ZOOM H2n Portable digital recorder

The ultimate record-anywhere multitrack.
Capture inspiration whenever and wherever you are.
The new MR-8 Mk II is the easiest to use digital multitrack ever. If you can operate a tape recorder, you'll be recording and multitracking within minutes of opening the box.

By putting all the major controls and functions right there on the top panel instead of buried in a confusing menu system, the MR-8 Mk II, unlike some other recorders, actually aids you in capturing your musical ideas. In addition there's great sounding built-in digital effects, guitar amp and mic simulators, handy mix-down effects, plus the ability to hook up to a PC for data editing, and backing up your songs.
You create. Fostex records.

New for the Mk II is the USB host feature which allows for the easy connection of an 'off-the-shelf' CD-R burner via USB. Making CD masters has never been more simple.

Recording time
Recording time in normal mode (16bit/44.1kHz) is approx. 25 track-minutes on the supplied 128MB CF card and 50 track-minutes on a 256MB card. Extended mode (16bit/22.05kHz) doubles the recording time. Note that recording time varies depending on recorded source, punch in/out, undo/redo status, etc.

Features
8 tracks of recording and playback using CompactFlash cards

2 track simultaneous recording

Superb in-built digital effects inc Mic and Amp simulations

USB Host function for CD burning with 'off-the-shelf' CD burner

2 mic inputs with +48V Phantom Power

Details
8-track recording onto CompactFlash Card.

High quality sound recording and playback with uncompressed linear 16-bit/44.1 kHz digital audio (normal mode) with 2 track simultaneous recording and 8 track playback.

LP Mode (16-bit/22.05 kHz) doubles the recording time.

Physical knobs and buttons for intuitive operations. A new dial knob for menu selection.

Newly added +48V Phantom Power on all two Mic Inputs for wider choice of microphones.

USB Host function ready for CD burning on an off-the-shelf external CD-R drive.

Improved 132 x 64 dot-matrix LCD and self illuminating keys visually show the current status.

Improved built-in digital effects including Reverb, Delay as well as Guitar Amp and Microphone simulations

Black colored top panel design

Analog guitar distortion with the dedicated knob on Input A.

Full-track (8-track) bouncing to a "New Song (track 7/8) for PC transfer and CD burning.

Mastering effects for stereo buss.

USB port for stereo WAV file transfer to and from PC

AC and Battery (6 x AA alkaline cells) operation. Approx. 4 hours maximum operation time with batteries. Includes AC adapter.

Built-in microphone for handy song memo.

Two headphones outputs.

Free "WAV Manager" software available for multiple mono files transfer to and from PCTechnical InfoRecording / Playback
Recording medium CompactFlash

Recording time approx. 6 minutes (8-track on 256MB CF) normal mode

Recording format FAT16

Sampling frequency 44.1 kHz (Normal Mode), 22.05 kHz (LP Mode)

Quantization 16-bit linear (non-compression)

A/D converter 24-bit Delta-Sigma

D/A converter 24-bit Delta-Sigma

No. of recording track 8 tracks maximum

No. of simultaneous rec. 2 tracks

Recording/reproduction frequency 20 Hz - 20 kHz (Normal Mode)

Dynamic range 87dB or more (typical) (Normal Mode)

T.H.D. 0.05% or less (typical) (Normal Mode)

Inputs / Outputs
Analog in (input A/B)

Connector XLR-3-31 type (Pin2:hot) and 6mm TRS phone

Input level -48dBV (MIC) - +4dBV (LINE)

Input impedance 1.5k ohm or more 400k ohm or more (GUITAR on INPUT A)

Phantom power P48V (on/off selectable)

Stereo out (L, R)

Connector 6mm stereo phone

Output level -10dBV (unbalance)

Load impedance 10k ohm or more

Headphones (phone 1, 2)

Connector 2 x 6mm stereo phone

Max. output 30mW or more (at 32 ohm)

Load impedance 16 ohm or more

MIDI out

Connector DIN 5 pin

Format MIDI standard

Foot switch

Connector 6mm phone

Level TTL level

USB 2.0 HI-SPEED

Connector B type

USB 1.1

Connector A type

General
Dimensions 286(W) x 220(D) x 65(H) mm

Weight approx. approx. 1.6kgs

Power requirement DC12V, 400mA

The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.

Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.

The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.

An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.

Main Features

Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder
Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences
Accepts sound pressure level up to 125 dB SPL
Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit
Allows recordings in CD quality (44.1kHz/16-bit)
Input level rotary control
Input level indicator (green/red)
Switchable limiter to avoid distorted recordings
Power supply via dock connector, no battery required
USB connector available for recharging the iOS device
Easy setup (attaches to the deviceʼs dock connector)
Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge
Specifications

General
Microphone type        Cardioid condenser (stereo)
Maximum input level        125 dB SPL
Input level adjustment range        0–40 dB
Frequency range        10 Hz – 20 kHz
Sampling frequency        44.1 kHz
Bit rate        16 bit
iOS device recharging port        USB Mini-B connector
iOS device connector        30-pin dock connector
Device support        iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation)
Power supply and other specifications
Power supply        Provided through the iOS device connector
Power consumption        90 mW
Dimensions (W x H x D)        56 mm x 57 mm x 22 mm (including connector)
Weight        30 g
Operating temperature range        5–35 °C
Design and specifications subject to change without notice.

• 2-channel field recorder in Stereo or Mono on Compact Flash or Micro drive cards
• Light weight with rigid chassis
• FAT32 file system & BWF Stereo file format + MP3 recording/playback
• Built-in Stereo microphone for quick memo recording
• 2 x XLR mic inputs with phantom power to accept professional microphones
• High resolution recording at 24bit 96kHz
• Mic Trim for accurate recording level adjustment
• Automatic Level Control (ALC - OFF/ALC/LIMITER)
• Hi-Pass Filter
• Backlit 132 x 64 dot matrix LCD display
• Two-hour capacity on 4GB CF card with Stereo 24 Bit/96 kHz resolution  
• Pre-record buffer (2 secs) ensures full-take recording with no inadvertent loss
• Auto File Closing (the recording file auto-closes every minute to secure recorded data)
• Auto Shut-off function when the input power becomes abnormally low to save data
• Convenient file naming mode: DATE or TAKE
• 4 hours operation on 4 x AA Alkaline / Ni-MH batteries
• 8 hours operation possible with optional rechargeable NiMH battery pack
• Wired remote controller with microphone attachment belt
• USB 2.0 data transfer to Mac or PC computers for further editing and post-production
• Comes with 128MB CF card, AC adapter, dedicated shoulder belt and carrying pouch

The FR-2LE is a compact field memory recorder for professional use offering 24bit 96kHz recording in the industry standard BWF file format. It has a good pedigree given Fostex's previous success with their DAT portables (PD2 & PD4) and latterly with their solid state FR-2 and its optional full timecode facility.

Now with their latest FR-2LE, they have an even more compact offering for high quality field recording, interview recording (MP3 mode also available), or simple film/broadcast audio recording.

The FR-2LE is equipped with two professional phantom powered XLR microphone inputs (XLR-Jack combo) complete with precise control over the recording level. It features a 1 take = 1 file recording system which eliminates overwrites and its 2 second ʽpre-recordʼ buffer means there should never be a missed take or lost soundbite. Thereʼs also an MP3 mode and built-in stereo microphone.

Feature rich, elegant in operation, good pedigree - the new FR-2LE looks assured of success.

MAIN FEATURES

• Long Battery Life

The FR-2LE can run for up to 4 hours on 4 x AA Alkaline batteries and up to 8 hours with the optional NiMH BATPACK battery pack. A choice of two BATPACK chargers are also available - one for the mains and one that also charges your pack from a 12V car outlet.

• Extended recording times

Over 6 hours @ 16bit 44.1kHz recording on an 4Gb CompactFlash card.

• Professional inputs

Dual XLR inputs (XLR-Jack combo) with top quality microphone pre-amps, trim control and phantom power. Analogue out is provided on phono (RCA) connectors.

• BWF or MP3 recording

Record up to 24bit 96kHz audio.

• Tough construction

Manufactured from high-grade materials and specifically designed for professional location recording.

• Fail Safe Recording

In addition to a 1 take = 1 file system to eliminate overwrites, the FR-2LE also features Auto File Closing which closes files at one minute intervals, thus preserving the data in the event of a power failure.

• USB 2.0

The USB 2.0 port allows direct connection to PC and MAC for easy file transfer.

Why are 4-channels of audio better than 2-channels?

• Capture more ambient sound at any shoot for an overall more convincing soundscape.
• Place mics on each participant in conferences, panels, reporters, etc.
• Redundancy or backup in case of camera mic noise or drop out.
• Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
• Video editing environments now support multi-channel audio as standard.

• Main Features

  The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.

  Extended Recording with 40GB Hard Disk Drive
  Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.

  Superior 24-bit/96-kHz Linear Recording
  Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.

  Simultaneous 4-Channel Recording
  The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
  Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.

• Five High-Quality Effects
  The R-4 lets you tailor the sound during both recording and playback.

• L Terminal for Linking a Digital Video Camera
  The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

  Waveform Editing Using Only the R-4
  The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

  Index Any Point Instantly
  Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

  Easy Playback with the Jog Dial
  Use the jog dial to fast-forward or rewind at any of seven speed levels.

  Built-In Stereo Speakers
  The R-4's built-in speakers make it easy to monitor recorded sound without headphones.

• L Terminal for Linking a Digital Video Camera
  The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

  Waveform Editing Using Only the R-4
  The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

  Index Any Point Instantly
  Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

  Easy Playback with the Jog Dial
  Use the jog dial to fast-forward or rewind at any of seven speed levels.

  Built-In Stereo Speakers
  The R-4's built-in speakers make it easy to monitor recorded sound without headphones.