Project Independence Kali’s IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed. Performance Power. Detail. Soundstage. The IN-8 Studio Monitor […]
Kali’s IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.
Performance
Power. Detail. Soundstage.
The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.
In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.
The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.
All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.
140W Class D Power
37 Hz Lower Frequency Response
< 1.4% System THD 94 dB @ 1M
114 dB Max SPL
Co-Axial Midrange and Tweeter
A three-way with impeccable imaging.
8-Inch Woofer
Powerful, clean bass. Crossed over at 330 Hz to make the IN-8 an acoustic point source.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
We know. We keep harping on about the “hyper-realistic” imaging of the IN-8. What does that mean?
When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.
Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.
2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.
The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.
The IN-8’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.
The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.
It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
Project Independence
Kali’s IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.
Performance
Power. Detail. Soundstage.
The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.
In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.
The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.
All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.
140W Class D Power
37 Hz Lower Frequency Response
< 1.4% System THD 94 dB @ 1M
114 dB Max SPL
Co-Axial Midrange and Tweeter
A three-way with impeccable imaging.
8-Inch Woofer
Powerful, clean bass. Crossed over at 330 Hz to make the IN-8 an acoustic point source.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
We know. We keep harping on about the "hyper-realistic” imaging of the IN-8. What does that mean?
When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.
Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.
2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.
The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.
The IN-8’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.
The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.
It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
Specifications
Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams
Built-in 150- and 75-Watt power amps with enormous power reserve
Ultra high-resolution ferrofluid-cooled tweeter
Long-throw 8 ¾" woofer with special polypropylene diaphragm and deformation-resistant aluminum die-cast chassis
Controlled dispersion characteristics and extremely large "sweet spot” owing to the unique BEHRINGER wave guide technology
Active crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions and subwoofer operation
Separately controlled limiter for low and high frequency overload protection
Automatic standby mode (defeatable)
Magnetic shielding allows placement near computer monitors
Delivered as "matched pairs” with individual frequency diagrams
Low-vibration and environment-friendly E1 MDF cabinet
Servo-balanced inputs with XLR and ¼” TRS connectors
Conceived and designed by BEHRINGER Germany
ΤΙΜΗ ΤΕΜΑΧΙΟΥ
The most powerful AX monitor
With its power and radiation characteristics, the brand new A8X is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields.
The A8X is equipped with the X-ART tweeter and a large (8.5”) midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter: a licence to thrill.
Cabinet- and bass reflex-construction
Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large, double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.
Amplification and controls
With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.
On the rear panel are several controls: a gain for the high frequencies (± 4dB) and two shelf filters for the high and low frequencies.
There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.
Review: A8X: a "powerful link" between near- and midfield monitors!
"The A8X is a powerful link between ADAM´s AX Series and the formidable and more expensive SX Series. Its all-in-all homogenous tuning, the deep and precise bass as well as the brilliant mid- and high-frequency reproduction make this speaker a huge recommendation for ambitious people without deep pockets." (Professional Audio 10/2010)
Mid-Woofer
Number
1
Basket Ø
8.5" (220 mm)
Voice coil Ø
1.5" (38 mm)
Cone material
Carbon/Rohacell/Glass Fiber
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Mid-Woofer
1
Type
PWM
Amp. power RMS / music
150 W / 225 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 75 W
Control panel
Input Sensitivity
-∞ to +14 dB
High Shelf EQ > 5 kHz
±6 dB
Low Shelf EQ
±6 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR / RCA
General data
Frequency response
38 Hz - 50 kHz
THD 90dB/1m > 100 Hz
≤0.5 %
Long term output
≥112 dB
Max. peak
≥120 dB
Crossover frequencies
2300 Hz
Input impedance
30 KOhm
Weight
28.7 lb (13 kg)
Magnetically shielded
No
Height x Width x Depth
15.5" (400 mm) x 10" (255 mm) x 12.5" (320 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
Behringer MS-20 24-Bit/192 kHz Digital 20-Watt Stereo Near Field Monitors
OVERVIEW
The MS20 Studio Monitors from Behringer are a pair of extremely compact, 2 x 10-Watt nearfield monitors that feature high-resolution 24-bit/192 kHz D/A converters. With the MS20, you can connect directly to your digital signal sources and eliminate annoying analog line-loss and hum forever. Whether you connect to your computer sound card, keyboard, or MP3 player, you will enjoy exceptional sound quality with great dynamics. The built-in amplifiers provide lots of headroom, while the powerful woofers and tweeters provide ultra-linear frequency response.
The MS20 connectivity includes stereo 1/8" and RCA jacks, which can be used simultaneously or mixed with a digital stereo source. Digital duties are handled by either RCA or TOSLINK sockets, providing for ultra-simple hookup. Individual volume controls for both Line inputs plus Bass and Treble EQ controls are provided on the front panel, along with a 1/4" headphone jack that automatically mutes the internal speakers.
Sound Quality
Sporting 3.625" woofers and 2.5" high-resolution tweeters, MS20 monitor speakers bring quality audio within the reach of anyone that operates a computer workstation. Whether you're a musician tracking your latest masterpieces, or just someone who listens to your favorite songs at work, MS20 loudspeakers will make them sound significantly better. They also make excellent add-on speakers for electronic keyboards. Front-mounted volume and individual bass and treble controls make accurate sound adjustments a breeze.
Built-in Mixer
The MS20 takes audio to an even higher level with its multiple input options. The built-in mixer features 1/8" stereo inputs for connecting CD/MD/MP3 players, dual RCA jacks for tape decks and stereo keyboard modules, and even both RCA and TOSLINK connectors for digital signal sources. This adds up to a system that lets you play along with a variety of prerecorded tracks. And you can wail away to your heart's content in total privacy, thanks to MS20's powerful headphone jack.
FEATURES
2-Way active studio monitor pair
Ideally suited for computer studios, multimedia workstations and keyboards
Built-in 2 x 10-Watt powerful amplifiers with lots of headroom
Powerful woofers and high-resolution tweeters
High-resolution 24-bit/192 kHz D/A converters for extended dynamic range
Optical and coaxial inputs to directly connect digital audio sources by S/PDIF interface
Two stereo analog inputs featuring 1/4'' TRS and stereo RCA connectors
Individual volume controls for both Line inputs plus Bass and Treble EQ controls
1/4'' TRS headphone connector with auto-mute loudspeaker function easily accessible on the front panel
SPECIFICATIONS
MS20 Digital Monitor Speakers (Pair)
Loudspeakers
Tweeter: ˜ 65 mm (2 1/2“), 8 ?
Woofer: ˜ 92 mm (3 5/8“), 4 ?
Audio Inputs
Line 1: 1/8" TRS stereo, impedance 20 k?
Line 2: 2 RCA, impedance 20 k?
Digital Inputs
Optical: TOSLINK
Coaxial: RCA
Converter: 24-bit
Sample rate:
System Specs
Output power: 2 x 20W
Frequency response: 50Hz to 25kHz
Power Supply
Mains Voltages: USA/Canada 120 V, 60 Hz
Power Consumption: 80W
DM-2100: 2.1-ch Speaker System
Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.
Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
Powered bass reflex speakers with 15 watts per side and flat frequency response
Active subwoofer with 50-watt amplifier for increased low end
Front-mounted controls convenient located on right speaker
Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
Sleek black wooden cabinets with magnetic shielding
Rated Output Power50W + 15W + 15WSpeakerSubwoofer: 16cm, Satellite Units: 9.2cmNominal Input LevelLine 1: -10dBu, Line 2: -10dBuInput Impedance18k ohmControlsR Channel: Bass Control Knob, Treble Control Knob, Volume 1 (Digital In/ RCA pin), Volume 2 (1/4” phone), Power Switch, Digital Input Select Switch, Phase SwitchConnectorsR Channel: Line 1 Jack (L, R; RCA pin), Line 2 Jack (L (MONO), R; 1/4” phone), Optical Input Connector, Coaxial Input Connector, Dedicated connector for power control and audio signal, Channel Input Jack (R; RCA pin),
L Channel: Channel Input Jack (L; RCA pin),
Sub Woofer: Dedicated connector for power control and audio signal, Channel Output Jacks (L, R; RCA pin), AC In JackDigital InputSampling Rate 32/44.1/48/96 kHz, D/A Convertor 24 bitsPower SupplyAC117, 230 or 240VAccessoriesSpeaker Cables (RCA pin type), Dedicated Cable for power control and audio signal, Power CableSize and Weight ( Satellite Units )Width130 mm5-1/8 inchesDepth160 mm6-5/16 inchesHeight200 mm7-7/8 inchesWeight
The CMS 50 is the most compact monitoring loudspeaker of all the Focal Professional range. Its design permits listening from 50cm away, while still keeping the possibility of the monitors at a great distance from one another without damaging the soundstage. The 5” mid-woofer reaches down to 55Hz, while offering a controlled bass and a totally linear midrange. The midrange register of the CMS 50 has unequalled neutrality in its price range. The Al-Mg inverted dome tweeter offers outstanding dynamics and a degree of definition in the treble that allow precise measurement of reverb and other effects which are normally very difficult to assess.
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Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams 
Active crossover network with 4th order Linkwitz-Riley filters 
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