| Content | Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond At Zoom weʼre always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we've taken everything creators love about the H4n and brought it to the next level. The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism. Welcome to the new gold standard in field recording.
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center.
The H4n Pro provides the essential combination of micʼing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ⅛" stereo feed.
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating.
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.
X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules. The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.
Main Features:
• Four-track simultaneous recording
• High-fidelity mic preamps
• Built-in X/Y stereo microphones, adjustable between 90˚ and 120˚
• Record up to 140 dB SPL with X/Y microphones
• Two mic/line level inputs with XLR/TRS combo connectors
• Stereo 1/8" Mic In mini phone jack
• +24 or +48V phantom power for main inputs and Plug-in power (2.5V) via Mic/Line In mini phone jack
• Output/headphone jack with dedicated volume control
• New rubberized and ergonomic body with improved 1.9 inch backlit LCD display
• Built-in reference speaker for fast playback
• Records directly to SD and SDHC cards up to 32 GB
• Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Onboard Mid-Side decoding
• Internal mixdown: four-track to stereo and stereo to dual mono
• Up to 99 marks per recording
• Built-in effects, including compression/limiting, low-cut filtering, modulation, reverb/delay and amp models
• Normalize (maximum gain) and Divide (file splitting) functions
• Chromatic tuner and metronome
• Loop playback with user-defined start and stop points
• Variable playback speed, from 50% to 150%, without affecting pitch
• Variable pitch without affecting playback speed
• USB port for file transfer to and from computer
• 2-in/2-out USB audio interface for PC/Mac computers
• Mounts to mic stand or tripod, or directly to DSLR with optional Hot Shoe adapter
• Runs on 2 standard AA alkaline or NiMH rechargeable batteries with up to 6 hours of operation (up to 10 hours in Stamina mode) Access
What's included with the H4n Pro:
• H4n Pro Handy Recorder
• Protective case
• 2 x AA batteries
• Operation manual
• Download license for Steinberg Cubase LE and WaveLab LE software
Optional H4n accessories:
• PCH-4n Protective Case
• WSU-1 Universal hairy windscreen
• MA-2 mic clip adapter
• RC4 wired remote control
• HS-1 Hot Shoe Mount Adapter AD-14 AC adapter | 6-track Portable Multi-track Recorder
CD-Quality Recording (44.1kHz/16-bit)
Easy, Intuitive User interface
Built-in High-quality Stereo Condenser Microphone
Two Mic/Line inputs
Compact size and ultra light weight (360g/0.79lb without batteries)
Dedicated Level and Pan/Balance controls per track
Recording media: SD/SDHC card up to 32GB (2GB SD card included)
Recording: 2 tracks simultaneous
Playback: 6 tracks simultaneously
Power: Four AA batteries or optional AC adapter (PS-P520), optional external battery pack(BP-6AA)
Graphic LCD (128 x 64 dots)
Chromatic Tuner/Metronome
USB 2.0 Connection for Wav File import/export (Stereo and Mono)
Undo/Redo (includes Undo history)
Tripod socket hole
Auto punch in/out
Footswitch input
Dedicated stereo mix-down track
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Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD
Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.
| Specifications:
- Recording media: SD card(64MB to 2GB), SDHC card(4GB to 32GB), SDXC card(48GB to 128GB)
- Recording format
• WAV: 44.1k / 48k / 96k Hz, 16bit / 24bit
• BWF: 44.1k / 48k / 96k Hz, 16bit / 24bit
- Number of channels: 4-channel (stereo × 2, mono × 4)
- Analog audio input
• Connector: XLR-3-31 (1:GND, 2:HOT, 3:COLD) / 6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
• Input impedance: 2k ohms
• Phantom power: 48V +/-4V(10mA/CH), 24V +/-4V(10mA/CH)
• Maximum input level: 0dBu
• Minimum input level: -72dBu
• MIC input gain: TRIM MAX
• LOW: +11dB
• HIGH: +51dB
• HI + PLUS: +63dB
• Input impedance: 10k ohms or more
• Standard input level: +4dBu
• Maximum input level: +20dBu
• Connector: 3.5mm(1/8“)stereo mini jack (this connector can be supplied plug-in power)
• Input impedance: 10k ohms
• Maximum input level: +10dBV
• Minimum input level: -50dBV
• MIC input gain: TRIM MAX
• LOW: +3dB
• HIGH: +26dB
• HI + PLUS: +38dB
• Connector: 3.5mm(1/8“)stereo mini jack
• Input impedance: 10k ohms
• Standard input level: -10dBV
• Maximum input level: +6dBV
Analog audio output
• Connector: 3.5mm(1/8“)stereo mini jack
• Output impedance: 200 ohms
• Standard output level: -10dBV
• Maximum output level: +6dBV
• Connector: 3.5mm(1/8“)stereo mini jack
• Output impedance: 200 ohms
• Standard output level: -40dBV
• Maximum output level: -24dBV
• Connector: 3.5mm(1/8“)stereo mini jack
• Maximum output level: 20mW + 20mW
USB
• Connector: Micro-B type
• Format: USB2.0 HIGH SPEED mass storage class
- REMOTE Connector: 2.5mm TRS jack
- Power: 4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
- Power consumption: 5.0W
- Continuous operation time: 2ch WAV, 44.1kHz, 16bit rec, Phantom power not used
- Dimensions: 169(W)×55.2(H)×106.5(D)mm (with the top adapter attached)
- Weight: 625g ( including batteries) / 530g (without batteries )
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Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware. Features: - Primary HD port for connecting directly to HD Core or Accel cards.
- Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
- Compatible with the latest versions of ProTools
- May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
- Please note: Not compatible with Pro Tools|HD Native
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Specifications | General | | Recording media | | CompactFlash (CF) card | | File system | | FAT32 | | Recording format | | BWF (Monophonic, Polyphonic) | | Number of channels | | 8 channels (44.1/48/88.2/96 kHz)
8 channels + stereo mix (44.1/48 kHz)
4 channels (176.4/192 kHz) | | Quantization bit rate | | 16/24 bit | | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | Reference clock | | Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN) | | Type of timecode frame | | 23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF | | Limiter | | Attack time: 3 ms
Release time: 300 ms
Threshold: –5 dBFS
Ratio: 32:1 | | Analogue audio inputs and outputs | | The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack. | | ANALOG INPUT (1-8) | | D-sub 25-pin | | Input impedance | | 10 kOhm | | Nominal input level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG INPUT (L/A, R/B) | | XLR-3-31 (1: GND, 2: HOT, 3: COLD) | | Input impedance | | 10 kOhm | | Nominal input level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG OUTPUT (1-8) | | D-sub, 25-pin | | Output impedance | | 100 Ohm | | Nominal output level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG OUTPUT (A/B) | | XLR-3-32 (1: GND, 2: HOT, 3: COLD) | | Output impedance | | 100 Ohm | | Nominal output level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | PHONES connector | | 6.3-mm standard stereo jack | | Maximum output power | | 45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm) | | Digital audio inputs and outputs | | DIGITAL IN/OUT (AES/EBU) | | D-sub, 25-pin | | Minimum input voltage | | 2 Vpp | | Maximum input voltage | | 7 Vpp | | Output voltage | | 2–5 Vpp | | Format | | AES3-2003/IEC 60958-4 (AES/EBU) | | DIGITAL I/O (ADAT) | | ADAT optical | | Format | | ADAT | | DIGITAL INPUT A-B | | XLR-3-31 | | Input voltage | | 2–7 Vpp at 110 Ohm | | Format | | AES3-2003 (AES/EBU) | | DIGITAL OUTPUT L-R | | XLR-3-32 | | Output voltage | | 2–5 Vpp at 110 Ohm | | Format | | AES3-2003 (AES/EBU) | | Other inputs and outputs | | RS-422 | | D-sub, 9-pin | | RS-232C | | D-sub, 9-pin | | PARALLEL | | D-sub, 25-pin | | CASCADE IN | | BNC | | Input voltage | | TTL equivalent (5 V) | | Input impedance | | 75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm | | CASCADE OUT | | BNC | | Output voltage | | TTL equivalent (5 V) | | Output impedance | | 75 Ohm ±10 % | | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | TIME CODE IN | | BNC | | Input voltage | | 0.5–5 Vpp | | Input impedance | | 20 kOhm | | TIME CODE OUT | | BNC | | Output voltage | | 2–5 Vpp | | Output impedance | | 600 Ohm ±10 | | WORD/VIDEO IN | | BNC | | Input voltage | | TTL equivalent (5 V) | | Input impedance | | 75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm | | WORD/VIDEO THRU/OUT | | BNC
OUT/THRU switch included (OUT is for WORD OUT only) | | Output voltage | | TTL equivalent (5 V) | | Output impedance | | 75 Ohm ±10 % | | Sampling frequency (when using WORD) | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | ETHERNET | | RJ45 | | Keyboard | | Mini-DIN (PS/2) | | USB | | USB A-type, 4-pin | | Protocol | | USB2.0 HIGH SPEED (480 Mbit/s) | | Audio performance (analogue input to analogue outp | | Frequency response | | | | 20 Hz - 20 kHz | | ±0,5 dB (all sampling rates) | | at 40 kHz | | +0,5 dB/–2 dB (Fs = 88.2/96 kHz) | | at 80 kHz | | +0,5 dB/–5 dB (Fs = 176.4/192 kHz) | | Distortion | | ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF) | | S/N ratio | | ≥100 dB(A) (22 kHz LPF) | | Power requirements and other specifications | | Power requirements | | 100–240 V AC, 50–60 Hz | | Power consumption | | 26 W | | Dimensions (W x H x D) | | 483 mm x 88 mm x 288 mm | | Weight | | 4.8 kg | | Operating temperature range | | 5–35 °C |
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