| Content |
Features Vocal Studio Pro II - M-Track USB Audio Interface
- (2) XLR+1/4” combo inputs with phantom power for recording vocals, guitars, bass, and more
- Zero-latency monitoring with USB/Analog Direct Balance control
- (2) Balanced 1/4” main outputs with dedicated level control
- Channel-specific LED VU meters provide real-time visual feedback of the audio signal
- Headphone out with independent level control for private recording and mixing
- USB-powered connectivity and solid metal construction for on-the-go use
- Studio-quality audio recording with up to 24-bit/48kHz resolution
- Includes Ableton Live Lite for recording, mixing, and producing music with your Mac or PC
- Use the included Waves plugin bundle (AudioTrack, Eddie Kramer Effects Channel, and TrueVerb) to add a professional finish to your production
- Large-Diaphragm Condenser Microphone
- Top quality condenser transducer
- High sensitivity and low self noise
- Built-in pre-amplifier circuitry for unrivaled sound performance
- Wide frequency response range
- Studio Headphones
- Large 50mm neodymium drivers for accuracy
- Earcups rotate on two axes for optimal fit
- Padded headband for comfort
- 9.9-foot (3m) single-sided, coiled cable
- Right-angle, 1/8" gold-plated, threaded mini-plug connector
- Gold-plated, threaded 1/4" connector also included
- Built-in cable strain relief for long life
Specifications - M-Audio Large Capsule Condenser Microphone
- Transducer Principle: Back Electret Condenser
- Directivity Characteristic: Cardioid
- Frequency Response: 30Hz - 20kHz
- Sensitivity: -38dB ±2dB (0dB=1V/Pa at 1kHz)
- Output Impedance: 200Ω ±30% (at 1kHz)
- Load Impedance: ≥1000Ω
- Equivalent Noise Level: ≤22dB A (IEC 581-5)
- Max. Input SPL: 140dB (THD ≤1.0ï¼… at 1kHz)
- Power Requirements: 48V DC Phantom Power
- Body Dimensions: Ø54 x 128mm
- Net Weight: 371 g
- M-Track Two-Channel USB Audio Interface
- Mic Inputs 1–2 (balanced XLR)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- Dynamic Range: 104 dB (A-weighted)
- Signal-to-Noise Ratio: 104 dB (1 kHz, +1.4 dBu, A-weighted)
- THD+N: 0.003% (1 kHz, +2 dBu input, -0.8 dBFS)
- Preamp EIN:
- -133 dBu (max gain, 40 Ω source, A-weighted)
- -126 dBu (max gain, 150 Ω source, unweighted)
- Sensitivity: -53 dBu
- Gain Range: 55 dB
- Line Inputs 1–2 (balanced 1/4" [6.35 mm] TRS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- THD+N: 0.004% (1 kHz, -1 dBFS)
- Sensitivity: -43 dBu
- Gain Range: 55 dB
- Inst Input 2 (unbalanced 1/4" [6.35 mm] TS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.1 dB)
- THD+N: 0.022% (1 kHz, -1 dBFS)
- Sensitivity: -47 dBu
- Input Impedance: 1 MΩ
- Gain Range: 55 dB
- Main Outputs, L and R (impedance-balanced 1/4" [6.35 mm] TRS)
- Frequency Response: 20 Hz – 20 kHz (+/-0.3 dB)
- Dynamic Range / Signal-to-Noise Ratio: 102 dB (A-weighted)
- THD+N: 0.008% (1 kHz, -1 dBFS)
- Max Output Level: +2.86 dBu
- Power: USB-bus-powered
- Size (H x W x D): 2.07 x 9.4 x 4.85 inches (52.58 x 238.76 x 123.19 mm)
- Weight: 2.29 lbs (1.04 kg)
- M-Audio Studio Headphones
- 32Ω impedance
- 1,000mW power-handling capacity
- Sensitivity: 102 ±3dB
- THD:
| The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg) |
Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.
Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter
Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)
Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount
| Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of. |
- One-inch large-diaphragm, true condenser cardioid transducer
- Rugged all-metal body
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary AKG sound quality
- Designed and engineered by AKG in Vienna, Austria
- Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case. |
| Type |
1" Large Diaphragm True Condenser |
| Polar pattern |
cardioid |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
18 mV/Pa (-35 dBV) |
| Max. SPL |
135 dB/155 dB (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave at 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
|
|
|
K2 - ?It cant be done?? Precision Variable Pattern Dual 1? Condenser Valve Microphone.
The R?DE K2 is the result of designing and building 1000?s of valve microphones. The
K2?s HF-1 capsule is the pinnacle of transducer technology. The sound quality combines
modern high-end specifications with the character and subtleties of the legendary 50?s mics.
Infinitely variable control of the K2?s polar patterns provides the freedom and flexibility to
excel in any recording situation. The K2 is another example of R?DE?s commitment to
building quality studio microphones to meet the exacting standards demanded by today?s
professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry
magazines voted the K2 the ?Best Studio Microphone of 2004?.
SPECIFICATIONS:
Features:
? New large capsule with gold sputtered diaphragm. ? Ultra low noise.
? Wide dynamic range. ? Class ?A? valve circuitry. ? Hand-selected and
graded 6922 twin-triode valve. ? Dedicated Power Supply. ? High strength
welded and heat-treated steel mesh head. ? Durable satin nickel finish.
? Internal capsule shock mounting. ? High level of RF rejection. ? Supplied
complete with SM2 Shock Mount and RC2 Custom Carry Case.
? Continuously variable polar patterns. From omni, through cardiod to
figure 8, controlled at the power supply.
Operation power:
The K2 is designed to operate from a dedicated power supply (110 - 120 V/220 - 240 V, 50/60 Hz)
Acoustic principle: Externally polarized 25 mm(1?) condenser.
Directional pattern:
Continuously variable multi pattern -Omni, through Cardioid to figure 8.
Frequency range: 20 Hz - 20 kHz
Output impedance:
Valve impedence converter with bipolar output buffer.
Signal noise ratio din iec 651:
> 81 dB (1kHz relative to 1 Pa; per IEC651,IEC268-15).
Equvalent noise: 10 dBA SPL (per IEC651, IEC268-15).
Maximum spl: 162 dB (@ 1% THD into 1k).
Sensitivity:
-36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB.
Power supply voltage:
Dedicated Power Supply(110 - 120 V/220 - 240 V, 50/60 Hz).
Weight: 815 gms
Dimensions width: 208.5 mm
Dimensions depth: 55 mm
Dimensions height: 55 mm
Maximum output voltage: > +30 dBu (@ 1% THD into 1 k).
|
Reviews
There are no reviews yet.