| Content | Project Independence
Kali’s IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.
Performance
Power. Detail. Soundstage.
The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.
In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.
The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.
All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.
140W Class D Power
37 Hz Lower Frequency Response
< 1.4% System THD 94 dB @ 1M
114 dB Max SPL
Co-Axial Midrange and Tweeter
A three-way with impeccable imaging.
8-Inch Woofer
Powerful, clean bass. Crossed over at 330 Hz to make the IN-8 an acoustic point source.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
We know. We keep harping on about the "hyper-realistic” imaging of the IN-8. What does that mean?
When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.
Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.
2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.
The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.
The IN-8’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.
The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.
It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
Specifications
|
|
| Powered: |
Yes |
| Amp Class: |
D |
| Power Config: |
Tri-Amped |
| LF Power: |
60 W |
| Mid-Range Power: |
40 W |
| HF Power: |
40 W |
| Total Power: |
140 W |
| LF Driver: |
8\" Poly-Coated Paper |
| Mid-Range Driver: |
4\" Optimized Profile Poly-Coated Paper |
| HF Driver: |
1-Inch Textile Dome |
| Freq. Response (-10 dB): |
37 Hz - 25 kHz |
| Freq. Range (±3 dB): |
45 Hz - 21 kHz |
| LF to Mid-Range Crossover: |
330 Hz |
| Mid-Range to HF Crossover: |
3000 Hz |
| Listening Distance: |
2.8 Meters |
| Max SPL: |
114 dB |
Διαστάσεις
Height: 17.75 Inches (44.1 cm)
Width: 10 Inches (25.4cm)
Depth: 11.25 Inches (28.5cm)
Weight: 23 lbs (10.4 Kg) |
ΔΕΝ ΠΩΛΕΙΤΑΙ ΑΝΑ ΤΕΜΑΧΙΟ , ΤΟ ΕΝΑ ΑΠΟ ΤΑ ΔΥΟ ΠΕΡΙΕΧΟΥΝ ΕΝΙΣΧΥΤΕΣ ΤΟ ΑΛΛΟ ΕΙΝΑΙ ΠΑΘΗΤΙΚΟ
Τα ενεργά ηχεία της Reloop "ADM-5" είναι η τέλεια προσθήκη για κάθε στούντιο στο σπίτι του DJ. Kαταλληλα για χρήση με Μidi controller η με υπολογοστή. Σε αντίθεση με πολλά ηχεία που ειναι κατασκευασμένα από πλαστικό, τα ADM-5 είναι κατασκευασμένα από υψηλής ποιότητας ξύλο με αποτέλεσμα την ακριβή αναπαραγωγή μπάσσου και τον καθαρό ήχο. 'Εχουν μαγνητική θωράκιση ωστε na δυνατή τοποθέτηση των ηχείων κοντά σε υπολογιστές ή οθόνες.
Τεχνικλα χαρακτηριστικα:
Professional 2-way active DJ monitors
Output: 2 x 30 w RMS
Frequency response: 35 Hz - 20 kHz
S/N Ratio: > 75dB
Impedance: 8 ohm
Magnetically shielded bass drivers
Speakers: 13.34 cm (5.25“) bass, 2.54 cm (1“) tweeter
Dimensions: 232 x 320 x 180 mm
Weight: 5.0 kg (per piece)
| Αυτοενισχυόμενα ηχεία monitor ισχύος 2 X 8 watts. Εφοδιάζονται με woofer 4” και tweeter 1,5”. Απόκριση συχνότητας 80-20000Hz. Είσοδοι line in σε RCA stereo & mini jack. Είσοδος mic σε jack 1/4 με ρύθμιση έντασης. Γενική ρύθμιση έντασης & bass/treble. Έξοδος ακουστικών σε mini jack. Βάρος 3,5 Kgr. (ΤΙΜΗ ΖΕΥΓΟΥΣ).
| Κατασκευαστής |
BEHRINGER |
| Τύπος Ηχείου |
Ενεργό |
| Κατηγορία Ηχείου |
Studio Monitor |
| Υλικό Κατασκευής |
Πλαστική Καμπίνα |
| Χρώμα |
Μαύρο |
| Βάρος (kg) |
3,5 |
| Συνολική Ισχύς (Watt) |
16 |
| Διάμετρος Woofer (inches) |
4 |
| Tweeter / Driver (inches) |
1 |
| Απόκριση συχνοτήτας (Hz) |
80-20000 |
| Σειρά |
MS series |
| Μοντέλο |
MS16 |
|
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Behringer MS-16 2x8W 2-Way Active Personal Monitor System
The Behringer MS16 Studio Monitors feature an active 2-way design with powerful 4'' woofers and 1.5'' tweeters, powered by two 8 watt amplifiers. Offering two line inputs and a microphone input, the Behringer MS16 monitors are perfect for both home studios and general multimedia applications.
Full Description
Compact and Ideal For Home Studio
The Behringer MS16 Studio Monitors, Pair are the ideal studio monitor for your home studio project. Whether that be mixing, producing, or even listening the MS16 Studio Monitors turn your computer into a personal home studio. Its powerful 4" woofers provide thumping bass, whilst the high resolution tweeters provide clean high frequencies. Also featured are dedicated volume, bass and treble controls for extra flexibility. They also make excellent add-on speakers for electronic keyboards and playing a live performance.
Input Connections
The MS16 Studio Monitors feature multiple input options featuring a 1/8" stereo input for connecting up CD, MD and MP3 players. The dual RCA jacks allow for stereo keyboard modules and tape decks. Furthermore there is a 1/4" inch to allow connections for a dynamic microphone or electric guitar enabling you to sign or play along with prerecorded tracks.
Features
- Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc.
- Powerful 4'' woofers and high-resolution tweeters powered by two 8 watt amplifiers
- Dedicated Volume, Bass and Treble controls for more flexibility
- Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with a second stereo source (e. g. CD/MD player) through 1/8'' TRS stereo input
- Separately adjustable 1/4'' TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications
- 1/8'' TRS headphone connector with auto-mute loudspeaker function
- Magnetically shielded for placement near computer monitors
- Designed and engineered in Germany
Specifications
- Woofer: 4''
- Tweeter: 1.5''
- Output Power: 2 x 8 Watts
- Frequency Response: 80Hz - 20kHz
- Speaker Impedance: 4?
- Input 1:
- Connector: 1/8'' TRS Stereo
- Input Level: -10dBm, 10k?
- Input 2:
- Connector: RCA Stereo
- Input Level: -10dBm, 10k?
- Mic Input:
- Connector: 1/4'' TRS
- Input Level: -50dBm, 50?
- Dimensions: 9.5'' x 5.5'' x 6'' / 241mm x 140mm x 150mm (H x W x D)
- Weight: 4kg
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Ενεργό επαγγελματικό ηχείο 3 δρόμων nearfield/midfield με 3 ενσωματωμένους ενισχυτές (2*150+100 Watts RMS). Με 2 μεγάφωνα Focal 6,5” σε διάταξη sandwich για το woofer και ανεστραμμένου θόλου καθαρού Βηρυλλίου για το tweeter. Το γούφερ είναι κατασκευασμένο σε μορφή κώνου ΅ΆWΆΆόπως και τα μεγάφωνα στις περίφημες consumer σειρές Utopia της Focal και το τουίτερ είναι το ίδιο περίφημο τουίτερ βηρυλλίου ανεστραμμένου θόλου από τις ίδιες σειρές.
Χάρη στην εξαιρετική κρουστική απόκριση συχνότητας το tweeter παίζει flat μέχρι τα 40kHz με δυναμική περιοχή SPL της τάξης των 115dB@1M. Kαι τα δύο woofer χρησιμοποιούνται για τις χαμηλές συχνότητες αλλά μόνο το ένα (επιλεκτικά) χρησιμοποιείται σαν μεγάφωνο μεσαίων συχνοτήτων.
Όπως κάθε προϊόν Focal τα Twin6 έχουν σχεδιαστεί με τη φιλοσοφία να είναι ένα επαγγελματικό εργαλείο που αναπαράγει την πραγματικότητα της μουσικής χωρίς να αυξάνει ή να υποβαθμίζει κάποιες συχνότητες.
Αν θέλεις να «ακούσεις πως είναι πραγματικά η μουσική και όχι πως χρωματίζουν τα ηχεία σου».
Η τιμή του προϊόντος αφορά τεμάχιο και όχι ζευγάρι
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ΤΙΜΗ ΤΕΜΑΧΙΟΥ
The smallest big sound ever...
With the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldnʼt be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction.
A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly.
Stereolink
A very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.
This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakerʼs gain control. This makes the A3X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.
Controls and Connectors
The front of the A3X sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.
Review: "Highly recommended"
"Iʼve used various monitors for my computer work before, but never of the caliber of the A3X series. Before these, I would have to redo my mixes significantly when transitioning from the small cheapies to the big 'real ones'. The ADAM Audio A3Xʼs save me a step by providing both great sound in a compact format and by changing mundane audio task-work into a quality listening experience. If you use good monitors from the outset, youʼll learn your music that much faster so that when it comes time for mixdown and mastering on your big boxes, youʼll already be acclimated to your songʼs subtler sonic aspects—aspects revealed only by the A3Xʼs with their sweet, smooth top end, and impressive handling of bass frequencies. Highly recommended.“
(Jon Chappell, Harmony Central, 03/10)
Review: "...one of the best compact monitors"
"ADAM´s A3X as the smallest monitor with a X-ART tweeter to date has convinced us in every respect. It´s one of the best compact monitors we have ever reviewed and with its almost shameless low price it´s worth every penny. (Professional Audio, 05/10)
| Mid-Woofer |
| | Number | 1 | | Basket Ø | 4.5" (120 mm) | | Voice coil Ø | 1" (25 mm) | | Cone material | Carbon Fiber | | Tweeter |
| | Number | 1 | | Type | X-ART | | Diaphragm area | 4 inch² (2420 mm²) | | Equiv. Diaphragm Ø | 2" (56 mm) | | Velocity transform ratio | 4:1 | | Diaphragm weight | 0.17 g | | Built-in Amplifiers |
| | Mid-Woofer | 1 | | Type | A/B | | Amp. power RMS / music | 25 W / 40 W | | Tweeter | 1 | | Type | A/B | | Amp. power RMS / music | 25 W / 40 W | | Control panel |
| | Input Sensitivity | -∞ to +14 dB | | Tweeter gain | ±4 dB | | Input connectors |
| | Analog | XLR / RCA | | General data |
| | Frequency response | 60 Hz - 50 kHz | | THD 90dB/1m > 100 Hz | ≤0.8 % | | Long term output | ≥98 dB | | Max. peak | ≥106 dB | | Crossover frequencies | 2800 Hz | | Input impedance | 10 KOhm | | Weight | 10.1 lb (4,6 kg) | | Magnetically shielded | No | | Height x Width x Depth | 10" (252 mm) x 6" (150 mm) x 7.5" (185 mm) | | Warranty | 5 Years |
| Delivery contents | |
Cinch-cable, Power cord, Manual
|
| ΤΙΜΗ ΤΕΜΑΧΙΟΥ
A revolutionary formula: 2 x 7 = 77
In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line.
The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring.
Driver technology
Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels.
The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image.
Amplifiers / controls
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.
The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies.
To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
Review samples:
“… a refreshing change“
"… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012
“… wide and spacious soundstage with solid left/right imaging“
"… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012
| Subwoofer |
|
| Number |
1 / 1 |
| Basket Ø |
7" (175 mm) / 7" (175 mm) |
| Voice coil Ø |
1.5" (38 mm) / 1.5" (38 mm) |
| Cone material |
Carbon / rohacell / glass / Carbon / rohacell / glass |
| Tweeter |
|
| Number |
1 |
| Type |
X-ART |
| Diaphragm area |
4 inch² (2420 mm²) |
| Equiv. Diaphragm Ø |
2" (56 mm) |
| Velocity transform ratio |
4:1 |
| Diaphragm weight |
0.17 g |
| Built-in Amplifiers |
|
| Subwoofer |
1 |
| Type |
PWM |
| Amp. power RMS / music |
100 W / 150 W |
| Subwoofer |
1 |
| Type |
PWM |
| Amp. power RMS / music |
100 W / 150 W |
| Tweeter |
1 |
| Type |
A/B |
| Amp. power RMS / music |
50 W / 75 W |
| Control panel |
|
| Input Sensitivity |
-∞ to +14 dB |
| High Shelf EQ > 5 kHz |
±6 dB |
| Low Shelf EQ |
±6 dB |
| Tweeter gain |
±4 dB |
| Input connectors |
|
| Analog |
XLR / RCA |
| Location |
Rear |
| General data |
|
| Panel |
Front |
| Frequency response |
38 Hz - 50 kHz |
| THD 90dB/1m > 100 Hz |
≤0.5 % |
| Long term output |
≥114 dB |
| Max. peak |
≥122 dB |
| Crossover frequencies |
400 / 3000 Hz |
| Input impedance |
30 KOhm |
| Weight |
28.2 lb (12,8 kg) |
| Magnetically shielded |
Optional |
| Height x Width x Depth |
9.5" (235 mm) x 21" (530 mm) x 11" (280 mm) |
| Warranty |
5 Years |
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