| Content | Project Independence
Kali’s IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.
Performance
Power. Detail. Soundstage.
The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.
In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.
The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.
All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.
140W Class D Power
37 Hz Lower Frequency Response
< 1.4% System THD 94 dB @ 1M
114 dB Max SPL
Co-Axial Midrange and Tweeter
A three-way with impeccable imaging.
8-Inch Woofer
Powerful, clean bass. Crossed over at 330 Hz to make the IN-8 an acoustic point source.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
We know. We keep harping on about the "hyper-realistic” imaging of the IN-8. What does that mean?
When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.
Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.
2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.
The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.
The IN-8’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.
The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.
It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
Specifications
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| Powered: |
Yes |
| Amp Class: |
D |
| Power Config: |
Tri-Amped |
| LF Power: |
60 W |
| Mid-Range Power: |
40 W |
| HF Power: |
40 W |
| Total Power: |
140 W |
| LF Driver: |
8\" Poly-Coated Paper |
| Mid-Range Driver: |
4\" Optimized Profile Poly-Coated Paper |
| HF Driver: |
1-Inch Textile Dome |
| Freq. Response (-10 dB): |
37 Hz - 25 kHz |
| Freq. Range (±3 dB): |
45 Hz - 21 kHz |
| LF to Mid-Range Crossover: |
330 Hz |
| Mid-Range to HF Crossover: |
3000 Hz |
| Listening Distance: |
2.8 Meters |
| Max SPL: |
114 dB |
Διαστάσεις
Height: 17.75 Inches (44.1 cm)
Width: 10 Inches (25.4cm)
Depth: 11.25 Inches (28.5cm)
Weight: 23 lbs (10.4 Kg) |
ΤΙΜΗ ΤΕΜΑΧΙΟΥ
S3X-V
Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.
A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.
Reviews: "Wonderfully detailed...”
“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)
“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)
| Woofer |
| | Number | 1 | | Basket Ø | 9" (228 mm) | | Voice coil Ø | 2" (50 mm) | | Cone material | HexaCone | | Midrange |
| | Number | 1 | | Basket Ø | 4.5" (116 mm) | | Voice coil Ø | 1" (25 mm) | | Cone material | HexaCone | | Tweeter |
| | Number | 1 | | Type | X-ART | | Diaphragm area | 4 inch² (2420 mm²) | | Equiv. Diaphragm Ø | 2" (56 mm) | | Velocity transform ratio | 4:1 | | Diaphragm weight | 0.17 g | | Built-in Amplifiers |
| | Woofer | 1 | | Type | PWM | | Amp. power RMS / music | 250 W / 350 W | | Midrange | 1 | | Type | PWM | | Amp. power RMS / music | 250 W / 350 W | | Tweeter | 1 | | Type | A/B | | Amp. power RMS / music | 50 W / 100 W | | Control panel |
| | Input Sensitivity (coarse) | -20 to +8 dB (4 dB steps) | | Input Sensitivity (fine) | -1.5 to +2 dB (0.5 dB steps) | | EQ 80 Hz | 0 to +6 dB (1 dB steps) | | High Shelf EQ > 6 kHz | ±4 dB (1 dB steps) | | Low Shelf EQ | ±4 dB (1 dB steps) | | Tweeter gain | ±2 dB (0.5 dB steps) | | Input connectors |
| | Analog | XLR | | Digital (optional) | AES/EBU / SPDIF / word clock | | General data |
| | Panel | Front | | Frequency response | 32 Hz - 50 kHz | | THD > 80 Hz | ≤0.6 % | | Long term output | ≥114 dB | | Max. peak | ≥124 dB | | Crossover frequencies | 350 / 2800 Hz | | Input impedance | 10 KOhm | | Weight | 34 lb (15,4 kg) | | Magnetically shielded | Optional | | Height x Width x Depth | 19" (485 mm) x 11" (281 mm) x 11.5" (295 mm) | | Warranty | 5 Years |
| Delivery contents | |
Power cord, Manual
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Ενεργό monitor (2 way active), 8.75 ίντσες υψηλής ευκρίνιας , χαμηλής παραμόρφωσης LF αισθητήρες, 1 ίντσα θόλος τιτανίου, ferrofluid cooled tweeter, twin FR series ενισχυτές (150watt LF/100watt HF), passive radiator , articulate bass extension μέχρι 35Hz, balanced XLR/TRS και unbalanced RCA εισόδους, THX pm3™ για surround sound εφαρμογές.
High resolution Active studio reference monitorUltra-linear frequency response for accurate mix translation8.75-inch high-precision, low-distortion LF transducer1-inch titanium dome, ferrofluid cooled tweeterOptimized Waveguide for wide, even sweet zoneTwin FR Series amps — 150W for LF / 100W for HFCast aluminum Zero Edge Baffle™ minimizes diffractionFull internal damping eliminates midrange artifactsPassive radiator provides tight, articulate bass extension down to 35HzAcoustic Space, LF roll-off, and HF controlsBalanced XLR, TRS, and unbalanced RCA inputsOmniMount™ ready for easy wall/ceiling placementTHX pm3™ certified for surround sound applicationsPerfect for High-Definition audio, cinema and gaming systemsΔιαστάσεις (HxWxD) 425x 273x290mm.Bάρος 15,7kg. |
ΔΕΝ ΠΩΛΕΙΤΑΙ ΑΝΑ ΤΕΜΑΧΙΟ , ΤΟ ΕΝΑ ΑΠΟ ΤΑ ΔΥΟ ΠΕΡΙΕΧΟΥΝ ΕΝΙΣΧΥΤΕΣ ΤΟ ΑΛΛΟ ΕΙΝΑΙ ΠΑΘΗΤΙΚΟ
Τα ενεργά ηχεία της Reloop "ADM-5" είναι η τέλεια προσθήκη για κάθε στούντιο στο σπίτι του DJ. Kαταλληλα για χρήση με Μidi controller η με υπολογοστή. Σε αντίθεση με πολλά ηχεία που ειναι κατασκευασμένα από πλαστικό, τα ADM-5 είναι κατασκευασμένα από υψηλής ποιότητας ξύλο με αποτέλεσμα την ακριβή αναπαραγωγή μπάσσου και τον καθαρό ήχο. 'Εχουν μαγνητική θωράκιση ωστε na δυνατή τοποθέτηση των ηχείων κοντά σε υπολογιστές ή οθόνες.
Τεχνικλα χαρακτηριστικα:
Professional 2-way active DJ monitors
Output: 2 x 30 w RMS
Frequency response: 35 Hz - 20 kHz
S/N Ratio: > 75dB
Impedance: 8 ohm
Magnetically shielded bass drivers
Speakers: 13.34 cm (5.25“) bass, 2.54 cm (1“) tweeter
Dimensions: 232 x 320 x 180 mm
Weight: 5.0 kg (per piece)
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Ενεργό επαγγελματικό ηχείο 3 δρόμων nearfield/midfield με 3 ενσωματωμένους ενισχυτές (2*150+100 Watts RMS). Με 2 μεγάφωνα Focal 6,5” σε διάταξη sandwich για το woofer και ανεστραμμένου θόλου καθαρού Βηρυλλίου για το tweeter. Το γούφερ είναι κατασκευασμένο σε μορφή κώνου ΅ΆWΆΆόπως και τα μεγάφωνα στις περίφημες consumer σειρές Utopia της Focal και το τουίτερ είναι το ίδιο περίφημο τουίτερ βηρυλλίου ανεστραμμένου θόλου από τις ίδιες σειρές.
Χάρη στην εξαιρετική κρουστική απόκριση συχνότητας το tweeter παίζει flat μέχρι τα 40kHz με δυναμική περιοχή SPL της τάξης των 115dB@1M. Kαι τα δύο woofer χρησιμοποιούνται για τις χαμηλές συχνότητες αλλά μόνο το ένα (επιλεκτικά) χρησιμοποιείται σαν μεγάφωνο μεσαίων συχνοτήτων.
Όπως κάθε προϊόν Focal τα Twin6 έχουν σχεδιαστεί με τη φιλοσοφία να είναι ένα επαγγελματικό εργαλείο που αναπαράγει την πραγματικότητα της μουσικής χωρίς να αυξάνει ή να υποβαθμίζει κάποιες συχνότητες.
Αν θέλεις να «ακούσεις πως είναι πραγματικά η μουσική και όχι πως χρωματίζουν τα ηχεία σου».
Η τιμή του προϊόντος αφορά τεμάχιο και όχι ζευγάρι
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ΤΙΜΗ ΤΕΜΑΧΙΟΥ
The original A5
The small A5 managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one "of the best small monitors” and a "great choice for the small studio.” (Future Music, 01/2009).
The new A5X
The similar dimensions and name could make one believe that the A5X is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that.
Like all other models of the AX-Series it features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this.
A 5.5” Midwoofer reproduces the frequencies below 2.5kHz. The diaphragm is made from Carbon fiber/Rohacell/Glass fiber, which is the same composite structure shared in the next two bigger models. This material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics.
Stereolink
A very handy and exclusive feature found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.
This new technology connects two A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.
Controls and Connectors
The front of the A5X sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.
Review: "The A5X: a superb impression."
“A sparkling and lively desktop monitor with an open, powerful character. Good filters and practical ergonomics as well as useful equipment make ADAMs A5X an ideal partner in multimedia nearfield sound." (Stereo, 10/10)
| Mid-Woofer |
| | Number | 1 | | Basket Ø | 5.5" (145 mm) | | Voice coil Ø | 1.5" (32 mm) | | Cone material | Carbon/Rohacell/Glass Fiber | | Tweeter |
| | Number | 1 | | Type | X-ART | | Diaphragm area | 4 inch² (2420 mm²) | | Equiv. Diaphragm Ø | 2" (56 mm) | | Velocity transform ratio | 4:1 | | Diaphragm weight | 0.17 g | | Built-in Amplifiers |
| | Mid-Woofer | 1 | | Type | PWM | | Amp. power RMS / music | 50 W / 75 W | | Tweeter | 1 | | Type | A/B | | Amp. power RMS / music | 50 W / 75 W | | Control panel |
| | Input Sensitivity | -∞ to +14 dB | | High Shelf EQ > 5 kHz | ±6 dB | | Low Shelf EQ | ±6 dB | | Tweeter gain | ±4 dB | | Input connectors |
| | Analog | XLR / RCA | | General data |
| | Frequency response | 50 Hz - 50 kHz | | THD 90dB/1m > 100 Hz | ≤0.6 % | | Long term output | ≥102 dB | | Max. peak | ≥110 dB | | Crossover frequencies | 2500 Hz | | Input impedance | 30 KOhm | | Weight | 14.6 lb (6,6 kg) | | Magnetically shielded | No | | Height x Width x Depth | 11" (280 mm) x 6.5" (170 mm) x 8.5" (220 mm) | | Warranty | 5 Years |
| Delivery contents | |
Cinch-cable, Power cord, Manual
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