Dynamic clip microphone for drum miking The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument.The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer Features:Dynamic microphone for Toms and CongasVery high gain-before-feedbackHigh SPL […]
The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument. The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer
Features: Dynamic microphone for Toms and Congas Very high gain-before-feedback High SPL capability Unique double-spring clamp system Flexible gooseneck for optimum positioning Small, rugged construction for on-tour applications Supplied with storage bag
Technical Specifications: Transducer type: Dynamic Operating principle: Pressure gradient Polar pattern: Hypercardioid Open circuit voltage at 1 kHz: (0dB = 1V/Pa) 1.5 mV/Pa = -56 dBV Nominal impedance: 200 Ω Load impedance: > 1 kΩ Connector: 3-pin XLR male Length: 72 mm Gooseneck length Weight without cable: 140 g Frequency response: 40 – 12,000 Hz
Weight
0.20 kg
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The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument. The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer
Features: Dynamic microphone for Toms and Congas Very high gain-before-feedback High SPL capability Unique double-spring clamp system Flexible gooseneck for optimum positioning Small, rugged construction for on-tour applications Supplied with storage bag
Technical Specifications: Transducer type: Dynamic Operating principle: Pressure gradient Polar pattern: Hypercardioid Open circuit voltage at 1 kHz: (0dB = 1V/Pa) 1.5 mV/Pa = -56 dBV Nominal impedance: 200 Ω Load impedance: > 1 kΩ Connector: 3-pin XLR male Length: 72 mm Gooseneck length Weight without cable: 140 g Frequency response: 40 - 12,000 Hz
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
Extended frequency response
Low self noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
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