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The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O. It supports the RC-20 direct play remote for up to 20 tracks of flash start.
- Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
- One-rack-space compact design
- Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
- PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
- RS-232C and Parallel Control I/O
- Multiple playback modes for situations requiring continuous, single, programmed and random playback
- Playback speed control without pitch change
- XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
- Dimensions (W x H x D): 19 x 1.8 x 11.9 (in) 482.6 x 44.5 x 301 (mm)
- Weight: 7.50 (lbs) 3.4(kg)
| Un-beatable Audio Performance Comes Home to Roost - Meet the Korg MR-2000S!
Korg captured the world's attention with their MR series of DSD mobile recorders and studio tools. After consulting with top recording and mastering professionals, Korg has now created the Korg MR-2000S Studio Recorder; a 2-track mixdown designed from the ground up to bring that same DSD sonic performance home for use in any studio environment.
A DSD and Mastering Recorder Born to Run
In keeping with the MR Series studio recorder heritage of portability, the MR-2000S 1- bit recorder adds a number of new features to meet the requirements of the most demanding studio, yet retains a sleek, single rack-space profile. This compact format is also ideal for any live recording rig; or for grabbing that "off-the-board" live recording night after night - as well as shuttling your recordings from venue to studio and back again. So whether you want to capture that once-in-a-lifetime performance with impeccable detail, or need to transfer those priceless recordings from session to session, the MR-2000S high-resolution audio recorder is ready to roll.
SPECIFICATIONS:
Main Sections
Recorder section
Number of tracks: 2 tracks, 2 tracks simultaneous playback/2 tracks simultaneous recording
Recording formats
-PCM audio format: BWF (extension .wav) 44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit,176.4 kHz @ 24 bit, 192 kHz @ 24 bit
-1-bit audio format: 2.8 MHz @ 1-bit, 5.6 MHz @ 1-bit,DSDIFF format (extension .dff), DSF (extension .dsf),WSD (extension .wsd)
-mp3 audio format(playback only): 44.1kHz/32kbps - 320kbps
Recording
Maximum approximately: 120 hours at 44.1 kHz/16 bit, 14.5 hours at 5.6 MHz/1- bit (for 80 Gbyte hard disk), Maximum continuous recording 6 hours
Number: Recognizes a maximum of projects four hundred projects of each format
Mark points: 100 points per project *No mark names
USB functionality: Connect to computer via USB 2.0, usable as FAT32 USB external drive
Project editing: Rename, Delete, Protect
General
Display: 160 x 104 pixel, LCD with backlight
Level meter: -54dBFS – 0dBFS (PC audio); -54dBSACD – +3dBSACD (1-Bit audio); L and R each provide 21/23-step LED + peak LED
Power supply: AC100 –240 V
Power consumption: 20 W
Dimensions/Weight: 18.9“(W) x 8.6“(D) x 1.7“(H):Including protrusions/6.17 lbs
Main Specifications
Frequency response: 10 Hz ... 20 kHz ± 1 dB@ Fs 44.1 kHz / 48 kHz, 10 Hz ... 40 kHz ± 1 dB@ Fs 88.2 kHz/96 kHz/176.4 kHz/ 192 kHz, 10 Hz ... 100 kHz (1-bit)
S/N: 103 dB (typical) @ IHF-A
THD+N: 0.005% (typical), 20 Hz ... 20 kHz
A/D conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM)
D/A conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM)
Line In L/R
XLR
-Connector: XLR-3-31 type (balanced)
-Input impedance: 22 k Ohms
-Nominal level: + 4 dBu (REC LEVEL=0dB)
-Maximum level: + 24 dBu
RCA
-Connector: RCA (Unbalanced)
-Input impedance: 50k Ohms
-Nominal level (– 12 dBFS – 12 dB-SACD):
–6 dBV (REC LEVEL = 0 dB)
-Maximum level: + 10 dBV
Line Out L/R
XLR
-Connector: XLR-3-32 type (balanced)
-Load impedance: 600 Ohms or greater
-Nominal level: – 4dBu
-Maximum level (0dBFS 0dB-SACD):
– 16 dBu (Nominal level= –12dBFS),
– 18 dBu (Nominal level= –14dBFS),
– 20 dBu (Nominal level= –16dBFS),
– 22 dBu (Nominal level= –18dBFS),
– 24 dBu (Nominal level= –20dBFS)
RCA
-Connector: RCA (Unbalanced)
-Load impedance: 47 k Ohms or greater/
-Nominal level (– 12 dBFS – 12 dB-SACD):
– 6 dBV (REC LEVEL=0dB)
-Maximum level (0 dBFS 0 dB-SACD): + 6dBV
Phones
-Connector: 1/4" stereo phone jack
-Load impedance: 16 Ohms or greater
-Maximum level: 170 mW + 170 mW @ 32 ohms
S/P Dif In/Out (coaxial)
-Connector: RCA pin
-Format: IEC60958
Word Clock In/Out
-Connector: BNC receptacle, 75 Ohms
USB
-Connector: Type B
-Format: USB 2.0 compliant,
-USB mass storage class
-Supported operating systems: Windows 2000,or later Mac OS X 10.3.9 or later
Included Items
AC power cable, Install CD (“AudioGate" audio file conversion application)
AudioGate ver,1.5 Operating Requirements
Windows
-Supported operating systems: Microsoft Windows XP Home Edition/Professional Edition Service Pack 1 or later, Microsoft Windows Vista
-Supported computers:
CPU: Intel Pentium III /1 GHz or better
RAM: 256 MB or more
A USB port that meets the operating requirements of Microsoft Windows XP/Vista
Macintosh
-Supported operating system: Mac OS X 10.3.9 or later
-Supported computers:
CPU: Apple G4/800 MHz or better, Intel Mac is supported
RAM: 256 MB or more
A USB port that meets the operating requirements of Mac OS X
Demo Project
All Most Blues
The Wind and the Wheat performed by Phil Keaggy
copyright Phil Keaggy 2006
http://www.philkeaggy.com/
*This product comes installed with the "ISC-MP3 BF532 d Korg" MP3 decoder which was developed by The Institute of Super Compression Technologies, Inc. (ISCT), Japan.
*”DSD” is a registered trademark.
*Logos, product names, and company names are their trademarks or registered trademarks.
Specifications subject to change without notice |
Advances in video have made filmmaking accessible to creators everywhere. But the accessibility of professional audio devices has not kept pace. Field recorders, with essential features such as time code, have been unobtainable for most. Until now. The F8 is made for serious filmmakers and sound designers. With 8-input/10-track recording, super low-noise preamps, and support for 24-bit/192 kHz audio, the F8 captures the highest-quality audio.
Mic pre's
Outfitted with our finest mic preamps to date, the F8 features an extremely low noise floor (?127 dBu EIN) and high gain (up to 75 dB), with +4 dB line inputs.
High-resolution audio and advanced limiters
The F8 can record at 24-bit/192 kHz resolution and is equipped with onboard limiters designed to provide overload protection. Limiting can be applied to all 8 channels simultaneously at full resolution, with 10dB of headroom and controls for setting threshold, attack, and release.
Time code with pinpoint accuracy
The F8ʼs time code is state-of-the-art. It utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy, enabling rock-solid syncing of audio and video.
The F8 supports all standard dropframe and non-drop formats, and can jam sync to time code being provided by external devices. An input and output are provided on standard BNC connectors, enabling easy integration into any rig.
Weight and build
The F8 is not only versatile and feature rich, it is the smallest field recorder with eight XLR combo inputs ever made. Weighing just 2.1 pounds (without batteries), its aluminum chassis is both rugged and durable.
Comprehensive headphone monitoring
Out in the field, it's important to be able to quickly check levels as you're recording. With the F8, it's simple. A single display lets you monitor single or multiple tracks, as well as any of the Main or Sub outputs, via a dedicated ?" headphone jack with a front panel volume control. Signals can be freely routed to the left and/or right headphone channels, pre- or post-fader, and the headphone output can be switched to mono. You can set headphone alert tones for low battery, recording start/stop, or recording errors. The F8 comes equipped with a built-in 100 mW headphone amplifier, allowing you to monitor in the noisiest of environments.
Simultaneus Playback Tracks:
| - | Sampling: | 24 bit - 192 kHz | Display: | Yes ( 320 χ 240 ) | Inputs/Outputs: | 1 -8 : XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot), main out TA3 connectors, balanced output (2: hot), Sub out 3.5mm stereo mini unbalanced output jack | Headphones Output: | Yes 1/4" unbalanced stereo output jack 15 Ω or less | Digital Inputs/Outputs: | - | Speed/ Pitch: | - | Recording Media: | Dual SD/SDHC/SDXC card slots, up to 512 GB each | Equalizer: | - | Effects: | - | USB: | Yes | Metronome: | - | Tuner: | - | CD: | - | Power Supply: | Alkaline batteries 1+hour, NiMH ( 2450mAh) 2+hours, Lithium 3+hours | Dimensions (W x H x D): | 178.2 x 140.3 x 54.3 mm | Weight: | 960 gr |
| SPECIFICATIONS
[Recorder]
●Physical Tracks : 24 ●Simultaneous Recording Tracks : 8 ●Simultaneous Playback Tracks : 24 ●Recording Data Format : 44.1/48kHz, 16/24bit WAV ●Maximum Recordable Time : 200 minutes / GB (44.1kHz 16-bit, mono tracks) ●Projects : 1,000 ●Markers : 100 / Project ●Locator : Hours / Min. / Sec. / msec or Bars / Beats / Ticks ●File Editing : Divide, Trim ●Other Functions : Punch-In / Out (Manual, Automatic), Bounce, A-B Repeat, Undo / Redo, Metronome
[Audio interface]
●Input Channels : 8 ●Output Channels : 2 ●Quantization : 24bit ●Sampling Frequency : 44.1, 48, 88.2, 96kHz
[Mixer]
●Faders : 9 ●Level Meters : 4-Segment LED ●Track Parameters : 3-Band Equalizer, Pan (Balance), Effect Send x 2, Invert ●Stereo Links Track pairs : 1/2 to 23/24 selectable
[Effects]
●Algorithms : 9 (CLEAN, DISTORTION, ACO / BASS SIM, BASS, MIC, DUAL MIC, STEREO, 8 x COMP EQ, MASTERING) ●Types : 150 ●Modules : 7 for Insert, 2 for Send / Return ●Patches : 330 for Insert, 60 for Send / Return ●Tuner : Chromatic, Guitar, Bass, Open A/D/E/G, D modal
[Sampler]
●Playback Data Format: 44.1/48kHz, 16/24bit WAV ●Voices: 24 ●Editing Functions: Trim, Time-stretch
[Rhythm]
●Voices: 8 ●Sound Format: 16-bit Linear PCM ●Drum Kits : 10 ●Pads : 8 (velocity-sensitive) ●Precision : 48 PPQN ●Rhythm Patterns : 511/project ●Patterns : 511 (472 factory, 39 blank) / Project ●Beat : 1/4 - 8/4 ●Tempo : 40.0 - 250.0 BPM
[Hardware]
●Recording Media : SD Card (16MB-2GB), SDHC Card (4-32GB) ●A/D Conversion : 96kHz 24bit delta-sigma ADC ●D/A Conversion : 96kHz 24bit delta-sigma DAC ●Display : 128 x 64 pixel LCD (with backlight) ●Inputs : 8 x XLR-1/4''Phone Combo Jack / Input Impedance: (Balanced input) 1kΩ balanced, 2nd hot, (Unbalanced input) 50kΩ unbalanced, (Hi-Z Input) 470kΩ / Input Level: -50dBm to +4dBm continuously variable ●Built-in microphones : Omnidirectional condenser microphones Gain: -50dBm to +4dBm continuously variable ●Phantom Power Supply : 48V / 24V ●Master Output : 1/4“TRS Phone (balanced) / Output Impedance: 1kΩ / Rated Output Level: +4dBm ●Headphones Output : 1/4''Stereo Phone Jack, 20mW x 2 (at 32Ω load) ●USB : [B type (USB2.0 High-Speed compatible)] Audio Interface / Control Surface or Mass Storage Class operation [A type (USB2.0 High-Speed compatible)] USB Host capability ●Power Requirements : AC adaptor (DC5V/1A/center positive) or AA size (LR6) battery x6 ●Battery Life : 4.5 hours (with backlight on and phantom power off) ●Dimensions : 376(W) x 237.1(D) x 52.2(H) mm ●Weight : 1.3kg (without batteries)
*0dBm=0.775Vrms
R24 USB Audio Interface System Requirments
Windows® Windows® XP SP2 or later / Vista SP1 or later / 7
Intel® Pentium® 4 1.8GHz or better
1GB RAM or more
USB 2.0 compatible port
Intel® Mac OS X 10.4.11 or later / 10.5 / 10.6 / 10.7
Intel® Core Duo processor 1.83GHz or better
1GB RAM or more
USB 2.0 compatible port.
* USB hub is not supported.
* Intel® Chipset is recommended. |
The Denon Professional DN-700R Network SD and USB Recorder is a 1U rack mountable recorder and audio playback device designed for installed sound applications such as houses of worship, education, and more. The unit can record to both SD/SDHC cards and USB media either one at a time for longer recording times or simultaneously to both mediums for backup. The unit features extensive DLNA/UPnp networking capabilities such as automatic or timed FTP file archiving of recorded audio with scheduled Network Timer Protocol, as well as full Web setup and control using IP. The built-in Web remote enables full control of the recorder using a mobile browser.
The front panel of the recorder features an OLED display for showing information such as time, sample rate, and file name. A set of rubberized buttons control basic functions such as record, stop, pause, play, forward, back, as well as menu control and file management functions such as move, copy, combine, divide, and undo. A shift button changes these buttons to functions such as dimming the display, marking files, record monitoring, switching to frame mode, and adjusting pitch. A rotary knob button controls recording level, recording balance, and navigates the menu settings. The front of the unit has two SD/SDHC card slots for inserting recording media with ejection buttons, as well as a USB female type A port for plugging in USB media such as thumb drives and external USB hard drives. A second USB female type A port allows you to plug in a USB QWERTY keyboard for entering file information while recording. The unit also includes a 1/4" headphone out and headphone level control knob for monitoring while recording or listening to recorded tracks.
For I/O, the back of the unit features left and right balanced analog 3-pin XLR female inputs, left and right unbalanced analog RCA inputs, a balanced digital 3-pin XLR AES/EBU input, an unbalanced digital coaxial SPDIF input, left and right balanced analog 3-pin XLR male outputs, left and right unbalanced analog RCA outputs, a balanced digital 3-pin XLR AES/EBU output, and an unbalanced coaxial SPDIF output. For remote control, the unit features both an RS-232C and a 25-pin parallel port. The included rack ears can be removed for tabletop operation.
Network Enabled Provides full setup and control of recorder over IP as well as automatic and timed FTP file archiving using Network Timer Protocol Product Manager Software Provides Web remote control from a network connected PC or Mac and allows you to control the recorder using a mobile browser including sequenced programming of multiple recorders and power on/off capabilities Recording Media Records to both SD and SDHC cards as well as USB media in either dual simultaneous mode for redundant backup or serially one followed by the other in relay/cascade mode for longer recording times Connections Features balanced XLR analog and AES/EBU digital I/O as well as unbalanced RCA analog and SPDIF digital I/O Remote Control Compatible with RS-232C, Parallel GPIO, and Denon's RC-400S "Hot Start" serial remote controller for installed applications Direct Control Features bright OLED display and large function buttons for changing recorder settings Front Panel USB Keyboard Input Features USB port for connecting to a USB keyboard and manually editing file name information while recording Timer Record and Playback Records and plays audio according to user-specified markers in time code DMP Mark Editor Software Includes Windows software for editing markers and marker labels placed within the audio file Switchable XLR/Line Combination Inputs Provides optional +48V of phantom power for condenser microphones and can be switched to line level operation
UPC: 883795002769
System
| Network SD/USB Recorder | Compatible Media | SD/USB memory/USB HDD | Playable File Formats | SD, USB: FAT16/FAT32/HFS+ | Extension | WAV: WAV, AIFF, AIF
MP3: MP3
AAC: M4A with AAC-LC compression | Resolution | WAV: 16-bit, 24-bit | Bit Rate | MP3: 32 to 320 kbps and VBR
AAC: 64 to 320 kbps and VBR | Sampling Frequency | WAV: 96, 48, 44.1 kHz
MP3: 48, 44.1 kHz
AAC: 48, 44.1 kHz | Number of Channels | 2 (stereo), 1 (mono) | Frequency Response | 20 to 20,000 Hz (+0.5 dB/ -1 dB) | S/N Ratio | More than 89 dB (A-weighted) | Total Harmonic Distortion | Less than 0.01% | Dynamic Range | More than 106 dB (for 24 bit WAV playback) | Channel Separation | Less than -90 dB | Variable Pitch Width | -16% to 16% | Variable Trim Adjustment Width | ± 2.0 dB |
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Professional digital recording 24channel system, 24 bit/96 kHz, with hard disk drive and 24 analog in/out and 3 adat in/out
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