Shure DFR11EQE4 Digital Audio Processor with Equalizer, Limiter, Delay

Discontinued

375.00 incl. GR VAT

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Shure’s DFR11EQ is a computer-controlled digital equalizer with a multitude of audio processing capabilities offered in a compact, half-rack unit. The innovative DFR software interface runs on Windows® and makes even the most complex processing functions easy to use.   The DFR11EQ Solves a Variety of Problems:     Non-ideal acoustics     Insufficient gain before feedback […]

 

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Shure’s DFR11EQ is a computer-controlled digital equalizer with a multitude of audio processing capabilities offered in a compact, half-rack unit. The innovative DFR software interface runs on Windows® and makes even the most complex processing functions easy to use.
 
The DFR11EQ Solves a Variety of Problems:

    Non-ideal acoustics
    Insufficient gain before feedback
    Irregular sound system frequency response
    Harmful signal peaks that can damage amplifiers and loudspeakers

 
 
Features:

    EQ – Selectable 10 bands of Parametric EQ or 1/3 Octave Graphic EQ
    Feedback Reduction – 10 precision notch filters that automatically seek out and reduce feedback
    Scene Presets -10 onboard scene presets, 3 accessible from the front panel. All onboard presets can also be accessed with the DRS-10 Digital Remote Switch accessory.
    Limiter and Delay
    Remote Modem Access, SIA-Smaart® Pro Interface, and Alternatives to Direct PC Control

Weight 3.00 kg

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Shure DFR11EQE4 Digital Audio Processor with Equalizer, Limiter, Delay removeDBX 530 PARAMENTRIC EQ MODULE removeBSS Z-BLU101 Signal Processor removeRCF MS 520: 40 W, 7 IN, MULTI-ZONE MUSIC AND PAGING SYSTEM removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE removeKRAMER FC-4208 Balanced/Unbalanced Audio Transcoder remove
NameShure DFR11EQE4 Digital Audio Processor with Equalizer, Limiter, Delay removeDBX 530 PARAMENTRIC EQ MODULE removeBSS Z-BLU101 Signal Processor removeRCF MS 520: 40 W, 7 IN, MULTI-ZONE MUSIC AND PAGING SYSTEM removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE removeKRAMER FC-4208 Balanced/Unbalanced Audio Transcoder remove
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SKUDFR11EQE4DBX 530Z-BLU101MS520DBX 510FC-4208
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Price 375.00 incl. GR VAT 346.00 incl. GR VAT 3,609.32 incl. GR VAT 1,013.70 incl. GR VAT 251.00 incl. GR VAT 653.86 incl. GR VAT
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Description
Content
Shure's DFR11EQ is a computer-controlled digital equalizer with a multitude of audio processing capabilities offered in a compact, half-rack unit. The innovative DFR software interface runs on Windows® and makes even the most complex processing functions easy to use.
 
The DFR11EQ Solves a Variety of Problems:

    Non-ideal acoustics
    Insufficient gain before feedback
    Irregular sound system frequency response
    Harmful signal peaks that can damage amplifiers and loudspeakers

 
 
Features:

    EQ - Selectable 10 bands of Parametric EQ or 1/3 Octave Graphic EQ
    Feedback Reduction - 10 precision notch filters that automatically seek out and reduce feedback
    Scene Presets -10 onboard scene presets, 3 accessible from the front panel. All onboard presets can also be accessed with the DRS-10 Digital Remote Switch accessory.
    Limiter and Delay
    Remote Modem Access, SIA-Smaart® Pro Interface, and Alternatives to Direct PC Control


The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.

The dbx 530\'s overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into ?infinite notch? mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530\'s ?On? switch.

Load up your 500 Series rack with dbx 530 Parametric EQs­­ and cut your way through mixes like an audio surgeon!

The Soundweb London BLU-101 offers a fixed configuration of 12 analog inputs and 8 analog outputs, configurable signal processing, AEC processing, and a high bandwidth, fault tolerant digital audio bus.

The BLU-101 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.

The BLU-101 contains dedicated AEC processing for up to 12 independent AEC algorithms. The AEC algorithm can be applied to signals coming from the local analog inputs or from the digital audio bus. 12 individual AEC references (one per algorithm) allow the user to provide a solution for multiple conferencing spaces using a single device.

Automatic Gain Control (AGC) and Noise Cancellation (NC) are also provided per AEC algorithm. AGC ensures that microphone levels remain at an optimum level, and NC removes steady state noise (such as from a projector fan or air conditioning device) from the signal path.

This processor features a low latency, fault tolerant digital audio bus of 48 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.

The BLU-101 is compatible with the entire Soundweb London family and its 48 channel digital audio bus represents channels 1-48 of the larger 256 channel digital audio bus when integrated with the BLU-800, BLU-320, BLU-160, BLU-120, BLU-BIB and BLU-BOB devices.

Analog Inputs provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel.

Phantom Power, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.

12 Control Inputs and 6 Logic Outputs allow the BLU-101 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.

The BLU-101 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

Key Features:
• 12 Analog Inputs (with 48v Phantom Power per Channel)
• 8 Analog Outputs
• Configurable Signal Processing
• 12 Channels of AEC Processing with Auto Gain Control and Noise Cancellation
• Rich Palette of Processing and Logic Objects
• 48 Channel, Low Latency, Fault Tolerant Digital Audio Bus
• Clear Front Panel LED Indication
• Bi-Directional Locate Functionality
• 12 Control Inputs and 6 Logic Outputs for GPIO Integration
• Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
• HiQnet Device
• Configuration, Control and Monitoring from HiQnet London Architect

An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.

Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.

Features
3 Music Source Inputs individually selectable to each output
One Input Source with Override facility (Jukebox or Auto Announcer)
5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones
Can be expanded interlink of two or more MS520 units
Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option)
Direct Inputs and Outputs on each zone
Paging or Alarm Input Override System
Full Digital Matrix control of functions to all 5 zones
Up to 10 remote control panels RC 62 can be connected to each MS 520
AMPLIFIER SPECIFICATIONS
Power output:5 x 20Watt rms
Frequency Response (Music):30 ÷ 45Hz ÷ kHz
Frequency Response (Direct):30 ÷ 45Hz ÷ kHz
Frequency Response (Paging):200 ÷ 18Hz ÷ kHz
Distortion:0.5%
Signal / noise ratio (Music):-78dB
Signal / noise ratio (Direct):-78dB
Signal / noise ratio (Paging):-60dB
INPUT SECTION
Input sensitivity (Music):-16dBu
Input sensitivity (Direct):-16dBu
Input sensitivity (Paging - Line):- 43 ÷ -27dBu
Input sensitivity (Paging - Mic):- 58 ÷ -41dBu
Bass Tone:(100 kHz) ± 8dB
Treble Tone:(12.5 kHz) ± 8dB
OUTPUT SECTION
Out level:-6 / -10dB
Protections:Short ciurcuit, thermal, AC / DC fuses 
Power supply:16V dc
POWER REQUIREMENT
Operating voltage:220÷240 / 110÷120 V ~ 50 / 60 HzV ~ Hz
Power (consumption):370W
Max. Available power:100W
PHISICAL SPECIFICATION
Width:438 / 17.24mm/inch
Height:44 / 1.73mm/inch
Depth:253 / 9.96mm/inch
Net Weight:3.66 / 8.06Kg/Lbs
SHIPPING INFORMATION
Package height:75 / 2.95mm/inch
Package width:520 / 20.47mm/inch
Package depth:280 / 11.02mm/inch
Shipping Weight:4.18 / 9.21Kg/Lbs

 

For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.

The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!

Put some boom in your room with the dbx 510!

INPUT:    4 balanced +4dBu/50kΩ on female XLR connectors; 4 unbalanced 1Vpp/50kΩ on RCA connectors.
OUTPUT:    4 unbalanced 1Vpp/49Ω on RCA connectors; 4 balanced +4dBu/49Ω on male XLR connectors.
MAX. OUTPUT:    18Vpp.
BANDWIDTH (-3dB):    30kHz.
S/N RATIO:    Better than 89dB.
THD:    Less than 0.02%.
POWER SOURCE:    115-230V AC, 50/60Hz, 3.7VA.
DIMENSIONS:    19" x 7" x 1U W, D, H, rack mountable.
WEIGHT:    2.4kg (5.3lbs) approx.
ACCESSORIES:    Power cord.

Weight3.00 kg1.00 kg4.10 kg4.18 kg1.00 kg2.40 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 1.00 kg
Weight 4.10 kg
Weight 4.18 kg
Weight 1.00 kg
Weight 2.40 kg