batteries and up to 8 hours with the optional NiMH BATPACK battery pack. A choice of two BATPACK chargers are also available - one for the mains and one that also charges your pack from a 12V car outlet.

• Extended recording times

Over 6 hours @ 16bit 44.1kHz recording on an 4Gb CompactFlash card.

• Professional inputs

Dual XLR inputs (XLR-Jack combo) with top quality microphone pre-amps, trim control and phantom power. Analogue out is provided on phono (RCA) connectors.

• BWF or MP3 recording

Record up to 24bit 96kHz audio.

• Tough construction

Manufactured from high-grade materials and specifically designed for professional location recording.

• Fail Safe Recording

In addition to a 1 take = 1 file system to eliminate overwrites, the FR-2LE also features Auto File Closing which closes files at one minute intervals, thus preserving the data in the event of a power failure.

• USB 2.0

The USB 2.0 port allows direct connection to PC and MAC for easy file transfer.

 

The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O.  It supports the RC-20 direct play remote for up to 20 tracks of flash start.

  • Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
  • One-rack-space compact design
  • Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
  • PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
  • RS-232C and Parallel Control I/O
  • Multiple playback modes for situations requiring continuous, single, programmed and random playback
  • Playback speed control without pitch change
  • XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
  • Dimensions (W x H x D): 19 x 1.8 x 11.9 (in)  482.6 x 44.5 x 301 (mm)
  • Weight:  7.50 (lbs)  3.4(kg)
Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise Compatible with all Zoom input capsules Four-track simultaneous recording Large backlit LCD display Records directly to SD and SDHC cards up to 32GB Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad Analog-style gain controls for each input Protective "roll-bar" type covers prevent accidental movement of gain controls Plug-in power (2.5 volts) Built-in effects, including low-cut filtering, compression and limiting Chromatic tuner and metronome Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take MS decoding Multitrack to stereo internal mixdown Normalize, Divide and Trim editing Voice memo and up to 99 marks per recording A/B loop playback Variable playback speed and variable pitch without affecting playback speed Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter Uses two standard AA alkaline or NiMH rechargeable batteries Over 15 hours of operation with alkaline batteries GENERAL Recording media: SD card: 16MB to 2GB , SDHC card: 4GB to 32GB Display: Backlit LCD (128 x 64 pixels) INPUTS INPUTS L/R [XYH-5 X/Y mic]: Mic type:   Unidirectional Sensitivity:   -45 dB, 1 kHz at 1 Pa Input gain:   -∞ to 52 dB Max sound pressure input: 140 dB SPL MIC/LINE IN : Connector:   1/8" stereo mini jack Input gain:  - ∞ to 52 dB Input impedance:  2 k Ω or more Plug-in power:  2.5V supported Backup recording: -12dB lower than set L/R input gain INPUTS 1/2: Connectors:    XLR / TRS combo jacks (XLR: Pin 2 hot / TRS: Tip hot) Input gain (PAD OFF): -∞ to 55.0 dB Input gain (PAD ON): -∞ to 35.0 dB Input impedance:  1.8 k Ω or more Max input level:  +22 dBu (PAD ON) Phantom power:  +12V /+24V /+48V Equivalent Input Noise (EIN): -120 dBu or less OUTPUTS LINE OUT : Connector:    1/8" stereo mini jack Rated output level:   -10 dBm Output load impedance: 10k Ω or more PHONE OUT    : Connector:    1/8" stereo mini jack Output Level:    20 W +20 W into 32 Ω load Built-in speaker: 400mw 8 Ω mono RECORDING FORMATS STEREO MODE: WAV (BWF-compliant) Sampling frequency:   44.1/48/96 kHz Bit rate:    16/24 (Stereo) Maximum simultaneous recording tracks: 2 MP3 Sampling frequency:  44.1kHz Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps MULTITRACK MODE: WAV (BWF-compliant) Sampling frequency: 44.1/48 kHz Bit rate: 16/24 (Mono/Stereo) Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup) USB Mass Storage Class operation: Class: USB 2.0 High Speed Audio Interface operation: Multitrack mode: Class: USB 2.0 High Speed Sampling frequency: 44.1/48kHz Bit rate: 16/24 bit Inputs / Outputs: 4 / 2 Audio Interface operation: Stereo mode: Class: USB 2.0 Full Speed Sampling frequency: 44.1/48kHz Bit rate:  16 bit Inputs / Outputs: 2 / 2 USB bus powered operation  possible (iPad operation supported in Stereo mode only) POWER REQUIREMENTS AA size (LR6) battery x 2 AC adapter: AD-17 (DC5V/1A/USB-type) (optional) USB bus power
Weight1.00 kg0.50 kg3.00 kg0.80 kg4.00 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.50 kg
Weight 3.00 kg
Weight 0.80 kg
Weight 4.00 kg
Weight 2.00 kg