Specially Designed For Voice & Audio Recording Specifications: Stereo built-in condenser microphones Support high quality 44 KHz wav and MP3 recording formats Stereo audio inputs Switch to microphone, guitar & line-in recording sources Volume control for input and output level adjustment Stereo earphone jack Built-in 128Mb flash memory Equipped with an expanded memory slot […]
Support high quality 44 KHz wav and MP3 recording formats
Stereo audio inputs
Switch to microphone, guitar & line-in recording sources
Volume control for input and output level adjustment
Stereo earphone jack
Built-in 128Mb flash memory
Equipped with an expanded memory slot for an SD card (reads SD cards up to 4GB each / Does not accept SDHC cards)
USB port for computer connection and DC power in
Works with either two AA batteries or a DC 5V
Dimensions (LxWxH): 6." x 3.5" x 1" / 155 x 84 x 28mm
Weight: .5 lbs. / 200 grams
TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
Record to SD/SDHC card (Up to 32GB)
Simultaneously record up to 4 tracks
Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
TASCAM original HDDA microphone preamps
Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
Plug-in power and high-output mic input supported on inputs 3-4
CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
CAMERA IN connector for sound monitoring from the camera
Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
50mW/ch headphone output
Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
Handles protect the screen and can be used to attach a shoulder strap
Soft-Touch Rubber Keys for silent operation
HOLD switch to prevent accidental operation
QUICK button feature for easy access to various functions
128x64 pixel LCD with backlight
USB 2.0 connection for high-speed transferring of files
Mini USB cable included
Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
Can extend battery life with BP-6AA battery pack (sold separately)
Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
Internal mixer: PAN and LEVEL controls
Low cut filter(40/80/120Hz)
Limiter (1/L and 2/R can be selected for link-operation)
Delay function for microphone distance adjustment (up to 150ms)
M-S decode function
Slate tone generator (AUTO/MANUAL)
Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
File name format can be set to use a user-defined word or date
Dual-recording function allows two files to be recorded simultaneously at different levels
Auto-record function can automatically start and stop recording at set level
Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
Self-timer function for solo recording
New file starts recording automatically without interruption when maximum file size is reached
Track incrementing function allows a recording to be split by creating a new file when desired
Jump back and play function
Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
Resume function to memorize the playback position before the unit is turned off
MARK function up to 99 points per audio track
DIVIDE function
SPECIFICATIONS
Recording media
SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV
44.1/48/96kHz, 16/24bit
BWF
44.1/48/96kHz, 16/24bit
Number of channels
4channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
Input impedance
2k ohms
Phantom power
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level
0dBu
Minimum input level
-72dBu
MIC input gain
TRIM MAX
LOW
+11dB
MID
+36dB
HIGH
+52dB
Set to "LINE“
Input impedance
10k ohms or more
Standard input level
+4dBu
Maximum input level
+24dBu
3-4 connector
Connector
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power)
Input impedance
10k ohms
Maximum input level
+10dBV
Minimum input level
-50dBV
MIC input gain
TRIM MAX
LOW
+3dB
HIGH
+26dB
CAMERA IN connector
Connector
3.5mm (1/8“) stereo mini jack
Input impedance
10k ohms
Standard input level
-10dBV
Maximum input level
+6dBV
Analog audio output
CAMERA OUT connector
Connector
3.5mm (1/8“) stereo mini jack
Output impedance
200 ohms
Standard output level
-50dBV
Maximum output level
-30dBV
LINE OUT connector
Connector
3.5mm (1/8“) stereo mini jack
Output impedance
200 ohms
Standard output level
-10dBV
Maximum output level
+10dBV
PHONES connector
Connector
3.5mm (1/8“) stereo mini jack
Maximum output level
50mW + 50mW
USB
Connector
Mini-B type
Format
USB2.0 HIGH SPEED mass storage class
REMOTE
Connector
2.5mm TRS jack
Power
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption
5.4W
Continuous operation time
2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA)
About 2:30 min (Phantom on)
About 4:30 min (Phantom off)
NI-MH batteries (eneloop)
About 3:15 min (Phantom on)
About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro)
About 3:45 min (Phantom on)
About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA)
About 5:30 min (Phantom on)
About 10:30 min (Phantom off)
NI-MH batteries (eneloop)
About 7:30 min (Phantom on)
About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro)
About 9:30 min (Phantom on)
About 14:30 min (Phantom off)
Dimensions
133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight
510g (not including batteries)
Operating temperature
0˚C to 40˚C
Standard accessories
USB cable, warranty card, Owner's manual
Computer compatibility
Windows
OS
Windows XP, Windows Vista, Windows 7, Windows 8
CPU
Pentium 300MHz or more
RAM
128MB or more
USB
recommended: USB2.0
Macintosh
OS
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8)
CPU
Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB
recommended: USB2.0
Audio performance
Frequency response
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise
-120dBu or more
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting)
SD/SDHC card capacity(hours:mintes)
1GB
2GB
4GB
8GB
WAV/BWF 16bit(STEREO)
44.1kHz
1:41
3:22
6:44
13:28
48kHz
1:33
3:06
6:12
12:24
96kHz
0:46
1:33
3:06
6:12
WAV/BWF 24bit(STEREO)
44.1kHz
1:07
2:15
4:30
9:00
48kHz
1:02
2:04
4:08
8:16
96kHz
0:31
1:02
2:04
4:08
The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
If recorded in mono in WAV files, the maximum recording time will be double the figures above.
For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features
Support for PAL, NTSC and 60 Hz B&W standards
One composite video input and three composite video outputs
Can operate as a master black-burst generator
Can operate as genlocking slave device
Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording.
For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example.
Main Features
32-track digital Portastudio
8 mono tracks, 12 stereo tracks (can also be used as mono tracks)
Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution
Simultaneous playback of all 32 tracks
Virtual tracks for alternate takes and undo
Dedicated stereo master track
Colour LC display and 12-encoder channel strip for simple operation
Built-in 40-channel mixer
Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track
Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track
Dedicated controls for EQ, pan and effect sends
Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording
8 balanced microphone inputs on balanced combo XLR/jack connectors
Switchable phantom power for 4 channels each
One input switchable to instrument level for direct recording of a guitar or bass
Unbalanced stereo output (RCA jacks)
Balanced stereo monitor output (6.3-mm TRS jacks)
Two unbalanced effect sends (6.3-mm TS jacks)
Stereo headphones output (6.3-mm TRS jack)
MIDI input and output for MMC, Control Change and MTC output
Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory)
Input effects (Limiter, Compressor, Noise suppressor, Exciter)
Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter)
Mixdown effects (Reverb, Delay, Stereo chorus)
Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping)
Mark function (up to 99 location marks)
Built-in chromatic tuner and metronome
CD-RW drive for audio CD creation as well as file import and export
USB 2.0 port for data backup/restore and file transfer with a computer
Specifications
Recording media and file systems
Recording media SD card (512 MB to 2 GB)
SDHC card (4–32 GB)
File system SD card (512 MB to 2 GB): FAT16
SDHC card (4–32 GB): FAT32
Analogue audio inputs and outputs
MIC/LINE INPUTS A–H, XLR (balanced)
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance 2.4 kOhm
Nominal input level –14 dBu
Maximum input level +2 dBu
MIC/LINE INPUTS A–H, phone jack (balanced)
Connector 6.3-mm TRS phone jack
Input impedance >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR)
Nominal input level +4 dBu
Maximum input level +20 dBu
STEREO OUT L/R connectors RCA pin jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
EFFECT SENDS 1/2 connectors 6.3-mm TS phone jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
MONITOR OUT L/R connectors 6.3-mm TRS phone jack
Nominal output level –2 dBu
Maximum output level +14 dBu
Output impedance 200 Ohm
PHONES connector 6.3-mm TRS phone jack
Maximum output power 70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load)
Other inputs and outputs
MIDI input (MIDI IN) DIN 5 pin
Format Standard MIDI format
MIDI output (MIDI OUT) DIN 5 pin
Format Standard MIDI format
USB connector USB 4-pin mini-B type
Format Mass Storage Class USB 2.0 High Speed
REMOTE connector 2.5-mm TRS jack
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Operating system requirements
Windows Pentium 300 MHz or faster
128 MB or more memory
Macintosh Power PC, iMac, G3, G4 266 MHz or faster
64 MB or more memory
Recommended USB port USB 2.0
Recommended USB host controller Intel chipset
Supported operating systems Windows XP, Windows Vista, Windows 7
Mac OS X 10.2 or later
Power requirements and other specifications
Power supply AC adaptor (TASCAM PS-1225L)
Power consumption 12 W (Phantom power on)
Dimensions (Width x Height x Depth, excluding projections) 514 mm x 104 mm x 340 mm
Weight 6.2 kg
Operating temperature 5–35 °C
Design and specifications subject to change without notice.
The APH-2n optional accessory pack includes seven tools for use with the H2n. The remote control can be used to start, stop and pause recordings as well as to add marks. The other accessories in the pack are a windscreen that reduces wind and breath noise, a mic clip adapter for use with a mic stand, a tabletop tripod with extendable legs, a padded-shell case, an AC adapter and a USB cable.
The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!
New Setups:
50 new setups featuring the KORE 64™ sounds.
Over 200 new drum grooves in multiple styles.
New Dance and Hip Hop setups for triggering and controlling beats in real time.
New Synths:
New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
Over 100 new synth programs.
Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
Atmospheric and cycling pads voiced for performing, producing, and scoring.
New Guitars:
New samples modeled after the Gibson Les Paul and Fender Stratocaster.
Palm muted and sustained articulations playable in a picked or legato style.
Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.
New Brass/Woodwinds:
New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
New programs include solo instruments and custom sections with many combinations of the different instruments.
Articulate with pressure on several new programs.
Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.
New Drums
Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
72 new Drum Kits and 62 percussion instruments and templates.
10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
Unsurpassed realism and playability for sampled drums.
Full complement of Electronic and Processed Drum samples.
Scratches, hits and Industrial Sounds.
Wide variety of traditional and processed Percussion sounds.
Download the full preset Objects List under the Downloads section
User Installable.
Requires: PC3K OS v2.20 or better
PC3 OS v2.20 or better
All specifications subject to change without notice.
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