| Content |
The APM series are digital paging microphones equipped with a condenser microphone with cardiologic characteristics, mounted on a 30 cm long gooseneck. By means of a built-in compressor / limiter, the output level of the microphone signal is constantly maintained. The status of the reproduced signal is indicated on the front panel, to ensure the speaker that the message is clear and audible in all situations. Each console has 3 standard buttons (except the APM01 which has only PTT) with pre assigned functions: PTT (Push To Talk), Select all and Clear. All other buttons can be freely programmed, using the free APM configuration software. | The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg) |
The UNlDYNE? III Model 545SD is a dual-impedance, unidrectional, dynamic microphone. Shipped connected for low-impedance operation, it features a silent magnetic reed on/off switch.
The 545SD is a favorite for instrument pickup and recording, and can be used on lecterns for public address systems such as those used in political conventions and legislatures, convention halls, hotels, public auditoriums, stadiums, schools, and churches.
- Exceptionally uniform cardioid pattern minimizes feedback in PA applications
- Selectable dual-impedance operation
- Silent magnetic reed on/off switch with lock-on option
- Cardioid dynamic
- Frequency response: 50 to 15,000 Hz.
| The Shure SM58S Vocal Microphone features a cardioid dynamic vocal design well suited for professional vocal use in live performances, sound reinforcement, and studio recording. A built-in spherical filter minimizes wind and breath "pop" noise, while the cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The microphone offers durable construction, a high-quality internal shockmount system, and a steel mesh grille for withstanding rough handling. The SM58S is designed to perform consistently both outdoors and indoors and when used for singing or speech applications. The microphone features an integrated on/off switch and includes a microphone clip and a zippered pouch.
- Pneumatic shockmount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant microphone clip that rotates 180 degrees
- High quality, rugged, and reliable
- Cardioid dynamic
- Frequency response: 50 Hz to 15 kHz
Suggested Applications
Lead Vocals
Backup Vocals
Harmonica
| Frequency Range |
50 Hz to 15 kHz |
| Impedance |
150 Ohms |
| Sensitivity |
-57.5 dBV/Pa at 1 kHz |
|
Shure MX202B-C Microflex Overhead Cardioid Condencer Microphone
It is hard to believe that such small, unobtrusive microphones can produce such great sound,
but it's true. Available in black or white finishes, and with in line or plate mount preamps, the
Microflex? Overhead condenser microphones capture Shure quality sound in a compact, adjustable
package. Each model features a choice of interchangeable cardioid, supercardioid and omnidirectional
condenser microphone cartridges attached to a flexible, four inch gooseneck with a 30 foot cable.
The preamp options available offer easy installation in ceilings or microphone stands, and when combined
with the high sensitivity cartridge's wide frequency response, these microphones provide accurate sound
reproduction with a minimum of RF interference or electromagnetic hum.
Features:
Wide dynamic range and frequency response for accurate sound reproduction across the audio spectrum
Interchangeable cartridges that provide an optimal polar pattern choice for each application
Balanced, transformerless output for increased immunity to noise over long cable runs
Supplied stand-mount adapter for portable applications (in-line preamplifier versions only)
White or black finish that blends unobtrusively with most surroundings
Frequency Response
50 to 17,000 Hz
Output Impedance
180 ohms actual (EIA rated at 150 ohms)
Sensitivity (At 1,000 Hz, open circuit voltage*)
Cardioid: -35.0 dBV/Pa (17.8 mV)
Supercardioid: -33.5 dBV/Pa (21.1 mV)
Omnidirectional: -27.5 dBV/Pa (42.2 mV)
All values -12 dB at 0 gain; *1 Pascal = 94 dB SPL
Maximum SPL (1 kHz at 1% THD, 1 k ohm load)
Cardioid: 124.2 dB
Supercardioid: 122.7 dB
Omnidirectional: 116.7 dB
All values +6 dB at 0 gain
Equivalent Output Noise (A-weighted)
Cardioid: 28.0 dB SPL
Supercardioid: 26.5 dB SPL
Omnidirectional: 20.5 dB SPL
Signal to Noise Ratio (referenced at 94 dB SPL)
Cardioid: 66.0 dB
Supercardioid: 67.5 dB
Omnidirectional: 73.5 dB
Dynamic Range at 1 k ohm load
96.2 dB
100 dB at 0 gain
Common Mode Rejection
45.0 dB minimum
Preamplifier Output Clipping Level (1% THD)
-6.0 dBV (0.5 V)
-12 dBV at 0 gain
Polarity
Positive sound pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output connector.
Power Requirements
11 to 52 Vdc phantom, 2.0 mA
Environmental Requirements
Operating Temperature Range: -18 to 57 degrees C (0 to 135 degrees F)
Relative Humidity: 0 to 95% | MASTER AUDIO – CM238
Pen-type microphone
- Directivity: condenser – ultra cardioid
- Frequency response.: 100Hz – 16Khz
- Sensitivity: -44db +/- 2db for short distance – -23db +/- 2db for long distance
- Output impedance: 1K Ohm for short distance – 2.3K Ohm for long distance
- Power supply: 1.5V / phanthom 48V
- Dimensions: Ø 23 x 360 mm.
- Windscreen, microphone holder and cable (4,5 m.) included
|
Reviews
There are no reviews yet.