| Content | Το D&R Hybrid-1 είναι ένα αναλογικό τηλεφωνικό υβρίδιο, με δυνατότητα ελέγχου τοπικά. Δεν απαιτεί εξωτερική τροφοδοσία ρεύματος καθώς τροφοδοτείται από την τηλεφωνική γραμμή.
- είσοδος και έξοδος ήχου(jack 6,3 χιλ.)
-Υποδοχή 2 καλωδίων με παράλληλη έξοδο για σύνδεση εξωτερικής τηλεφωνικής συσκευής.
-Τοπικός έλεγχος των λειτουργιών αποδοχής-απόρριψης γραμμής και ειδοποίηση εισερχόμενης κλήσης.
-Αυτόματη αντιστάθμιση επιπέδου γραμμής
-Έλεγχος στάθμης σήματος αποστολής/λήψης στο εμπρόσθιο τμήμα
-Τροφοδοτούμενο από την τηλεφωνική γραμμή
-Εσωτερικό buzzer on/off
- 1U Πλαίσιο 1/2
D&R's newest Telephone Hybrid-1 is an interface between a standard telephone line and a mixing console. Its purpose is to enable to record or broadcast a conversation between a caller and a presenter in an easy way.
Superb audio separation between in and outgoing signals are achieved by carefully designed internal circuitry. It is a problem solver for changing two wire communication into a four wire system with separate in and outputs.
Telephone hybrids provide the interface between professional audio equipment and the public telephone network.
They provide protection for your equipment and the public telephone lines, allowing for varying line signals and line conditions. Automatically canceling out the unwanted signal they also facilitate two-way communication down a single telephone line.
Each hybrid has a telephone line connection, a handset connection and separate connectors for audio input and output from a broadcast mixer, or other professional audio source.
A large proportion of D&R hybrids are used in radio and television broadcasting applications allowing external callers to be connected to the studio mixing console. Most of the other units are supplied to communication operations allowing extremely effective conversion between 4-wire audio circuits and standard telephone lines.
Specification
Output: balanced mic level -20dB. Input: Line level 0 dBu balanced. R/C balance: fully adjustable separation to more than 30dB.
C-BALANCE :12 pole rotary switch to select the optimum side tone attenuation.
R-BALANCE: Internal potentiometer to adjust for optimum side tone attenuation.
TO CALLER: Switch to temporarily connect the line (wall) connector to the Phone connector (appliance) to be able to dial and make a connection.
ON-LINE CONNECT: Line connect switch to connect and disconnect calls from the telephone line |
Το MaxxBCL συνδυάζει υψηλής ποιότητας μετατροπείς με ανεπανάληπτους αλγόριθμους
επεξεργασίας και μας προσφέρει μια νέα προσέγγιση στα θέματα : bass enhancement,
dynamics processing, and format conversion.
Το MaxxBCL περιλαμβάνει το Renaissance compressor, το MaxxBass και το L2.
Ιδανικό για Live, Recording & Broadcasts application.
Ένα εργαλείο που δεν θα πρέπει να λείπει από ένα mastering studio |
Μονοκάναλο feedback destroyer (αντιμικροφωνικό) με ενσωματωμένο προενισχυτή μικροφώνου, delay line, noise gate και compressor. Ανιχνεύει αυτόματα τους μικροφωνισμούς και τους εξαφανίζει. Διαθέτει επίσης low cut filter, phantom power, balanced in/out.
Χαρακτηριστικά:
Μονοκάναλο feedback destroyer (αντιμικροφωνικό) με ενσωματωμένο προενισχυτή μικροφώνου, delay line, noise gate και compressor
Αυτόματα ανιχνεύει και εξολοθρεύει 8 συχνότητες μικροφωνισμών
Ultra low noise mic/line είσοδος με gain control και +48V phantom power τροφοδοσία για πυκνωτικό μικρόφωνο
Delay line μέχρι 2,5 sec και με ρύθμιση μέτρων ποδιών και msec
Noise gate με αυτόματες και manual ρυθμίσεις
Αυτόματο compressor
Low cut filter με ρύθμιση συχνότητας
Είσοδος – έξοδος σε balanced JACK 6,35 και XLR
Frequency response: 10H – 21KHz
Noise: 92dB (line), 89dB mic
THD: 0.007%
Μετατροπείς: 24bit Sigma-Delta, 64/128-times oversampling
Η συσκευασία περιλαμβάνει: fbq100, users manual
Τροφοδοσία: AC 220V / 50Hz
Διαστάσεις: 56 x 88 x 132 mm
Βάρος: 380 gr
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Features
Unique High Density design puts SIX gates in
minimum rack space
Intuitive, 'user friendly' layout
Balanced Inputs and Outputs
Fast, low noise opto-coupler circuitry
Sidechain/Key Input points on each channel
Hardwire Bypass switch on each gate
Flawless performance in any audio environment
The sheer amount of effects and signal processors required for today's
standards of audio production puts a great strain on the available space
in equipment racks, both in the studio and on the road.
So, in order to give engineers more control in less space, we've created
the ARX Sixgate; Six full function noise gates neatly housed in a compact,
all steel 1 RU package, without sacrificing features or quality.
Why Six gates?
Research shows that the majority of noise gates get used on drum kits,
which means using typically 5 to 6 gate channels. Compare this to the
two or maybe 4 channels that most other units have, and you'll see the
reason for the Sixgate's success.And, by using a minimalist approach to
drum gates, the ARX Sixgate has enough gates left over for backing vocals
and other instruments.
Industry Standard controls
Front panel controls for each gate consist of the 'Industry Standard' controls
for Release, Depth and Threshold, plus Red and Green LED displays to indicate
Gate Open or Closed status, and an IN/OUT hardwire bypass switch.
In addition to this, each gate has a blank panel to write on for easy confirmation
of gate assigns. No more pieces of masking tape stuck everywhere!
Ultra Low Noise
Internally, each gate has proprietary ARX ultra low noise high-speed opto-coupler
circuitry with program dependent Attack time, which tracks the incoming signal to
automatically determine optimum gate response.
Balanced Inputs and Outputs
The rear panel features true differential Balanced Inputs and Outputs for each gate,
on insulated TRS jack connectors.Each gate channel also has Individual Key Inputs/
Sidechain access insert points which can be used either for gate control by an external
signal, or for frequency sensitive gating (when used in conjuction with an external
equalizer such as the ARX EQ260).
Universal AC Power
AC power range on the Sixgate is a universal 100 to 120V or 220 to 240V, and is
connected to the unit via a standard 3 pin IEC connector, with built-in fuse and voltage
switch.
The Sixgate's unique combination of High Density design, intuitive 'user friendly' controls,
and clean uncluttered layout make it a truly useful audio tool for all applications.
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance
Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz to 20KHz ±0.2dB
Signal to Noise Ratio
Gate Closed: -95 dB Unweighted, -105 dB 'A' weighted
Gate Open, Depth Minimum: -93.5 dB Unweighted -98dB
'A' weighted
Distortion 0 .01% THD @ 0dB,1KHz
Dynamic Range 125 dB
Attack Time Program dependent using high-speed
opto-couplers
Release Time User variable
Input and Output Connector type Balanced Jack
Sidechain Insert Connector TipRingSleeve Jack
Sidechain Insert Impedance 10 Kohm
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“Wide x 13/4“High x 6“Deep; 482 x 44 x 155mm
Front Panel Controls
Individual Release, Depth and Threshold controls
Hardwire bypass IN/OUT switch
Open/Closed gate status LED
Marker panel for labelling gate assigns
Rear Panel
Balanced Inputs and Outputs, on Balanced jack
connectors
Sidechain Insert/Key Input TipRingSleeve jack on
each channel
AC input connector, with voltage switch and fuse
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DBX-1074
4 ch noise gate με δυνατότητα λειτουργίας σε ρυθμιζόμενο εύρος
συχνοτήτων XLR in/out, insert points.
- Four independent channels of gating
- Independent key filtering
- Independent Threshold and Release controls
- Differentially balanced gold-plated XLR and 1/4" inputs and outputs
- True RMS level detection
- Stereo Coupling mode
- Switchable +4dBu or -10dBv operation per channel
| Input Connectors | XLR (Pin 2 and tip hot) | | Input Type | Electronically balanced/unbalanced, RF filtered | | Input Impedance | Balanced > 50 kOhm, unbalanced >25 kOhm | | Max Input | > +22 dBu balanced or unbalanced | | CMRR | 40dB: Typically >55 dB at 1 kHz | | Key Input | Electronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm | | Output Connectors | XLR (Pin 2 hot) | | Output Type | Servo-balanced/unbalanced, RF filtered | | Output Impedance | Balanced 60 Ohm, unbalanced 30 Ohm | | Max Output | > +22 dBm balanced, > +20 dBm unbalanced | | Bandwidth | 20 Hz to 20 kHz, +0/-0.5 dB | | Frequency Response | 0.35 Hz to 200 kHz, +0/-3 dB | | Noise | | | Dynamic Range | > 115 dB, unweighted | | THD+Noise | 0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain), | | Interchannel Crosstalk | | | Stereo Coupling | True RMS Power Summing | | Operating Voltage | 100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz | | Power Consumption | 30 Watts | | Fuse | 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T | | Power Connector | IEC receptacle | | Unit Weight | 6.9 lbs. | | Shipping Weight | 9.3 lbs. |
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Νέα έκδοση S Compressor gate/expander 2 εισόδων κύκλωμα "autodynamic" είσοδοι - έξοδοι XLR κατάλληλος για γενική χρήση.
Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications | Input Connectors | 1/4" TRS and female XLR (pin 2 hot) | | Input Type | Electronically balanced/unbalanced, RF filtered | | Input Impedance | 40kΩ balanced/unbalanced | | Max Input | >+22dBu Balanced or Unbalanced | | Output Connectors | 1/4" TRS, female XLR (pin 2 hot) | | Output Type | Impedance-balanced/unbalanced, RF filtered | | Output Impedance | +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced | | Max Output | >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) | | Sidechain | 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) | | Sidechain Impedance | Tip = >10kΩ (Input), Ring = 2kΩ (Output) | | Sidechain Max Input Level | Tip = >+22dBu (Input) | | Sidechain Max Output Level | Ring = >+20dBu (Output) | | Compressor Threshold Range | -40dBu to +20dBu | | Compressor Threshold Characteristic | Selectable OverEasy® or hard knee | | Compressor Ratio | 1:1 to Infinity:1 | | Compressor Attack Time | Scalable Program-Dependent AutoDynamic™ | | Compressor Release Time | Scalable Program-Dependent AutoDynamic™ | | Expander/Gate Threshold Range | -60dBu to +15dBu | | Expander/Gate Ratio | 1:1 to 4:1 | | Expander/Gate Attack Time | |
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