| Content |
The new AT2010 is designed to bring the studio-quality articulation and intelligibility of Audio-Technica's renowned 20 Series to the stage, for crystal-clear vocal performances. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, the AT2010 excels wherever articulate vocals are needed: in houses of worship, for solo performances, jazz vocalists, singer/songwriters, and more.
- Extended frequency response and superior transient response for smooth, natural sonic characteristics
- High SPL-handling and wide dynamic range provide unmatched versatility
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity
- Corrosion-resistant contacts from gold-plated XLRM-type connector
- Rugged, all-metal and construction for years of trouble-free service
- Quiet-Flex stand clamp provides silent, flexible microphone positioning
- Element: Fixed-charge back plate permanently polarized condenser
- Polar Pattern: Cardioid
- Frequency Response: 40-20,000 Hz
- Open Circuit Sensitivity: 48 dB (3.9 mV) re 1V at 1 Pa
- Impedance: 100 ohms
- Maximum Input Sound Level: 136 dB SPL, 1 kHz at 1% T.H.D.
- Dynamic Range: 113 dB, 1 kHz at Max SPL
- Signal to Noise Ratio: 71 dB, 1 kHz at 1 Pa
- Phantom Power Requiremens: 48V DC, 2 mA typical
- Weight: 233 g (8.2 oz)
- Dimensions: 179.1 mm (7.05“) long, 50.8 mm (2.00“) maximum body diameter
- Output Connector: Integral 3-pin XLRM-type
- Accessories: AT8470 Quiet-Flex stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch
| AKG C411L Ultralight Condenser Microphone
- Ultra-light vibration pickup
- Condenser transducer in sealed enclosure
- Cable with lockable miniature XLR connector
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
| Frequency range |
10 to 18,000 Hz |
| Max. SPL |
100 dB (for 1% THD) |
| Impedance |
200 ohms unbalanced |
| Recommended load impedance |
>=1000 ohms |
| Supply voltage |
9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter |
| Current consumption |
approx. 2.2 mA |
| Connector |
C 411 L: 3-pin mini XLR |
| Cable |
C 411 L: 1.5 m (5 ft.) |
| Finish |
matte black |
| Dimensions |
27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in. |
| Net weight |
C 411 L: 18 g / 0.7 oz. |
| Shipping weight |
C 411 L: 150 g / 5.5 oz. |
|
The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.
Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g
| Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a unique crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile on the drum kit without compromising audio quality. Response is 20-20kHz, with 126dB max SPL, and requires phantom power.
Specifications
Polar Pattern: cardioid
Frequency Response: 20?20.000 Hz
Sensitivity: 7 mV/Pa=-43 dBV to 1 V/Pa
Max. SPL for 1% / 3% THD: 126/130 dB SPL
Equivalent Noise Level: 33 dB to DIN 45 412
Electrical Impedance: 200 ohms
Recommended Load Impedance: >2.000 ohms
Power Requirement: 9 to 52 volts universal phantom power
Current Consumption: approx. 2 mA
Connector : 3-pin XLR
Cable Length: 1.5 m (5 ft.)
Finish: matte black
Size : dia.: 19 mm (0.7 in.), length: 79 mm (3.1 in.)
Net / Shipping Weight: 23/192 g (0.8/6,8 oz.)
Optional Accessorires: B15, B18 |
The R?DE NT6 is specifically designed for difficult mounting applications. Although
clearly relevant to instrument mic'ing, the new NT6 is extremely well suited to any
situation where a small 'unobtrusive' but powerful microphone system is required.
The NT6 utilises the 1/2" (externally biased) gold sputtered true condenser transducer
used in the internationally renowned R?DE NT5. The capsule is designed to attach to
a custom made, multi-position swivel mount allowing it to be independently positioned
with ease.
To further increase the versatility of the NT6, it is supplied with 2 thread adaptors - 1/4"
to 5/8" and 1/4" to 3/8" that enable the capsule assembly to be securely attached to a
wide variety of mic stands, tripods and boom poles.
The capsule is connected to the pre-amplifier (body) by a custom 3 m Kevlar? fibre reinforced
cable. Housed within the heavy duty satin-nickel-plated body, is a state-of-the-art low noise
balanced output preamplifier, exhibiting a wide dynamic range and full frequency response.
The surface-mount pre-amplifier circuit also incorporates a 2-position variable pad: 0 dB an -10 dB
attenuation, and a 2-position variable high-pass filter that enables you to step from a flat response
to 80 Hz high pass filter; both conveniently located away from the capsule, providing additional
control without the need to move the capsule once in position.
The NT6 is intended for Film, Television, Broadcast, Live Performance, Theatre, Television,
Surround and Environmental recording applications or wherever your imagination takes you.
The NT6 is produced in R?DE's design and manufacturing facility in Sydney, Australia. Utilising
state of the art computer controlled machining and assembly technologies, R?DE is able to
achieve levels of finish and repeatability of the most exacting standards and tolerances.
The NT6 comes supplied with Microphone Preamp (Body), Capsule, 3 m Kevlar? fibre reinforced
cable, RM5 Stand Mount, 2-axis Swivel Mount, 2 thread adaptors, ZP1 Zip Pouch and WS5 Wind Shield.
FEATURES:
? 1/2? (externally biased) gold sputtered true condenser capsule ? Heavy duty satin-nickel-plated body
? 2-position variable pad: 0 dB and -10 dB ? 2-position variable high-pass filter: flat and 80 Hz ? Surface
mount technology ? Low noise ? Wide dynamic range ? Full frequency response ? Supplied complete
with 2-axis swivel mount, 2 thread adaptors, M5 clip, WS5 (Black) Wind Shield and Soft Pouch ? Designed
& manufactured in Australia ? Full 2 year guarantee
Operation power:
The NT6 is designed to operate from phantom power to the P48 standard. The NT6 will operate
between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector.
Operation output impedance:
Output Impedance: The NT6 will operate satisfactorily into a load impedance as low as 1 kΩ. If a
load below this is used, the output signal level will be reduced. The NT6 output is balanced between
pin 2 (hot) and pin 3 (cold). Pin 1 is ground.
Acoustic principle:
Externally polarised 1/2" (13mm) pressure gradient condenser
Directional pattern: Cardioid
Frequency range:
40 Hz ~ 20,000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
75 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 19 dB SPL (per IEC651, IEC268-15)
Maximum spl:
138 dB (@ 1% THD into 1 kΩ)148 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity:
-38 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB
Dynamic range din iec 651: 119 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Weight: 386 grm.
Maximum output voltage: 6 dBu (@ 1% THD into 1 kΩ)
Pin assignment:
3 pin XLR, balanced output between pin 2(+), pin (-) & pin 1 (ground)
|
C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
Reviews
There are no reviews yet.