2 – Channel Expander – Gate / Compressor / Limiter The ALTO line of dynamic processors is among the most complete available on the market today. From the simple ACL2, yet including Compressor, Limiter, Expander and Gate to the 8 channels, 2-U model ACL8 including 8 complete dynamic processing strips, these processors are compact, easy […]
The ALTO line of dynamic processors is among the most complete available on the market today. From the simple ACL2, yet including Compressor, Limiter, Expander and Gate to the 8 channels, 2-U model ACL8 including 8 complete dynamic processing strips, these processors are compact, easy to use with very low distortion VCA made by THAT for noise less operation. The simple, intuitive layout, colour scheme and the presence of many illuminated switches make these processors easy to use also by beginners.
Weight
3.10 kg
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The ALTO line of dynamic processors is among the most complete available on the market today. From the simple ACL2, yet including Compressor, Limiter, Expander and Gate to the 8 channels, 2-U model ACL8 including 8 complete dynamic processing strips, these processors are compact, easy to use with very low distortion VCA made by THAT for noise less operation. The simple, intuitive layout, colour scheme and the presence of many illuminated switches make these processors easy to use also by beginners.
Weight: 3.1kg (6.8 lb)
The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed.
From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.
Four independent channels of gating
Independent key filtering
Independent Threshold and Release controls
Differentially balanced gold-plated XLR and 1/4" inputs and outputs
0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
Interchannel Crosstalk
Stereo Coupling
True RMS Power Summing
Operating Voltage
100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
Power Consumption
30 Watts
Fuse
100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
Power Connector
IEC receptacle
Unit Weight
6.9 lbs.
Shipping Weight
9.3 lbs.
SHARK FBQ100
Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor
High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor
Automatically and "intelligently" locates and destroys up to 8 feedback frequencies
Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec
Noise gate with automatic and manual parameter settings
Automatic compressor with variable density
Subsonic filter with adjustable cut-off frequency
Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
Input Connectors
1/4" TRS, female XLR (pin 2 hot)
Input Impedance
>50kΩ balanced, >25kΩ unbalanced
Max Input
>+24dBu, Balanced or Unbalanced
Input Type
Electronically balanced/unbalanced, RF filtered
Sidechain
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance
Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level
>+20dBu (tip/input); >+20dBu (ring/output)
Output Connectors
1/4" TRS, female XLR (pin 2 hot)
Output Impedance
120Ω balanced, >60Ω unbalanced
Max Output
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
Frequency Response
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise
Features Four Independent Compressor Channels Channels 1 and 2, 3 and 4 are stereo linkable 7 LED Gain Reduction metering Balanced XLR Inputs and Outputs Sidechain Insert points Intuitive, user friendly layout Flawless performance
The sheer amount of effects and signal processors necessary for today's standards of audio production puts a great strain on the available space in equipment racks, both in the studio and on the road.So, ARX would like to introduce the ARX Quadcomp. An all-new upgrade of the classic award-winning ARX Quadcomp?, the very first four channel 1 RU compressor.You?ll notice that we haven?t strayed very far from our original design concept. The Quadcomp is still four variable ratio Compressor/ Limiters neatly housed in a compact all steel 1 RU package. However, all new low noise/low distortion circuitry, better metering plus XLR inputs and outputs put the Quadcomp in a class of its own. More Control, Less Space On the front panel, each channel has the 'industry standard' individual controls for Threshold, Compression Ratio and Output, plus a new 7 LED Gain Reduction display for accurate visual indication of the amount of gain reduction being applied to the program, and an IN/OUT hardwire bypass switch.In addition to this, each channel has a blank numbered panel to write on for easy confirmation of compressor assigns. Precision Circuitry Internally, each compressor uses Class A VCAs and true 2 pole averaging RMS/DC converters for low distortion and accuracy, plus program dependent attack and release time, which automatically determines optimum compressor response. Balanced Inputs and Outputs The rear panel has true differential Balanced XLR Inputs and Outputs for each compressor. Each compressor has a TRS jack Sidechain access insert point, for frequency sensitive compression, De-essing, etc. in conjunction with an external equalizer (such as the ARX EQ260). Compressor pairs 1 and 2, 3 and 4 also have rear panel mounted Stereo Link switches for accurate stereo tracking. When switched IN, the first channel becomes the master and controls all the functions of the second except Output gain. Universal AC Power AC power range is switchable 100 to 120V, or 220 to 240V, and is connected to the unit via a standard IEC connector, with built-in fuse and voltage switch. Whatever the application ? Channel insert, Bus insert, Master Outputs, Monitor outputs, Crossover outputs, the Quadcomp II?s unique High Density design, precision Low Noise circuitry and clean uncluttered layout make it a truly useful audio tool for all applications.
T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 20dB CMRR >50dB, 20 Hz?20 KHz Output Impedance Balanced 300 ohms Unbalanced 150 ohms Output Level (Max) + 20 dB Frequency Response 20Hz-20KHz ±0.5dB Signal to Noise ratio -93 dB Unweighted, -98 dB ?A? weighted Distortion .015% THD @ 0dB,1KHz Dynamic Range 108 dB Attack and Release Times Program dependent Metering 7 LED display: ?1, 2, 3, 6, 12, 18, ?24 dB Sidechain Insert Impedance 10 Kohm Power Requirements 100/120 V AC or 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input Connector type Balanced XLR Output Connector type Balanced XLR Sidechain Insert Connector TRS Jack
Front Panel Controls Hardwire bypass IN/OUT switch Threshold, Ratio and Output Gain controls 7 LED Gain Reduction display Marker panel for labelling compressor assigns Stereo link status LEDs Rear Panel Connectors Input and Output balanced XLR connectors TipRingSleeve Sidechain insert connectors Channels 1 and 2, 3 and 4 Stereo link switches IEC AC mains connector with inbuilt fuse and voltage change
Description
The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone application including wireless types. It can provide effective feedback control to any sound reinforcement situation. It can also eliminated string feedback in guitars and bass instruments which are equipped with piezo or condenser pickups. The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal, detecting the presence of feedback and then notching out the feedback frequency. The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a feedback signal before it can grow into a peak. Internally a discriminator circuit detects the presence of regenerative feedback and triggers the automatic equaliser to insert a notch where the feedback peak is coming up. This normally prevents other peaks from developing but if they do, the process is repeated at high speed, thus keeping feedback under control.
Technical Data In- and Outputs transformer balanced max. Inputlevel + 3 dB Gain (RS=200 Ohm, RL=2kOhm) 0 dB Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB Feeback Cancellation 6 ... 10 dB Power Requirement 30 ... 48 V Phantom Current drain ca. 8 mA External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip + Housing Aluminium Diecast Weight 285 grams Dimensions 112 x 60 x 32 mm
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