Dynamic clip microphone for drum miking The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument.The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer Features:Dynamic microphone for Toms and CongasVery high gain-before-feedbackHigh SPL […]
The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument. The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer
Features: Dynamic microphone for Toms and Congas Very high gain-before-feedback High SPL capability Unique double-spring clamp system Flexible gooseneck for optimum positioning Small, rugged construction for on-tour applications Supplied with storage bag
Technical Specifications: Transducer type: Dynamic Operating principle: Pressure gradient Polar pattern: Hypercardioid Open circuit voltage at 1 kHz: (0dB = 1V/Pa) 1.5 mV/Pa = -56 dBV Nominal impedance: 200 Ω Load impedance: > 1 kΩ Connector: 3-pin XLR male Length: 72 mm Gooseneck length Weight without cable: 140 g Frequency response: 40 – 12,000 Hz
Weight
0.20 kg
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The Opus 67 dynamic microphone has been designed for closemiking of drums such as Toms and Congas. The new patented microphone clamp allows easy mounting to the instrument. The flexible gooseneck ensures optimal positioning to suit both musician and sound engineer
Features: Dynamic microphone for Toms and Congas Very high gain-before-feedback High SPL capability Unique double-spring clamp system Flexible gooseneck for optimum positioning Small, rugged construction for on-tour applications Supplied with storage bag
Technical Specifications: Transducer type: Dynamic Operating principle: Pressure gradient Polar pattern: Hypercardioid Open circuit voltage at 1 kHz: (0dB = 1V/Pa) 1.5 mV/Pa = -56 dBV Nominal impedance: 200 Ω Load impedance: > 1 kΩ Connector: 3-pin XLR male Length: 72 mm Gooseneck length Weight without cable: 140 g Frequency response: 40 - 12,000 Hz
Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
OVERVIEW
Cardioid dynamic kick drum mic with swivel mount and cable.
The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.
Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.
FEATURES
Mountable microphone featuring swivel joint with quick-release latch for kick drum
Dynamic cartridge (does not require phantom power) with cardioid polar pattern
Tailored cartridge design for low-frequency clarity, including on bass amps
Includes PGA52, zipper pouch and user guide
XLR to XLR mic cable included
The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps.
Technical Info
Type: Dynamic, Moving coil.
Freq.Resp.: 40 to 16.500 Hz.
Polar Pattern: Cardioid
Sensitivity (1000Hz): 1,7 mV/Pa*
(*1 Pa = 94 dB SPL)
Max SPL: 137dB
Impedance: 600 Ohm
Power supply: none
Connector: 3p. XLR male-type).
Net. Weight: 245 g
Dimensions: (Ø 32 mm x L 157 mm)
Accessories: 6 mtr balanced cable
with XLR plugs
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
Frequency response shaped specifically for kick drums and bass instruments
Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal–to–noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability
Type
Dynamic (moving coil)
Frequency Response
20 to 10,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis
Output Level
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL
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Wind / percussion instrument clip microphone 
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