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The AIRENCE-USB is designed to be the focal point for local radio production work in the studio or... at home. It’s understandable features makes it the ideal companion for rapid on-the-spot radio programs. The AIRENCE is compact, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented as your own Internet Radio station. If your budget is tight start with the 6 channel version which is a complete system to begin with.
And it never becomes obsolete as it can be used as pre-production mixer, if, at a later date, you fit in a larger On-Air mixer. And.. if more inputs are needed hook up the AIRENCE-EXT and instantly you have 6 more triple inputs with each giving you a low noise Mic and 2x stereo line inputs under control. The Cue buss is of course linked and can be used as communication buss.
Not enough? Buy another 6 channel unit to expand to 18 or even more input channels.
Every unit is individually powered by a modern digitally switched power supply to create high efficiency in power consumption. Also power supply redundancy is an option because the power supply unit is external.
CONTROL SECTION
On the right side of the mixer you see 24 illuminated (green/red or yellow) switches These switches can be used to control functions in your Radio Automation such as starting jingle machines and switching between live and NON stop. Recording a voice track while ON-AIR is one of the possibilities.
A built in USB controller, specially tailored by D&R and programmable by yourself, to make radio even more exciting.
SOFTWARE
The AIRENCE sends out control signals over USB based on the HID protocol. This means that the main output signals can be displayed on a TFT screen in a beautiful meter application. Both Program and Sub stereo signals are shown on a high resolution PPM. A smaller separate stereo meter shows all signals heard through the CRM speakers. At the same time this software application shows you a professional looking Radio clock that is synchronized by the nearest NTP server over he Internet.
METER APPLICATION
This included software program runs together with the 4 stereo audio signals over the same USB connection that connects the console with the Play-out PC. A second screen maybe connected to get a similar look as seen on the top of this page.
SUMMARY
The AIRENCE is a reliable modern digitally controlled analogue On-Air console that could satisfy any serious Radio Studio that does not have the budget to go high end digital all the way. This console can do nearly anything you want in a nice compact and good looking package.
D&R's popular AIRENCE-USB broadcast mixing console is updated. In response to customer demand D&R removed the master faders and made the AIRENCE more in line with their other broadcast consoles. This update made the AIRENCE even more failsafe.
The AIRENCE-USB is a digitally controlled reliable analog broadcast console with integrated 4 channel USB sound card and an integrated control section for Play-out systems. With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J.
Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software. A heavy duty (19" rack) RF shielded chassis, that can be used as a dropthrough in your furniture, houses all the vertically mounted input modules.
Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console.
INPUTS.
Mic inputs: bal, 2 kOhm, XLR. ,48 volt Phantom.Noise: - 128 dBr (A-weighted). (That 1501)Sensitivity: - 70dB min, OdB Max.Insert: Jack unbalanced send 600 Ohm -10dBV.Aux Return unbalanced 10kOhm -10dBv. Line inputs: unbal.., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. (optional)
USB:
4x Stereo in and 4x stereo out.Extern in: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereoUSB. Fully compliant with USB 2.0 playback and record mode. 4x Stereo in and Main stereo or SUB signals out. HID Functions: Volume|Mute|Control
USB CONTROL SECTION.
24 free assignable illuminated switches plus encoder based on the HID protocol.
TELEPHONE HYBRIDS.
RJ-11 connectors for phone line/diallerMix Minus rejection @1kHz -40dB.
OUTPUTS.
Left/Right: + 6dBu bal. XLR. Monitor/Aux : + 6dBu unbal. on Cinch. Studio: + 6dBu, Jacks. Tape outp: -10dBv. Headphone: 32-600 Ohm, Jack. Announcer: 32-600 Ohm, Jack.USB out: Main program stereo signal or SUB
EQUALIZER.
High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz shelving.
THE HIGHLITES...
" Inserts on all Mic input modules.
" Program and Sub busses.
" Two built in Telephone Hybrids.
" Four built in USB channels.
" Modern Split design with the optional 6 channel Extender.
" Bi- Directional Cue Communication buss.
" Internal NON-STOP switching.
And of course the standard features...
" High efficiency switched mode external power supply with optional redundancy.
" Three band very musical EQ.
" Software based meter application included.
" High quality K-Alps faders.
Available Options
" Redundant power supply
" 6 channel Extender units available
" Studio Remote for cough and Cue.
OVERALL
Frequency response: 10 - 60.000Hz. Distortion: < 0.01% max at 1 kHz. Start switch: isolated reed relay. (24volt/50mA)Ledbars: 11 segment and on high res on screen
SOFTWARE
A software protocol is available for programming of the USB HID protocol to match your software.
DIMENSIONS:
Main unit19" rack mountable (480mm)Height: 356mm (8HE). Depth: 95mm. Weight: 9kg. Extension unitWidth: 400mmHeight: 356mm (8HE). Depth: 95mm. Weight: 7kg. |
The new AIRLAB DT radio ON-AIR console is D&R’s solution for applications where features and functions have to be weighed up against operational simplicity. A simple direct accessible control surface combined with intelligent instantly reset-able digital functions enables customizing to station requirements, and even to personal requirements, thanks to the use of a personalized chip card, holding all important functional data. D&R's AIRLAB has a welded steel drop through frame that will accommodate a maximum of 16 triple input modules with or without EQ, a digital AES/EBU in/output module, an USB module, a Control Module and Telco modules (up to 16) and the master section. The perfect mixing board for FM Broadcasting, Podcasting, Webcasting, or streaming to the internet!
The main outputs are electronically balanced (transformer balancing is an option) and the majority of connectors are on balanced XLRs.
With a sales track record (2017) of more than 900 consoles in the field, this On-Air mixing console has proved its popularity and... reliability.
FEATURES:
- 16 module positions
- Modern Drop) Through design
- Play-out Control Module
- Program and Sub busses
- Ideal for production and On-AIR use
- USB and Digital modules
- Bi directional Cue communication buss
- Software metering
SPECIFICATIONS:
- Mic input: bal. 2kOhm - 128dBr (40dB gain range plus 30dB of trim range)
- Line input: bal 10kOhm +/- 20dB gain range
- Telco input: (XLR) 10kOhm bal. 0dBu nominal
- CMRR: mic input max gain: 1kHz 85dB
- Line input: max gain 1 kHz 80dB
EQUALIZATION:
- +/- 12 dB @ 10kHz shelving
- +/- 12 dB @ 3kHz bell curve
- +/- 12 dB @ 60 Hz shelving
- Low Cut: 80Hz, 12dB per octave (mic only)
- Low Cut: 200Hz, 6 dB per octave (Telco only)
- High Cut: 8 kHz, 6 dB per octave (Telco only)
OUTPUTS:
- Left/Right : +6dBu electronically balanced (transformer balancing is an option)
- Sub : +6dBu electronically balanced
- All other outputs: +6dBu unbalanced.
OVERALL:
- Frequency response: 20-20.000 Hz +/-0.5dB
- Harmonic distortion: 0.035% (VCA in, 2nd harm)
- Crosstalk: less than -90dBr
- Noise: -86dBr
- Headroom: +22dB internal, 16dB on outputs
- Mix-Minus rejection: @1kHz -60dB
- Channel fader attenuation: 1kHz, 100dB
REMOTES:
All channel remotes are on stereo jack sockets
Start/Stop switching is by isolated reed relays
Both ON-AIR 1 and 2 (red light) ouputs are isolated by relays
DIMENSIONS AND WEIGHT:
50 kg / 110 Lbs
Drop through mounting hole dimensions: 590mm x 775mm
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Η XB-10 της Allen&Heath είναι broadcasting κονσόλα ιδανική για μικρό ραδιοφωνικό σταθμό ή internet radio. Διαθέτει 3 εισόδους mic/line, 3 εισόδους Stereo και 1 είσοδο Telco με επιλογή USB routing για εισερχόμενες κλήσεις VoiP. Ενσωματωμένη full duplex USB κάρτα ήχου για recording ή internet broadcasting. Επίσης έχει CompACT (Adaptive Compression Technology) compressor σε κάθε μια από τις 3 εισόδους μικροφώνου που παρεμβαίνει στην στάθμη του σήματος ήχου. Σε αντίθεση με άλλους compressors που έχουν ως σκοπό τον περιορισμό στις υψηλές στάθμες, ο συγκεκριμένος επεμβαίνει σε όλες τις στάθμες σήματος. Στα χαμηλής στάθμης σήματα δίνεται ένα gain boost (ενίσχυση), τα μεσαίου επιπέδου σήματα συμπιέζονται ηπίως, και τα υψηλής στάθμης περιορίζονται ωστε να εχουμε ενα ομαλο σημα.
- 3 mic/line and 3 stereo inputs
- Telco channel with optional USB routing for VoIP
- CompACT compressors on mic channels
- ON switch logic on mic and telco channels
- Start/cue logic outputs on stereo channels
- Separate headphones mix and outputs
- Auto mutes on control room outputs
- Remote mute facility on mic channels
- Responsive 3-band, swept mid EQ with MusiQ
- Configurable USB stereo audio in/out
- XLR main outputs with inserts and variable limiter
- Aux / Alt bus for external processing, recording or auditioning
USB
XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications.
MusiQ
XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources.
Output Limiter
A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered.
CompACT Compressor
XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited.
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- Can be operated directly as a standalone or in conjunction with D & R Airmate / Airance / Axum
- Cable and mounting holes on the back
- 12 Volt / 450 mAh
- Dimensions (W x H x D): 260 x125 x 65 mm
- Incl. power supply
D&R Studio sign On Air light Mono Face, A perfect matching ON-AIR lamp for all our mixers. You can of course use the unit too for other brands.
We can supply you a perfect matching ON-AIR lamp for all our mixers.
You can of course use the unit too for other brands.
We call it ON-AIR Lamp but actually there is no lamp inside anymore, just everlasting high intensity red leds.
The unit is powered by a 12 volt DC 1A external power supply.
And what's more... no hassle with how do I connect this thing to my AIRMATE-USB/AIRENCE-USB/AIRLAB or AXUM.
No complicated high voltage AC switching with external relays etc. etc.
What you only need is one stereo cable (wired tip/ring) coming from the MIC-ON connector on the back of the AIRMATE/AIRENCE/AIRLAB console that goes directly hardwired to a terminal strip inside the ON-AIR LAMP. How easy is this for a change.
The power adapter will also be directly wired to the terminal strip inside the unit.
Width: 260mm
Height: 125mm
Depth: 65mm
The power adapter (included in the delivery) will also be directly wired to the barrier strip inside the unit
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A reliable and compact solution for domestic or small scale broadcast and audio needs
With the AIRLITE mixer you can now own a modern radio mixer for a very attractive price. This new hand built piece of precision equipment is the result of more than 44 years of experience at D&R. It is an intelligent mixer with an internal USB control section that speeds up daily use and includes a built in Silence Detector. It is a reliable workhorse for the self-op production D.J. with built in Telephone VOIP functionality. 4 in/out channels of stereo USB and 3 very low noise Mic inputs.
The AIRLITE, ideal for ON-AIR, Production and perfect for streaming to the web. The AIRLITE accepts and instantly controls a maximum of 4 in/out stereo channels from your Play-out software. It is built into a metal, heavy duty RF shielded, powder coated chassis, designed with elegantly rounded corners. Easily "drops” into your furniture to give that exciting and contemporary radio look. A strong powder coated front panel with reliable controls gives you access to a flawless performance.
MIC, LINE, USB and INTERNAL VOIP
The AIRLITE mixer has 3 balanced, phantom powered mic inputs with inserts for voice processors. Eight stereo line inputs, 4x USB channels and 1x Telephone VOIP channel. Only one physical USB connection is the interface to transfer 4 stereo audio channels from and to your PC plus all control data from the control section and the software meter application.
The VOIP Channel 8 has its own USB connector to be able to have your calls coming from another PC. Connection to a second USB connector on your main PC is of course also possible. Dedicated Talk back to the VOIP channel makes conversation with callers very easy. The Cue bus is also a communication buss, so the announcer can easily have a discussion with the caller outside the broadcast. Just hit the two related CUE buttons and you’re talking. There is a very musical 3 band Equalizer on channel 1-3. The stereo Aux send can be selected pre or post fader And all high quality low noise mic inputs have a high guality built in low cut filter.
STRAIGHT FORWARD MASTER SECTION DESIGNED WITH RADIO IN MIND.
The AIRLITE master section is designed for Radio. It houses all the master controls such as the stereo Aux send and return, Control Room Monitor (CRM), Announcer and a high level phones output. Auto Cue switches let both the Announcer and CRM output follow the Phones CUE selections. A CUE reset cancels all activated Cue selections.
Of course the Control Room Monitors are muted automatically to cut control room level when the D.J. Mic is active. A Studio output (announcer) that normally follows the main output can be routed by activating AutoCue in a way so any cue signal that is selected, can be heard when in this mode. Three Talk-back switches individually activate the built-in talkback microphone for communication to VOIP, Announcer and Aux outputs.
MIC LINE INPUT CHANNEL
The AIRLITE has an internal USB voice tracking bus that can be directly routed to a play-out system with Voice tracking capabilities, such as our AIRCAST software. The AIRLITE can also be used for production while ON-AIR when it is put into the NON-STOP mode. This NonStop switch routes the first USB channel directly to the main outputs.
The AIRLITE is designed to be the focal point for Internet radio production work in the studio or... at home. It’s uncluttered and clearly understandable features makes it the ideal companion for rapid on-the-spot radio programs. The AIRLITE is compact, reliable and ideal for production rooms. It can also double as an On-Air mixer or implementedas your own Internet Radio station. If your budget is tight this is the solution. And... it never becomes obsolete as it can be used as preproduction mixer, if, at a later date, you fit in a larger On-Air mixer. Every system unit has its own very efficient, switched mode external power supply.
AIRLITE USB CHANNEL
Every AIRLITE USB Channel accepts a stereo source from a play-out system such as our AIRCAST. Levels can be set by the gain control. Pre listening can be done by the CUE switch and the ON switch can activate tracks of the Play-out system. This can also be done by "faderstart”. The fader is controlling a high quality VCA so noise or scratching or any other noise caused is a thing of the past. In case you run a classic station with CD players, the USB input can be switched to stereo line. The CUE is also a communication us that allows callers on the VoIP channel to listen to the music nd DJ without being on-air.
USB ROUTING
There are four USB stereo in- and outputs available on the Airlite. The inputs are internally routed to channel 4 to 7 where the USB input of channel four is also routed to the Non-Stop switch. The USB outputs, seen as inputs on your PC, are connected to the Program output, Aux send, Voice track and Air-in. The Air In input can be connected to your external processing unit and in this way you can stream your processed signal direct to the Internet without the use of an extra soundcard.
VOIP CHANNEL
Channel 8 of the AIRLITE mixer is a dedicated Voice Over Internet Protocol channel. (VoIP). Simply plug the dedicated Voip USB cable from the mixer to your PC and set up a connection with the software that is part of our package. You need to have a service provider that allows you to use VoIP for your telephone connections. A separate Gain control and VoIP send control let’s you tailor the levels. An incoming line can be pick up by the Conn button, prelistened to by the CUE switch and brought into your radioshow by the ON switch and Fader. If you still want to use an analog Hybrid, use the stereo Aux send as cleanfeed and return the signal in the VOIP channel with the input selector selected to Line. The internal built in Electret Talkback microphone can be routed to the caller outside the broadcast by activating the TB to VoIP switch.
USB CONTROL SECTION
On the right side of the AIRLITE mixer you see 16 illuminated (green/red) switches. These switches can be used to control functions in your Radio Automation such as starting jingle machines. Recording a voice track while ON-AIR is one of the possibilities. The USB control software, that is part of the package, can be easily programmed by yourself, to make radio even more exciting. Any switch can perform a function of your play-out software that you decide would be handy to control. Master controls can be found in the master section f or A nnouncer, Phones and CRM. When activating the Auto Cue for CRM and the Announcer, any selected CUE can be heard. As soon as the DJ mic opens the CRM mutes of course to avoid feedback TALKBACK to all important outputs is directly accessable on the right hand side. The NON STOP switch instantly routes the first USB stereo signal (channel 4) to the main outputs which makes the mixer available for production again.
POWER SUPPLY AND MORE
The AIRLITE is powered by an external heavy duty switched mode power supply. The control surface can be easily mounted inside furniture as a drop through unit with rounded off corners to make a nice fit. The front panel thickness is 2mm with a corner radius of 20mm. All in and output connections are on standard Jack / Cinch and XLR connectors. Power supply input is by way of a rock solid powercon connector.
SOFTWARE
The AIRLITE sends out control signals over USB, based on the HID protocol. T his a lso m eans t hat t he m ain o utput signals can be displayed on a TFT screen in a beautiful meter application. Program and CRM stereo signals are shown on a high resolution PPM. On the right side you se the status of various modes the console can be set. Modes such as ON-AIR 1 or 2, Non Stop mode, there is even a Silence detector built inside the consoles, that instantly activates the NON-STOP mode. Mic-On and CRM mute are also displayed. Channel input selection is displayed at the bottom of the TFT screen. At the same time this software application shows you a professional looking Radio
clock that is synchronized with your local PC.
| INPUTS |
|---|
| Mic inputs: |
bal, 2kOhm, XLR. Phantom: 48 volt. |
| Noise: |
- 128 dBr (A-weighted).(That 1510 mic pre) |
| Sensitivity: |
- 70dB min, OdB Max. |
| Insert : |
Jack unbal. send 600 Ohm -10dBv. |
| Aux Ret. : |
unbal., 10kOhm, Cinch. |
| Line inputs: |
unbal., 10kOhm, Cinch. |
| Gain : |
range of 40dB. |
| USB : |
4x Stereo in and 4x stereo out. |
| Air input : |
- 10 dBV at 10kOhm. |
| Aux ret. : |
- 10 dBv at 10kOhm stereo |
| USB |
|---|
| Fully compliant with USB 2.0 playback and record mode. |
|
| mode. |
4x Stereo and 4x stereo out. |
| USB CONTROL SECTION |
|---|
| 16 free assignable illuminated switches based on the HID protocol. |
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| VoIP CHANNEL |
|---|
| Dedicated USB connector for VoIP. |
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| OUTPUTS |
|---|
| Left/Right: |
+ 6dBu bal /XLR. -10dBv/Cinch |
| CRM/Aux : |
+ 6dBu unbal. on Cinch. |
| Headphone : |
16-600 Ohm, Jack. (TPA 6120) |
| Announcer : |
116-600 Ohm, Jack. (TPA 6120) |
| USB out : |
Program/Aux/Voice track/Non Stop |
| EQUALIZER |
|---|
| High: |
+ / -12 dB at 12kHz shelving. |
| Mid: |
+ / -12dB at 1 kHz bell curve. |
| Low: |
+ / -12dB at 60 Hz bell curve. |
| OVERALL |
|---|
| Frequency response: |
10 - 60.000Hz. |
| Distortion: |
< 0.01% max at 1 kHz. |
| GPO/Mic On : |
reed relay. (24volt/50mA). |
| Ledbars : |
16 segment leds.+ Software meter application. |
| CONTROL SOFTWARE |
|---|
| A software program is included in the delivery for programming the Control section. (Airlite Virtual Keyboard Mapper) |
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| DIMENSIONS |
|---|
| Left-Right : |
482mm |
| Front panel thickness : |
2mm |
| Radius Corners : |
20mm |
| Front-Back : |
355mm (8HE). |
| Height : |
101,50mm. |
| Weight : |
9kg. |
| Drop through hole : |
450 x 350 mm |
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Allen & Heath XB-14² Compact Broadcast Mixer
Κονσόλα Broadcast mixer XB-14-2 της Allen & Heath με 4 mono mic, 2 telco και 4 dual stereo εισόδους. Διαθέτει EQ τριών περιοχών στις εισόδους mono και δύο περιοχών στις telco, 1 aux output, USB και έξοδο ακουστικών. Ιδανική για ραδιοφωνικούς σταθμούς Διαστάσεις (HxWxD) 98x385x465mm - 7,5kg (μεικτό βάρος 11,5kg).
- Audition/clean feed bus
- 3-band EQ on mono channels
- 4 mic/line and 4 stereo channels
- 2-band EQ on Telco/stereo channels
- 2 stage, padless pre-amp design
- Fader start sensing on mono channels
- Start/cue logic on stereo channel switches
- 2 Telco telephone communication channels
- USB connectivity to interface with PC/MAC
- Separate headphones mix for engineer/producer and 2 guests
- Vertically-mounted PCB construction with nutted rotary pots
- Aux and separate stereo busses for processing/recording
- Control room outputs with auto and remote mutes
- Remote mute facility on mic channels
- Balanced main outputs with inserts
- Input signal and peak metering
The XB-14² by Allen & Heath is a broadcast mixer designed for self-operated broadcast applications in small radio and internet studios, as well as larger facilities with multiple rooms. It comes in a compact package and is packed with radio-friendly options usually found on large-format broadcast consoles.
This Mixer allows for an efficient and flexible workflow with features such as telephone-communication (Telco) channels, fader-start sensing, automatic muting of speaker outputs, stereo channel-start/cue outputs for CD deck-transport control, separate headphone mixes for guests, an audition bus, and more.
Separate monitor mixes can be created enabling the operator to check levels and cues without interfering with the listening sources of the presenter or guests. Using remote-interface connectors, mono channels can be remotely muted from studio-located mute or cough switches (available separately). In addition, the Talk to Guest switch allows for the operator to communicate off-air with guests, presenters, and telephone callers.
The audio circuitry of the XB-14² features four mic/line channels equipped with high-gain DuoPre preamps and 3-band EQs to help cut sibilance & mic popping, and 2-band EQs on stereo channels for use with music. The full-duplex USB sound card offers playback and record to & from a computer as well as voice over IP (VoIP), and is compliant with Mac & Windows core audio drivers.
Flexible Routing Options
- Four mic/line mono channels
- Four dual-source stereo channels and a total of up to seven stereo sources
- Aux bus for external processing, effects, recording or auditioning
- Mix B for recording an independent mix to the main program mix, or creating a clean feed source from selected channels
- Audition bus for auditioning or recording telephone conversations
- 27 logic I/O for remote control
- 15 configuration switches
- Output matrix with three headphone outs allows separate mixes for engineer/producer and two guests
- Talk button for off-air conversation with guests
DuoPre Preamps
The four mono channels feature DuoPre technology which employs a two-stage design to control the input gain structure of the channel. The first stage provides 69 dB of gain for the signal at the XLR input. The second stage is activated by plugging the signal into the TRS line-input jack. This gain-staging eliminates the need for pad circuit & pad switch, and ensures that the signal remains in the optimum region of its dynamic range for lower noise and distortion.
USB
The XB-14² is equipped with a stereo bi-directional sound card for playback, recording, or voice over IP (VoIP) to and from a computer. Its USB 1.1 audio codec is compliant with USB 2.0 ports and Windows & Mac core audio drivers.
Telco
Two Telco channels provide a selectable clean-feed output (L/R PGM, Aux or audition bus), variable high-pass and low-pass filters which are useful when a caller is connected via a low-quality telephone line, and a talk button that allows for communication with a telephone caller without the presenter\'s voice going to the program mix.
Remote Control
The mono mic/line channels feature fader-start sensing to control external devices or to automatically mute speaker outputs to prevent feedback. The stereo channels are equipped with start & cue logic outputs used for CD deck transport control. Mic/line input channels can be remotely muted using an external "cough" switch (available separately).
Robust Construction
The XB-14² features individual vertically-mounted channel circuit boards with rotary controls fixed to the front panel using metal nuts. This robust construction allows for removing channels from the mixer one at a time and for easily changing faders, making servicing minimally disruptive.
Additional Features
- HPF and 3-band, swept-mid EQ on mono channels
- 2-band EQ on stereo channels
- Smooth-ride 100mm faders
- Auto-mute on control-room outputs
- XLR main outputs with inserts
- External-meter socket
- Input-signal and peak metering
| Inputs |
Mono Channel Mic Input (XLR): +6 to -63 dBu nominal / +17 dBu max
Mono Channel Line Input (TRS Jack Socket): +10 to -26 dBu / +30 dBu max
Insert Point (TRS Jack Socket): 0 dBu nominal / +21 dBu max
Stereo Input (TRS Jack Sockets): 0 dBu nominal (control = off to +10 dBu)
Stereo Input (RCA Phono Sockets): 0 dBu nominal (control = off to +10 dBu)
Telco Channel Input (XLR): +10 to -26 dBu / +30 dBu max
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| Outputs |
PGM L/R Outpu(XLR): +4 dBu nominal / +25 dBu max
PGM Mono Output (RCA Phono): 0 dBu nominal / +21 dBu max
PGM L & R inserts (TRS Jack Sockets): -2 dBu nominal / +21dBu max
Aux Output (Jack Socket): 0 dBu nominal / +21 dBu max
Mix B Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max
Audition Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max
CRM Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max
Telco Output (XLR): 0 dBu nominal / +21 dBu max
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| THD + N |
Mic In to PGM L/R Out: < 0.01% (0 dB Gain, 1 kHz, +10 dBu out)
Mic In to PGM Out: < 0.01% (30 dB gain, 1 kHz, +10 dBu out)
Line In to PGM L/R Out: < 0.01% (0 dB gain, 1 kHz, 0 dBu out)
Stereo In to PGM Out: < 0.01% (0 dB gain, 1 kHz, +10 dBu out) |
| USB Audio Codec |
USB Audio In/Out: USB 1.1 compliant / 16-bit
Sample Rate: 32, 44.1, 48 kHz |
| Noise |
Mic Pre EIN @ Maximum Gain: -124 dBu (150 R Input Z, 22 Hz to 22 kHz)
PGM Out: < -100 dBu (PGM fader = 0, 22 Hz to 22 kHz)
Audition Out: < -100 dBu (mix B out = 0, 22 Hz to 22 kHz)
Aux Out: < -85 dBu (mono out = 0, 22 Hz to 22 kHz) |
| Headroom |
Analog Headroom from Nominal (O VU) Outputs: 21 dB
Analog Headroom from Nominal (O VU) Mix Point: 24 dB
Headroom from Nominal (O VU): 14 dB |
| Crosstalk / Attenuation |
Mono Fader Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Mono ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
TELCO Fader Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
TELCO ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Stereo Fader Attenuation: -95 / -90 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Stereo ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
PGM Fader Attenuation: -100 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
TELCO Clean-Feed Isolation from I/P: -55 / -40 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Stereo Separation, L in to PGM R Out: -70 / -50 (dBr, 1 kHz to 10 kHz) |
| Frequency Response |
Microphone In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz (30 dB gain)
Line In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 20 kHz (0 dB gain)
Stereo In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz |
| Power Supply |
100 - 240 V / 47 - 63 Hz |
| Power Consumption |
30 W |
| Fuse Rating |
T 10 A / 250 V / 20 mm |
| Dimensions (W x H x D) |
15.2 x 4.1 x 18.3" / 385 x 103 x 465 mm |
| Weight |
16.5 lb / 7.5 kg |
|
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