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31-band Stereo Graphic Equalizer, με high και low cut filters σε κάθε κανάλι για την αποφυγή ανεπιθύμητων θόρυβων, Relay-controlled hard-bypass με auto-bypass επιλογή, έξοδο subwoofer με ρυθμιζόμενο low-pass filter, Feedback κύκλωμα ανίχνευσης, Balanced είσοδοι και έξοδοι με 1/4" TRS και XLR υποδοχές.
- Sweepable high and low cut filters on each channel to remove unwanted frequencies
- Ultra low-noise audio operational amplifiers offer outstanding sound performance
- Relay-controlled hard-bypass with an auto-bypass function during power failure
- Dedicated subwoofer output with user-adjustable low-pass filter
- Feedback detection circuitry for indicating critical frequencies
- Balanced inputs and outputs with 1/4" TRS and XLR connectors
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Γραφικό equalizer 1/3 της οκτάβας, 2x31 περιοχών. Επιλεγόμενο εύρος αυξομείωσης 6/15dB, φίλτρο Bessel αποκοπής χαμηλών συχνοτήτων στα 40Hz με 18dB ανά οκτάβα. Hλεκτρονικά ισορροπημένες (balanced), unbalanced και RF φιλτραρισμένες είσοδοι και έξοδοι με XLR, TRS jacks και γυμνών επαφών, 3U.
1231 Dual 31-Band Graphic Equalizer
The dbx? 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.
SPECIFICATIONS:
INPUT
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Connectors:
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1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
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Type:
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Electronically balanced/unbalanced, RF filtered
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Impedance:
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Balanced 40 kOhm, unbalanced 20 kOhm
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Max Input Level:
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>+21dBu balanced or unbalanced
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CMRR:
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>40dB, typically >55dB at 1kHz
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OUTPUTS
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Connectors:
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1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
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Type:
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Impedance-balanaced/unbalanced, RF filtered
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Impedance:
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Balanced 200 ohm, unbalanced 100 ohm
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Max Output Level:
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>+21dBu balanced/unbalanced into 2 kOhm or greater
>+18dBm balanced/unbalanced (into 600 ohm)
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SYSTEM PERFORMANCE
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Bandwidth:
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20Hz to 20kHz, +0.5/-1dB
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Frequency Response:
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50kHz, +0.5/-3dB
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+/-15dB range
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+/-6dB range
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Dynamic Range:
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109dB
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115dB
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Signal-to-Noise:
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90dB
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97dB
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THD + Noise:
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Γραφικό Equaliser 2 x15 περιοχών. Επιλογή 6dB ή 12dB επεξεργασίας, By-pass και Ground lift διακόπτης. Είσοδοι-έξοδοι με XLR και TRS.
* 2 channel 15 2/3 octave band graphic equalizer
* 25Hz - 16kHz frequency control * Constant Q circuitry
(3% frequency accuracy) * Selectable 6dB or 12dB control
* Variable level control * By-pass switch * Overload threshold LED (5dB below clipping) * Ground lift switch * XLR & 1/4" TRS balanced Inputs/Outputs * Power: Selectable 120V/220V voltage
* Dimensions: 1.75" H x 19" W x x 8.5" D / 44.5mm x 483mm x 216mm - 1 space r.m. * Weight: 4.5 lbs. / 2.5kg
XEQ-152 Specifactions:
* Input type: Active balanced / Unbalanced * Output Impedance: |
Νέα έκδοση S ηλεκτρονικού crossover 3 δρόμων με επιλεγόμενη συχνότητα cross, ρυθμιζόμενο input & output level, κλίση αποκοπής 24dB ανά οκτάβα, L & R είσοδοι & balanced έξοδοι με XLR.
More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.
XLR balanced ins and outs
Mode switches for mono 4-way or stereo 2-way/3-way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz high pass (low cut) filter both channels
Phase reverse switch on all outputs
Individual level controls on all outputs
24dB per octave Linkwitz-Riley filters (the professional standard)
Stereo/Mono status LEDs indicate the selected mode
dbx® 2 year parts and labor as standard
CSA NRTL/C approved
CE compliant
Input Connectors | XLR | Input Type | Electronically balanced/unbalanced, RF filtered | Input Impedance | Balanced >50k ohm, unbalanced >25k ohm | Max Input | >+22dBu balanced or unbalanced | CMRR | >40dB, typically >55dB at 1kHz | Output Connectors | XLR | Output Type | Impedance-balanaced/unbalanced, RF filtered | Output Impedance | Balanced 200 ohm, unbalanced 100 ohm | Max Output | >+21dBu balanced/unbalanced into 2k ohms or greater | Bandwidth | 20Hz to 20kHz, +/-0.5dB | Frequency Response | 90 kHz, +0/-3 dB | Signal to Noise Ratio | Ref: +4 dBu, 22 kHz measurement bandwidth | Signal-to-Noise (Stereo Mode) | >94dB (Low Output), >93dB (Mid Output), >90dB (High Output) | Signal-to-Noise (Mono Mode) | >94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output) | Dynamic Range | > 106 dB, unweighted, any output | THD+Noise | | Interchannel Crosstalk | | Crossover Frequencies (Stereo Mode) | Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting) | Crossover Frequencies (Mono Mode) | Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz | Crossover Filter Type | Linkwitz-Riley, 24 dB/octave, state-variable | Low cut Switch | Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. | Phase Invert Switch | Inverts the phase at the output, one switch per output. | x1 / x10 Switch | Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. | Mode Switch | Selects stereo/mono and 2/3/4-way operation | LF Sum Switch | Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. | Indicators | Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) | Operating Voltage | 100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz | Operating Temperature | 32°F to 113°F (0°C to 45°C) | Power Consumption | 15W | Power Connector | IEC receptacle | Dimensions | 1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) | Unit Weight | 4.0 lbs. (1.8 kg) | Shipping Weight | 5.8 lbs. (2.6 kg) |
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DBX-1074
4 ch noise gate με δυνατότητα λειτουργίας σε ρυθμιζόμενο εύρος
συχνοτήτων XLR in/out, insert points.
- Four independent channels of gating
- Independent key filtering
- Independent Threshold and Release controls
- Differentially balanced gold-plated XLR and 1/4" inputs and outputs
- True RMS level detection
- Stereo Coupling mode
- Switchable +4dBu or -10dBv operation per channel
Input Connectors | XLR (Pin 2 and tip hot) | Input Type | Electronically balanced/unbalanced, RF filtered | Input Impedance | Balanced > 50 kOhm, unbalanced >25 kOhm | Max Input | > +22 dBu balanced or unbalanced | CMRR | 40dB: Typically >55 dB at 1 kHz | Key Input | Electronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm | Output Connectors | XLR (Pin 2 hot) | Output Type | Servo-balanced/unbalanced, RF filtered | Output Impedance | Balanced 60 Ohm, unbalanced 30 Ohm | Max Output | > +22 dBm balanced, > +20 dBm unbalanced | Bandwidth | 20 Hz to 20 kHz, +0/-0.5 dB | Frequency Response | 0.35 Hz to 200 kHz, +0/-3 dB | Noise | | Dynamic Range | > 115 dB, unweighted | THD+Noise | 0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain), | Interchannel Crosstalk | | Stereo Coupling | True RMS Power Summing | Operating Voltage | 100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz | Power Consumption | 30 Watts | Fuse | 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T | Power Connector | IEC receptacle | Unit Weight | 6.9 lbs. | Shipping Weight | 9.3 lbs. |
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The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it\'s inspiration from 1970\'s-era gear. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain. Get immersive with the stereo operation, with one set of controls for both channels. The versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. The fully variable bandwidth allows you to control the parametric mid bands, making adjustments as surgically precise or as broad and natural sounding as you could ever require. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features switchable slopes on the low and high bands, allowing you to alter the focus at the top and bottom frequencies plus a low peak setting that magnifies the bottom end. The 1974 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any musician. Genuine Stereo Operation with Indented and Accurate Potentiometers. The genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left/right accuracy to within fine tolerances by our trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall. Fully Parametric with Totally Variable Bandwidth. The 1974 is a true \'parametric\' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +/-12dB\'s. However, unlike EQ\'s with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1974 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings. Variable Low and High Cut Filters. The 1974 also includes fully variable low and high cut filters, ideal for tuning out undesirable signals. The low cut (otherwise known as High Pass Filter) having a range of 10Hz-225Hz and the high cut (otherwise known as Low Pass Filter) 4kHz-32kHz. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble and top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut everything instrument below 100Hz except those within that spectrum, such as the kick, bass or synths etc to provide extra headroom to work and also tighten up the bass making it sound less muddy. And likewise for the high frequencies. Switchable Slope Setting. Very few analogue parametric equalisers have an adjustable slope on the low and high band filters, and is yet another feature of the 1974 that allows you to take control of your audio. The filter slopes of the 1974 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB\'s per octave. The Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It\'ll give your kick an added sense of power and precision. Features: - Vintage-style four band Parametric Equalisation which takes it\'s inspiration from 1970\'s-era analogue gear.
- Delivers classic sonic clarity and control at an affordable price.
- Genuine stereo operation with one set of controls for both channels.
- Indented and accurate potentiometers, providing precision for quick and simple recall.
- Variable low and high cut filters allow you to perfectly tune out any undesirable signals.
- Fully variable bandwidth provides absolute control for the parametric mid bands.
- Switchable slope plus low peak settings allows you to adjust the focus and magnify the bottom end.
- True hardware bypass for accurate A/B comparisons.
- Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
- Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
- Designed and manufactured by Drawmer in the UK.
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