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The RPM 26z is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows.
Drag Net offers the ultimate in signal processing flexibility, allowing you to draw the system you need without signal flow restrictions. Familiar Windows file management tools and Shortcuts are incorporated into Drag Net, allowing complete project management within a single Interface.
The RPM 26z provides two Balanced, Line-Level analog inputs and six Balanced analog outputs. A two channel AES3 Digital input is also provided making the RPM 26z a true 4-input, 6-output device. All I/O, including the AES3 input, has its own 100% user-defined signal processing path.
Cost-effective end user control is possible using optional Rane accessories in conjunction with the Versatile Input Port. Whether your application requires contact closure Preset recall or remote level control using a potentiometer on a wall, the RPM 26z keeps the user Interface easy and inexpensive.
Euroblock connectors are provided for Audio and logic I/O. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel is a standard XLR-type connector for the AES3 input, an RJ-45 Ethernet connector for computer control, and an IEC AC power input.
All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane's team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative Digital and analog Audio performance. With 24-bit converters, greater than 104 dB throughput Dynamic Range and double-precision 48-bit internal DSP 'math,' the RPM 26z offers the best DSP algorithms and Audio performance available.
This ain't no Internet appliance! For example, the RPM 26z's 215 MIPs translate into 150 fully Parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.
Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-color LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Current Preset, Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal power supply and certified as UL, CSA and CE complient, the RPM 26z is compatible with any installation mandating agency compliance.
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For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510! |
INPUT: 4 balanced +4dBu/50kΩ on female XLR connectors; 4 unbalanced 1Vpp/50kΩ on RCA connectors.
OUTPUT: 4 unbalanced 1Vpp/49Ω on RCA connectors; 4 balanced +4dBu/49Ω on male XLR connectors.
MAX. OUTPUT: 18Vpp.
BANDWIDTH (-3dB): 30kHz.
S/N RATIO: Better than 89dB.
THD: Less than 0.02%.
POWER SOURCE: 115-230V AC, 50/60Hz, 3.7VA.
DIMENSIONS: 19" x 7" x 1U W, D, H, rack mountable.
WEIGHT: 2.4kg (5.3lbs) approx.
ACCESSORIES: Power cord. |
Overview
Dial in YOUR mix exactly as YOU want it, in Real Time.
The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.
Recommended for: Portable, Tour.
Features
- 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
- 16 Preset Locations for Mix & Configuration Recall
- LCD Display with 16 Channel Metering
- Built-In Lexicon© Reverb
- dbx PeakStopPlus™ Limiting
- Global High & Low EQ
- Global Master Level Control
- Global Stereo Width Control
- BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
- XLR & 1/4” Stereo or Mono Outputs
- 1/8” & 1/4” Headphone Outputs
- Setup Wizard for Easy Configuration
- Supports 48 kHz & 96 kHz Sampling Rates
- Channel Linking, Grouping, & Multi-Select Capabilities
- Supports up to 60 PMC16s on a Single BLU Link Ring
- Built-In Sturdy Mic Stand Mount
- USB Port for Firmware Updates
| The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!
With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.
Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520! |
The dbx 580 Microphone Preamp is the perfect partner to your microphones, providing sonically-transparent gain that will reveal the detail and audio signature of even the most esoteric microphones. It will transform their low level output signal to a high level, high current output for direct connection to the line level inputs of your mixer, sampler or any other recording medium that accepts line level, analog input. |
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