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Η τεχνολογία VSS3-reverb που έχει ενσωματωθεί στο Μ3000 αποτελεί πλέον μέτρο σύγκρισης στη μουσική βιομηχανία. Το Μ3000 περιλαμβάνει μερικά από τα πιο εύχρηστα, ποιοτικά και ευέλικτα reverbs για μουσική και ταινίες στην αγορά. Συνδυάζοντας τον απόλυτο έλεγχο στα early reflections με τη διαφάνεια και τις τέλειες αρμονικές στον ήχο του βάθους, η τέχνη του reverberation ανεβαίνει σε νέα επίπεδα.
Με διπλή μηχανή που επιτρέπει στη ταυτόχρονη χρήση 2 reverbs ή εφέ, βραβευμένο user interface, 600 factory presets και πολλαπλές εισόδους και εξόδους, το Μ3000 είναι μια από τις καλύτερες επιλογές για επαγγελματικού επιπέδου reverb.
Technical Specification
Digital Inputs and Outputs
Connectors XLR (AES/EBU)
RCA Phono (S/PDIF)
Optical (Toslink, ADAT)
Formats AES/EBU (24 bit), S/PDIF (24 bit), EIAJ CP-340, IEC 958,
EIAJ Optical (Toslink), ADAT Lite pipe
Output Dither HPF TPDF dither 8-24 bit
Word Clock Input RCA Phono, 75 ohm, 0.6 to 10 Vpp
Sample Rates 44.1 kHz, 48 kHz
Processing Delay 0.2 ms @ 48 kHz
Frequency Response DIO 20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz
Analog Inputs
Connectors XLR balanced (pin 2 hot)
Impedance 20 kohm
Max. Input Level +22 dBu (balanced)
Min. Input Level (for 0 dBFS) -10 dBu
Sensitivity @ 12 dB headroom: -22 dBu to +10 dBu
A to D Conversion 24 bit (1 bit, 128 times oversampling
A to D Delay 0.8 ms @ 48 kHz
Dynamic Range >103 dB (Unweighted), >106 dB (A)
THD -95 dB (0,0018 %) @ 1kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response 10 Hz to 20 kHz: +0/-0.2 dB
Crosstalk 100 dB (unweighted), >104 dB(A)
THD -86 dB (0.005%) @ 1 kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response 10 Hz to 20 kHz: +0/-0.5 dB
Crosstalk |
About the DI6s It's a fact of audio life that a lot of equipment that has to be connected to professional audio systems isn't impedance or level compatible. Interfaces Unlimited Tape/cassette/DVD/CD decks, audio for video, drum machines, synthesizers, bass guitars, computers; at some stage all these need linking up to Balanced inputs, whether the application is Live sound, Studio or Broadcast. To solve these problems, we've developed the DI-6s:
Six active D.I. (Direct Injection) boxes, plus a 6 into 1 Line Mixer, plus a 1 to 6 Splitter, All of this in a compact, all steel 1 RU package.
A Pro Audio Toolbox This unique and flexible audio toolbox allows Six independent unbalanced audio sources to easily and quietly interface with Balanced pro audio systems, either to individual channels or summed down to one Master output. But that's not all. By pressing a single switch on the rear panel the DI6s will change from being Direct Boxes and a Mixer to being a 6 way Splitter (line distribution amplifier). Now it will split an incoming signal to 6 individual outputs or zones. On the front panel, each channel has 2 IN/OUT jacks, a level control from infinity (off) through 0dB to +15dB gain, and a Clip indicator LED.The Master section has a Master volume control and status LEDs indicating whether the unit is in DI or Splitter mode. In addition, as on all ARX single rack unit equipment, each channel has a numbered marker panel ('scribble strip') you can write on for easy confirmation of channel assigns. Balanced Outputs On the rear, each channel has an XLR Balanced output, with associated Ground lift switch and status LED, to isolate the chassis and electronic grounds. The Master section has both Balanced XLR and Unbalanced Jack outputs. In addition there is a Balanced XLR input with a switch to put the unit in either DI or Splitter mode. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. With so many handy functions, plus a true 'user friendly' layout, it's no wonder people call the DI-6s 'A total Audio Patching System in 1 RU!' You'll never compromise on Quality when you choose ARX
Features Unique Pro Audio problem solver Six Direct boxes, Splitter and Line Mixer in one unit Multi mode unit: Six in, Six out; Six in, One out; One in, Six out Individual Output Ground lift switches Up to +15dB Gain available per channel Balanced XLR Outputs; High Impedance Jack Ins and Outs Flawless performance in any audio environment
T E C H N I C A L S P E C I F I C A T I O N S
Channels 1 - 6 High Z Input Impedance 2.2 Meg Ohm Max Channel Gain 15dB Clip LED Illuminates 1dB prior to clip Direct Output Impedance 300 ohms Balanced Max Input Level +20dB Max Output Level +21dB Signal to Noise -96dB(unity gain) Frequency Response 20Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Master Section Output Impedance 300 Ohms Balanced Max Output Level +21dB Signal to Noise -90dB (unity gain) Frequency Response 10Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Splitter Section Maximum Level + 20dB Input Impedance 20 KOhms, Balanced Input Connector XLR Frequency Response 10Hz?20KHz ±0.5dB AC Power 100-120, 220-240 V AC, 8 VA Size 19?W x 6?D x 1??H, 482 x 155 x 44mm Weight 2.2 Kg (5 lbs)
Front Panel Controls Hi Impedance (Hi Z) insulated jack Input and Output connectors Level control with up to +15dB of Gain available Clip LED indicator Marker panels for labelling DI assigns Master Level controls Rear Panel Balanced XLR Outputs Individual Audio Ground Lift switches and status LEDs XLR and jack Master Outputs XLR Input for splitter Splitter/DI + Mixer mode switch AC input connector, with voltage switch and fuse. |
Features Four Independent Compressor Channels Channels 1 and 2, 3 and 4 are stereo linkable 7 LED Gain Reduction metering Balanced XLR Inputs and Outputs Sidechain Insert points Intuitive, user friendly layout Flawless performance The sheer amount of effects and signal processors necessary for today's standards of audio production puts a great strain on the available space in equipment racks, both in the studio and on the road.So, ARX would like to introduce the ARX Quadcomp. An all-new upgrade of the classic award-winning ARX Quadcomp?, the very first four channel 1 RU compressor.You?ll notice that we haven?t strayed very far from our original design concept. The Quadcomp is still four variable ratio Compressor/ Limiters neatly housed in a compact all steel 1 RU package. However, all new low noise/low distortion circuitry, better metering plus XLR inputs and outputs put the Quadcomp in a class of its own. More Control, Less Space On the front panel, each channel has the 'industry standard' individual controls for Threshold, Compression Ratio and Output, plus a new 7 LED Gain Reduction display for accurate visual indication of the amount of gain reduction being applied to the program, and an IN/OUT hardwire bypass switch.In addition to this, each channel has a blank numbered panel to write on for easy confirmation of compressor assigns. Precision Circuitry Internally, each compressor uses Class A VCAs and true 2 pole averaging RMS/DC converters for low distortion and accuracy, plus program dependent attack and release time, which automatically determines optimum compressor response. Balanced Inputs and Outputs The rear panel has true differential Balanced XLR Inputs and Outputs for each compressor. Each compressor has a TRS jack Sidechain access insert point, for frequency sensitive compression, De-essing, etc. in conjunction with an external equalizer (such as the ARX EQ260). Compressor pairs 1 and 2, 3 and 4 also have rear panel mounted Stereo Link switches for accurate stereo tracking. When switched IN, the first channel becomes the master and controls all the functions of the second except Output gain. Universal AC Power AC power range is switchable 100 to 120V, or 220 to 240V, and is connected to the unit via a standard IEC connector, with built-in fuse and voltage switch. Whatever the application ? Channel insert, Bus insert, Master Outputs, Monitor outputs, Crossover outputs, the Quadcomp II?s unique High Density design, precision Low Noise circuitry and clean uncluttered layout make it a truly useful audio tool for all applications.
T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 20dB CMRR >50dB, 20 Hz?20 KHz Output Impedance Balanced 300 ohms Unbalanced 150 ohms Output Level (Max) + 20 dB Frequency Response 20Hz-20KHz ±0.5dB Signal to Noise ratio -93 dB Unweighted, -98 dB ?A? weighted Distortion .015% THD @ 0dB,1KHz Dynamic Range 108 dB Attack and Release Times Program dependent Metering 7 LED display: ?1, 2, 3, 6, 12, 18, ?24 dB Sidechain Insert Impedance 10 Kohm Power Requirements 100/120 V AC or 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input Connector type Balanced XLR Output Connector type Balanced XLR Sidechain Insert Connector TRS Jack
Front Panel Controls Hardwire bypass IN/OUT switch Threshold, Ratio and Output Gain controls 7 LED Gain Reduction display Marker panel for labelling compressor assigns Stereo link status LEDs Rear Panel Connectors Input and Output balanced XLR connectors TipRingSleeve Sidechain insert connectors Channels 1 and 2, 3 and 4 Stereo link switches IEC AC mains connector with inbuilt fuse and voltage change |
The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative.
FEATURES:
4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty
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Νέα έκδοση S ηλεκτρονικού crossover 3 δρόμων με επιλεγόμενη συχνότητα cross, ρυθμιζόμενο input & output level, κλίση αποκοπής 24dB ανά οκτάβα, L & R είσοδοι & balanced έξοδοι με XLR.
More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.
XLR balanced ins and outs
Mode switches for mono 4-way or stereo 2-way/3-way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz high pass (low cut) filter both channels
Phase reverse switch on all outputs
Individual level controls on all outputs
24dB per octave Linkwitz-Riley filters (the professional standard)
Stereo/Mono status LEDs indicate the selected mode
dbx® 2 year parts and labor as standard
CSA NRTL/C approved
CE compliant
Input Connectors | XLR | Input Type | Electronically balanced/unbalanced, RF filtered | Input Impedance | Balanced >50k ohm, unbalanced >25k ohm | Max Input | >+22dBu balanced or unbalanced | CMRR | >40dB, typically >55dB at 1kHz | Output Connectors | XLR | Output Type | Impedance-balanaced/unbalanced, RF filtered | Output Impedance | Balanced 200 ohm, unbalanced 100 ohm | Max Output | >+21dBu balanced/unbalanced into 2k ohms or greater | Bandwidth | 20Hz to 20kHz, +/-0.5dB | Frequency Response | 90 kHz, +0/-3 dB | Signal to Noise Ratio | Ref: +4 dBu, 22 kHz measurement bandwidth | Signal-to-Noise (Stereo Mode) | >94dB (Low Output), >93dB (Mid Output), >90dB (High Output) | Signal-to-Noise (Mono Mode) | >94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output) | Dynamic Range | > 106 dB, unweighted, any output | THD+Noise | | Interchannel Crosstalk | | Crossover Frequencies (Stereo Mode) | Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting) | Crossover Frequencies (Mono Mode) | Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz | Crossover Filter Type | Linkwitz-Riley, 24 dB/octave, state-variable | Low cut Switch | Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. | Phase Invert Switch | Inverts the phase at the output, one switch per output. | x1 / x10 Switch | Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. | Mode Switch | Selects stereo/mono and 2/3/4-way operation | LF Sum Switch | Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. | Indicators | Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) | Operating Voltage | 100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz | Operating Temperature | 32°F to 113°F (0°C to 45°C) | Power Consumption | 15W | Power Connector | IEC receptacle | Dimensions | 1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) | Unit Weight | 4.0 lbs. (1.8 kg) | Shipping Weight | 5.8 lbs. (2.6 kg) |
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The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor,sweep equalizer, output level and VU metering in a 2U space. PREAMPLIFIER The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs. OPTO-COMPRESSOR The opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side- chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path. SWEEP-EQUALIZER AND OUTPUT LEVEL The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for "tone enhancement“. The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier. AVALON VT-737SP FEATURES Vacuum tube triode signal path, transformer balanced microphone input, high-voltage circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power supply with toroidal transformer, soft-start tube life extender, stereo link for compressors, all discrete Class A equalizer with musical passive filter design, sealed silver relays for signal routing, large control knobs with professional conductive plastic potentiometers, VU meter for output level monitoring and compressor gain reduction. VT-737SP SPECIFICATIONS Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted -92dB Noise microphone EIN -116dB, 22Hz to 22kHz unweighted Distortion THD, IMD 0.5% Frequency response -/2.5dB 10Hz to 120kHz input filter included Frequency response -3dB 1Hz to 200kHz line in-out VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter Variable 6dB per octave 30Hz to 140Hz Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type Discrete Class A, variable active and switched passive design Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid - variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/- 24dB range, shelf AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight 22lbs (10kg) Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm) Weight-packed 26lbs (11.8kg)
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