Content |
AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
"SuperClock" (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
"SureLock" technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
| The Soundweb London BLU-DAN offers Dante audio and BLU link. This means that the BLU-DAN can be used to ‘add’ Dante to one or more BLU link devices.
The BLU-DAN is configurable through HiQnet Audio Architect. A rich palette of logic objects and a "drag and drop" method of configuration provide a simple and familiar design environment.
The BLU-DAN features Dante audio. The BLU-DAN is capable of simultaneously transmitting and receiving up to 64 channels of Dante audio (64 x 64). Primary and Secondary ports are provided for fault tolerance. Control is through a separate Ethernet port.
The BLU-DAN also features BLU link, a low latency, fault tolerant digital audio bus of 256 channels, which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.
A bi-directional locate function allows devices to be identified both from and within HiQnet Audio Architect.
The BLU-DAN and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
- AES67 and Dante Audio with support for Dante Domain Manager
- BLU link – 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
- ‘Add’ Dante / AES67 to one or more BLU link devices
- Clear Front Panel LED Indication
- Bi-Directional Locate Functionality
- HiQnet Device
- Configuration, Control and Monitoring from HiQnet Audio Architect
- 1RU, Half-Rack Device
- AES67 Compatible
- EN 54-16 Compliant for life safety applications
*The price is without VAT
|
SPECIFICATIONS
Input: Coaxial RCA digital audio, PCM stereo or Dolby Digital
Output: Left and Right RCA analog
Frequency Response: 20Hz to 20kHz, (+/- 0.5 dB)
THD: 0.025%
Power Requirement: Input: 100V~240V AC, Output: 5V DC (use Xantech supplied power supply only)
Dimensions (W x H x D):
Unit: 4-3/4” x 1” x 1-15/16” (119 x 25 x 48 mm)
Single pack carton: 7-1/4” x 3-1/2” x 6-1/2” (185 x 85 x 165 mm)
Weight:
Unit: 0.25 lbs (0.12 kg)
Single pack carton: 0.85 lbs (0.40 kg) |
An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
Features |
---|
3 Music Source Inputs individually selectable to each output | One Input Source with Override facility (Jukebox or Auto Announcer) | 5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones | Can be expanded interlink of two or more MS520 units | Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option) | Direct Inputs and Outputs on each zone | Paging or Alarm Input Override System | Full Digital Matrix control of functions to all 5 zones | Up to 10 remote control panels RC 62 can be connected to each MS 520 |
AMPLIFIER SPECIFICATIONS |
---|
Power output: | 5 x 20 | Watt rms | Frequency Response (Music): | 30 ÷ 45 | Hz ÷ kHz | Frequency Response (Direct): | 30 ÷ 45 | Hz ÷ kHz | Frequency Response (Paging): | 200 ÷ 18 | Hz ÷ kHz | Distortion: | 0.5 | % | Signal / noise ratio (Music): | -78 | dB | Signal / noise ratio (Direct): | -78 | dB | Signal / noise ratio (Paging): | -60 | dB |
INPUT SECTION |
---|
Input sensitivity (Music): | -16 | dBu | Input sensitivity (Direct): | -16 | dBu | Input sensitivity (Paging - Line): | - 43 ÷ -27 | dBu | Input sensitivity (Paging - Mic): | - 58 ÷ -41 | dBu | Bass Tone: | (100 kHz) ± 8 | dB | Treble Tone: | (12.5 kHz) ± 8 | dB |
OUTPUT SECTION |
---|
Out level: | -6 / -10 | dB | Protections: | Short ciurcuit, thermal, AC / DC fuses | | Power supply: | 16 | V dc |
POWER REQUIREMENT |
---|
Operating voltage: | 220÷240 / 110÷120 V ~ 50 / 60 Hz | V ~ Hz | Power (consumption): | 370 | W | Max. Available power: | 100 | W |
PHISICAL SPECIFICATION |
---|
Width: | 438 / 17.24 | mm/inch | Height: | 44 / 1.73 | mm/inch | Depth: | 253 / 9.96 | mm/inch | Net Weight: | 3.66 / 8.06 | Kg/Lbs |
SHIPPING INFORMATION |
---|
Package height: | 75 / 2.95 | mm/inch | Package width: | 520 / 20.47 | mm/inch | Package depth: | 280 / 11.02 | mm/inch | Shipping Weight: | 4.18 / 9.21 | Kg/Lbs |
|
The MULTIGATE PRO XR4400 provides four frequency-selective expanders/noise gates in a single rack space. Each section comprises an ultra-fast gate, a program dependent expander, a filter section and precision meters indicating both threshold point and gain reduction.
The included side chain parametric filters allow the user to fine-tune control signals so that the gate reacts only when required. The Interactive Attack Control (IAC) circuit analyzes the program material to calculate the attack time of the gate. Separate hold and release controls offer additional flexibility. The XR4400 has a switchable operating mode for the gate and expander. With the MODE function off, the unit works in gate mode using an extremely fast attack time, thus preserving the transient details of the program material. In expander mode, the device analyzes the shape and dynamic contents of the input signal to calculate the control time parameters. The result is that vocals, instruments and complex mix signals can be cleaned up without audible clicks or other detrimental effects.
A couple function on the XR4400 provides a great deal of flexibility to link the expander/gate sections in a master/slave configuration.
Quadruple expander/gateHigh-precision parametric filter for frequency selective operationFully adjustable Ratio control in Expander modeFully adjustable Attenuation control in Gate modeIndependent Hold/Release controls for any envelope shapingFlexLink system for flexible Master/Slave configurationsExtremely low-noise operational amplifiers and high-grade VCA\'sFilter Monitor facility for monitoring the filter sectionHigh-quality detent potentiometers and backlit switchesServo-balanced gold-plated XLR and 1/4" TRS inputs and outputs8-digit LED meters for input level, output level and gain reduction monitoring
Function |
Four channel expander/gate |
Number of Channels |
4 |
Inputs |
4 x XLR, 4 x TRS 1/4" phone |
Output |
4 x XLR, 4 x TRS 1/4" phone |
Maximum Input Level |
+21dBu |
Compression Threshold |
Not applicable |
Compression Ratio |
Not applicable |
Attack Time |
Not applicable |
Release Time |
Not applicable |
Gate Threshold |
0 to -80dB |
Gate Rate |
Attack: Program dependant Hold: 0 to 4 sec, variable Release: 50ms to 4 sec, variable |
Maximum Output Level |
+21dBu |
Make-up Gain |
Not specified by manufacturer |
Frequency Response |
18HZ to 30kHz |
Dynamic Range |
Not specified by manufacturer |
Noise |
>95dBu, unweighted, 22Hz to 22kHz |
Dimensions |
1U rack mount, 8 1/2" deep |
Specialties |
Unit will operate at either +4dB or -10 dB |
|
Product Features:
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
KLARK TEKNIK AES50
KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners
User's Manual
|
Reviews
There are no reviews yet.