AKG PERCEPTION 120 Condenser microphone

• General-purpose cardioid recording microphone
• Extended frequency response
• Roadworthy construction
• Switchable 20 dB preattenuation pad
• Switchable bass cut filter
• Designed and engineered by AKG in Vienna, Austria

NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.

The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.

SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range:  20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651:  87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery:  2.6 kg
 

• Polar pattern: Cardioid
• Switchable -10dB PAD
• Frequency response: 20 - 20,000 Hz
• Max. SPL: 140/150 dB (THD = 0.5%)
• Electrical impedance: 200 Ohm
• Requires phantom power
• Diameter: 53 mm
• Length: 162 mm
• Net weight: 320 g
• Colour: Black
• Incl. shock mount

• Highly affordable AKG large-diaphragm microphone technology
• Cardioid polar pattern for multiplicity of vocal and instrument applications

The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents a commitment to quality, as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.

Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.

The cardioid pattern is generally best used on vocals and single instruments. The omni mode works well in incorporating some room sound into the track. The figure 8 pattern allows 2 vocalists to use the mic at the same time from opposite sides. The CK-7 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.

Applications.

studio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic

Specifications

Type: True Condenser
Polar Pattern(s): Cardioid , Omni , Figure 8
Capsule: Dual-sided 35mm center-terminated gold-sputter Mylar (6 micron)
Frequency Response: 20-20,000 Hz +/- 3dB
Output Impedance: