| Content | The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates.
Features:
- Variable high pass and low pass filters for "frequency conscious" gating.
- Comprehensive envelope control, attack, hold, decay, and range.
- Key input for external triggering.
- “Key Listen" facility.
- Extremely fast attack time, to preserve the natural attack of the sound.
- Balanced inputs and outputs.
- Stereo linkable.
- Can be used for "Gating" or "Ducking“.
- High audio specification.
These features and its "user friendliness" have made it the "industry standard" throughout the world.
Setting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined.
The DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum.
Drawmer pioneered the concept of frequency conscious gating, and the Drawmer DS201 was the first noise gate to include this feature.
The very fast attack of the DS201 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise.
Another important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS201 ideal for this application.
The unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb.
Each channel can be individually switched from Gating to Ducking for 'voice over' applications or the removal of 'clicks' and 'pops'. |
DBX-166XL
Compressor - limited- gate /expander 2 εισόδων κύκλωμα overeasy,
peakstopplus, είσοδοι- έξοδοι XLR κατάλληλος για studio & live χρήση.
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications | Input Connectors | 1/4" TRS, female XLR (pin 2 hot) | | Input Impedance | >50kΩ balanced, >25kΩ unbalanced | | Max Input | >+24dBu, Balanced or Unbalanced | | Input Type | Electronically balanced/unbalanced, RF filtered | | Sidechain | 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) | | Sidechain Impedance | Tip = >10kΩ (Input), Ring = 2kΩ (Output) | | Sidechain Max Input Level | >+20dBu (tip/input); >+20dBu (ring/output) | | Output Connectors | 1/4" TRS, female XLR (pin 2 hot) | | Output Impedance | 120Ω balanced, >60Ω unbalanced | | Max Output | +21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) | | Frequency Response | 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain | | Noise | |
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Σχόλια: Αναλογικό τηλεφωνικό υβρίδιο 2 τηλεφωνικών γραμμών, σχεδιασμένο για να ικανοποιεί τις απαιτήσεις των τηλεοπτικών και τα ραδιοφωνικών σταθμών. Βalanced είσοδοι και έξοδοι ήχου με υποδοχές XLR, έλεγχος στάθμης στο εμπρόσθιο τμήμα της συσκευής. Απομακρυσμένος έλεγχος αποδοχής-απόρριψης γραμμής, ενεργοποίησης-απενεργοποίησης τηλεφωνικής συνδιάσκεψης, ειδοποίησης εισερχόμενης κλήσης. Ενδεικτικό LED εμφάνισης των επιπέδων σήματος λήψης, αποστολής ή συνδιάσκεψης. Αυτόματη αντιστάθμιση ποιότητας γραμμής. Παρέχει δυνατότητα επέκτασης του συστήματος χρησιμοποιώντας επιπλέον συσκευές Μacrotel και επιτρέποντας τον έλεγχο δύο τηλεφωνικών γραμμών από μία είσοδο της κονσόλας.
GENERAL DATA
Power Supply 220 / 110V 25 VA
Dimension 434x351x44mm (1 rack unit)
Weight » 4 Kg
MEETING INTERFACE IN / OUT
Connector DB 9 female
Nominal in / out audio level 0 dBm
Input impedance 600 W / 10 KW (selectable)
Output impedance 100 W
* nominal line level: - 6 dBm
** it can vary depending on characteristics of telephone line
All measurements are intended at 1 kHz.
AUDIO PROGRAM IN / OUT
Connectors XLR, electr. balanced
Input impedance 600 W / 10K W (selectable)
Output level * - ¥ ¸ + 16 dBm
Output impedance 100 W
Noise on Receive output
2-Wire separation £ 25 dB**
4-Wire separation £ 70 dB
2-WIRE SECTION
Connector RJ11
Nominal input level - 6 dBm
Nominal output level - 6 dBm
Compensation mode Electronic, transf. decoupled
Impedance 600 W
4-WIRE SECTION
Connector Terminal block
Impedance 600 W
Nominal TX level 0 dBm
Nominal RX level 0 dBm
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Description
The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone
application including wireless types. It can provide effective feedback control to any sound
reinforcement situation. It can also eliminated string feedback in guitars and bass instruments
which are equipped with piezo or condenser pickups.
The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal,
detecting the presence of feedback and then notching out the feedback frequency.
The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a
feedback signal before it can grow into a peak. Internally a discriminator circuit detects the
presence of regenerative feedback and triggers the automatic equaliser to insert a notch where
the feedback peak is coming up. This normally prevents other peaks from developing but if they
do, the process is repeated at high speed, thus keeping feedback under control.
Technical Data
In- and Outputs transformer balanced
max. Inputlevel + 3 dB
Gain (RS=200 Ohm, RL=2kOhm) 0 dB
Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB
Feeback Cancellation 6 ... 10 dB
Power Requirement 30 ... 48 V Phantom
Current drain ca. 8 mA
External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip +
Housing Aluminium Diecast
Weight 285 grams
Dimensions 112 x 60 x 32 mm |
Το MaxxBCL συνδυάζει υψηλής ποιότητας μετατροπείς με ανεπανάληπτους αλγόριθμους
επεξεργασίας και μας προσφέρει μια νέα προσέγγιση στα θέματα : bass enhancement,
dynamics processing, and format conversion.
Το MaxxBCL περιλαμβάνει το Renaissance compressor, το MaxxBass και το L2.
Ιδανικό για Live, Recording & Broadcasts application.
Ένα εργαλείο που δεν θα πρέπει να λείπει από ένα mastering studio |
Μονοκάναλο feedback destroyer (αντιμικροφωνικό) με ενσωματωμένο προενισχυτή μικροφώνου, delay line, noise gate και compressor. Ανιχνεύει αυτόματα τους μικροφωνισμούς και τους εξαφανίζει. Διαθέτει επίσης low cut filter, phantom power, balanced in/out.
Χαρακτηριστικά:
Μονοκάναλο feedback destroyer (αντιμικροφωνικό) με ενσωματωμένο προενισχυτή μικροφώνου, delay line, noise gate και compressor
Αυτόματα ανιχνεύει και εξολοθρεύει 8 συχνότητες μικροφωνισμών
Ultra low noise mic/line είσοδος με gain control και +48V phantom power τροφοδοσία για πυκνωτικό μικρόφωνο
Delay line μέχρι 2,5 sec και με ρύθμιση μέτρων ποδιών και msec
Noise gate με αυτόματες και manual ρυθμίσεις
Αυτόματο compressor
Low cut filter με ρύθμιση συχνότητας
Είσοδος – έξοδος σε balanced JACK 6,35 και XLR
Frequency response: 10H – 21KHz
Noise: 92dB (line), 89dB mic
THD: 0.007%
Μετατροπείς: 24bit Sigma-Delta, 64/128-times oversampling
Η συσκευασία περιλαμβάνει: fbq100, users manual
Τροφοδοσία: AC 220V / 50Hz
Διαστάσεις: 56 x 88 x 132 mm
Βάρος: 380 gr
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