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The AVANTONE CV-28 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950ʼs & 1960ʼs…but at a fraction of their cost!
The rugged CV-28 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This 3-Pattern Tube Microphone w/ interchangeable 19mm gold sputtered thin Mylar capsule assemblies is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features military-grade -15 dB pad & 80 Hz LF roll off switches for varied recording situations. The transformer coupled tube circuitry offers a modern-day, affordable solution for the desire to capture the character of famous European and American vintage designs, so studio can proudly offer the CV-28 as a primary acoustic instrument mic.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Acoustic guitar, mandolin, drum overheads, percussion, piano mic, etc…
Specifications
Type: Tube-type Condenser
Polar Pattern/s: 3 patterns via interchangeable capsules (Omni, Cardioid , Hyper-Cardioid)
Frequency Response: 20-20,000 Hz +/- 3dB
Output Impedance: |
ΠΥΚΝΩΤΙΚΟ ΜΙΚΡΟΦΩΝΟ ΜΕ 5 ΠΟΛΙΚΑ ΔΙΑΓΡΑΜΜΑΤΑ, ΚΑΨΑ 1'' ΙΝΤΣΑΣ, ΕΝΔΕΙΚΤΙΚΑ LED ΕΠΙΛΟΓΗΣ ΠΟΛΙΚΟΥ ΔΙΑΓΡΑΜΜΑΤΟΣ ΚΑΙ ΥΠΕΡΟΔΗΓΗΣΗΣ ΕΞΟΔΟΥ ΣΗΜΑΤΟΣ, ΕΥΑΙΣΘΗΣΙΑ 23MV/PA, ΑΠΟΚΡΙΣΗ ΣΥΧΝΟΤΗΤΑΣ 20HZ-20KHZ, ΜΕΧΡΙ 158 dB MAX SPL. ΔΙΑΘΕΤΕΙ 3 ΕΠΙΛΟΓΕΣ BASS-CUT FILTER ΚΑΙ 3 ΕΠΙΛΟΓΕΣ ΠΡΟ-ΕΞΑΣΘΕΝΗΣΗΣ ΜΕ ΕΝΔΕΙΚΤΙΚΑ LED. ΠΛΗΡΩΣ ΠΡΟΣΤΑΤΕΥΜΕΝΟ ΑΠΟ ΗΛΕΚΤΡΟΜΑΓΝΗΤΙΚΕΣ ΠΑΡΕΜΒΟΛΕΣ. ΔΥΝΑΤΟΤΗΣ ΕΛΕΓΧΟΥ ΜΕΣΩ REMOTE CONTROL (ΠΡΟΑΙΡΕΤΙΚΑ). ΠΑΡΑΔΙΔΕΤΑΙ ΣΕ ΜΕΤΑΛΛΙΚΗ ΒΑΛΙΤΣΑ ΜΕ ΑΝΤΙΚΡΑΔΑΣΜΙΚΗ ΒΑΣΗ, POP FILTER ΚΑΙ ΑΝΤΙΑΝΕΜΙΟ. ΚΑΤΑΛΛΗΛΟ ΓΙΑ STUDIO RECORDING ΑΚΟΥΣΤΙΚΩΝ ΟΡΓΑΝΩΝ. 3 ΕΤΗ ΕΓΓΥΗΣΗ
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg) | Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone
The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.
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Professional true condenser microphone for studio and live applications
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2 interchangeable capsules with cardioid and omnidirectional pickup patterns
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Low-mass gold sputtered diaphragm for ultimate sound reproduction
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Perfect for acoustic instruments, voice and overhead etc.
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Ultra low-noise transformerless FET input eliminates low-frequency distortion
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Smooth, super-wide frequency response and incredible musicality
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Switchable low-frequency roll-off and -10 dB input attenuation
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Gold-plated 3-pin XLR output connector
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Rugged construction with satin nickel-plated brass body
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Custom microphone stand adapter, windscreen and transport case included
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Manual Download | AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter for close-up recording and reduction of proximity effect
Integrated suspension to reduce mechanical noise and vibration from stage
Roadworthy design all-metal die-cast body with shock- and scratch-resistant finish |
The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
Specifications
Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance: |
Acoustical operating principle | Pressure transducer | Directional pattern | Omnidirectional | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohm | 20 mV/Pa | Rated impedance | 50 ohms | Rated load impedance | 1000 ohms | Equivalent SPL CCIR 468-3 | 28 dB | Equivalent SPL DIN/IEC 651 | 15 dB-A | S/N ratio CCIR 468-3 | 66 dB | S/N ratio DIN/IEC 651 | 79 dB | Max. SPL (tube characteristic) | K | Dynamic range (of the amplifier) | K | Maximum output voltage | 8 dBu | Weight | 800 g | Diameter | 78 mm | Length | 165 mm |
* THD of the microphone amplifier at an input voltage which is equivalent to the capsule output voltage at the specified SPL.
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