Dynamic clip microphone for drum miking The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument.The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer Features:Dynamic microphone for Toms and CongasVery high gain-before-feedbackHigh SPL […]
The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument. The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer
Features: Dynamic microphone for Toms and Congas Very high gain-before-feedback High SPL capability Unique double-spring clamp system Flexible gooseneck for optimum positioning Small, rugged construction for on-tour applications Supplied with storage bag
Technical Specifications: Transducer type: Dynamic Operating principle: Pressure gradient Polar pattern: Hypercardioid Open circuit voltage at 1 kHz: (0dB = 1V/Pa) 1.5 mV/Pa = -56 dBV Nominal impedance: 200 Ω Load impedance: > 1 kΩ Connector: 3-pin XLR male Length: 72 mm Gooseneck length Weight without cable: 140 g Frequency response: 40 – 12,000 Hz
Weight
0.20 kg
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The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument. The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer
Features: Dynamic microphone for Toms and Congas Very high gain-before-feedback High SPL capability Unique double-spring clamp system Flexible gooseneck for optimum positioning Small, rugged construction for on-tour applications Supplied with storage bag
Technical Specifications: Transducer type: Dynamic Operating principle: Pressure gradient Polar pattern: Hypercardioid Open circuit voltage at 1 kHz: (0dB = 1V/Pa) 1.5 mV/Pa = -56 dBV Nominal impedance: 200 Ω Load impedance: > 1 kΩ Connector: 3-pin XLR male Length: 72 mm Gooseneck length Weight without cable: 140 g Frequency response: 40 - 12,000 Hz
Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.
The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.
The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.
The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).
Features:
Identical acoustics of the legendary CK 1.
Rugged construction.
Ruler-flat on-axis frequency response.
Precise, nearly frequency independent cardioid.
Extremely accurate signal transfer.
Transformerless output stage for minimum distortion at low frequencies.
Protected against electrostatic and magnetic interference.
Selectable 10-dB and 20-dB preattenuation pads.
Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
Operates on phantom power to DIN/IEC between 12 V and 48 V.
Complete with SA 40 stand adapter and W 90 windscreen.
Each microphone comes with its own individual frequency response plot.
Specifications:
Polar pattern: Cardioid
Frequency range: 20 to 20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV)
Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
Equivalent noise level (CCIR 468-3): 29 dB
Equivalent noise level: 18 dB-A
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
Impedance: 1000 ohms
Supply voltage: 9 to 52 V phantom power to DIN 45596
Current consumption:
Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
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