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Features: Two channel / four way split Channels linkable for 1 in, 8 out Ultra low noise design ?SilentSwitch? Phantom Power switch ?20 dB pad switch 0 to +40 dB Gain available via rear switches Electronically Balanced Inputs and Outputs (standard) Transformer Balanced Outputs option 12 VDC supply connector for remote or mobile applications Intuitive, 'user friendly' layout Flawless performance in any audio environment
Today?s venues face a growing need to provide a multiplicity of audio feeds from presentations, conferences, orchestral performances and lectures. The advent of digital broadcasting, the growth of webcasts and direct-to-CD archiving highlight the deficiencies in audio splitting systems more than ever before. Whether the final product is a broadcast feed or CD sales of an unrepeatable lecture, performance or event, end-users? expectations of audio quality are higher than ever.With these requirements in mind, ARX has developed the MSX 8 Active Microphone/Line Splitter to deliver the performance required by today?s standards of audio production. Active microphone and line splitting has a number of benefits over passive splitters: primarily these are improved sound quality, noise figures comparable to the best microphone inputs, and increased resistance to RFI. All of which translate into superb audio quality for your clients. About the MSX 8 The MSX 8 consists of two channels of actively buffered ultra low noise Microphone/ Line Splitter. Each of these channels has four electronically Balanced splits ? two on the rear panel, plus two more on the front panel. All four output splits have the option of transformer balancing if so specified.Each channel has a ?20 dB pad switch plus silently switchable 48V Phantom power with indicator LED.Gain through the MSX 8 can be set individually by the small DIP switches on the rear of each channel, from 0dB through to +40 dB in 10 dB stepsA ?Link? switch links Channel 1 to Channel 2, providing an ultimate maximum of 8 Outputs from a single input. An indicator LED shows when this is active. A Clip LED indicates imminent signal overload through the channel, and a numbered marker panel on the front provides a space where individual channel connections can be noted.For remote or mobile applications a 5 pin DIN connector on the rear panel provides an access point to connect a 12V DC power supply Inside Information Internally, powerful RF input filtering removes both common mode and differential interference at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components throughout.Advanced user options include internally jumper linking Inputs to Main outputs, and Ground lifting Output Pins 1as required. Internal Power Supply The MSX 8 has a low noise transformer based power supply to obtain the maximum benefit from the ultra low noise design of the splitter circuitry. Summing up, the feature packed MSX 8 is the answer wherever transparent signal buffering and routing is required. T E C H N I C A L S P E C I F I C A T I O N S Signal / Noise Ratio -94dB Distortion .008% 20Hz - 20KHz Gain through unit Switchable 0, +10, +20, +30, +40 dB Maximum Output +24dB Pad Switch ?20dB attenuation Gain Switch +20dB gain Phantom Power +48VDC slow turn on/turn off Output Impedance 100 Ohms Electronically Balanced (Optional Transformer balancing available) Clip LED 1dB before clipping 12 Volt Connector 5 pin DIN AC Mains Input Fused IEC socket AC Power 100-120VAC 2 amp, 220-240VAC 1 amp Transformer Type Low noise toroidal Size 19?W x 1??H x 6?D, 482 x 44 x 125 mm Weight 5 lbs (2.2 Kg)
Front Panel A and B balanced XLR Output splits Channels 1 and 2. Pin 3?-, Pin 2 +, Pin 1 Ground 48V Phantom Power switch and LED Channel link switch and LED switch ?20dB pad switch Numbered marker panel for labelling individual channel assigns AC power LED Rear Panel Channel Gain DIP switches: 0, +10, +20, +30, +40dB Balanced XLR Input Channels 1 and 2. Pin 3 ?, Pin 2 +, Pin 1 Ground Balanced XLR Main (FOH) Output (same wiring as Input) Channels 1 and 2 Balanced XLR Monitor Output (same wiring as Input) Channels 1 and 2 12 Volt DC power supply input for remote or mobile applications IEC 3 pin AC connector and integral fuseholder. Replace fuse with correct value only: 100?120 V AC 2 amp, 220?240 V AC 1 amp |
Features: Eight channel / four way split per channel Channels linkable up to 1 in, 32 out Ultra low noise design 'SilentSwitch' Phantom Power switching ?20 dB pad switch 0 to +40 dB Gain available via rear switches Headphone monitoring and PFL metering Electronically Balanced Inputs and Outputs (standard) Transformer balanced Outputs option Intuitive, 'user friendly' layout Flawless audio performance
EC-2 Superb Audio Quality Active microphone and line signal splitting has a number of benefits over using passive splitters: primarily these are improved sound quality, noise figures comparable to the best microphone inputs, and increased resistance to RFI. About the MSX 32 With these benefits in mind, the ARX MSX 32 Active Microphone/Line Splitter has been developed to deliver the performance required by the increasing complexity of today?s standards of audio production. The MSX 32 consists of eight channels of actively buffered ultra low noise Microphone/Line Splitter. Each of these channels has four electronically Balanced splits ? two outputs on the rear panel for Main and Monitor, plus two more output splits on the front panel. All splits have the option of transformer balancing if so specified.Each channel has a ?20 dB pad switch plus silently switchable 48V Phantom power with indicator LED. A PFL switch and 6 LED metering enables each channel to be easily checked with headphones for signal monitoring, and also for line tracing when troubleshooting. Gain through the MSX 32 can be set individually by the small DIP switches on the rear of each channel, from 0dB through to +40 dB in 10 dB stepsA ?Link? switch links each channel to the previous one, providing an ultimate maximum of 32 Outputs from a single input. An indicator LED shows when this is active. A Clip LED indicates imminent signal overload through the channel, and a numbered marker panel on the front provides a space where individual channel connections can be noted. Number stickers are provided to give each channel an individual number for up to 40 channels when multiple MSX32s are being used.Internally, powerful RF input filtering removes both common mode and differential interference at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components throughout. Advanced user options include internally jumper linking Inputs to Main outputs, and Ground lifting Output Pins 1 as required. Internal Power Supply The MSX 32?s internal toroidal transformer based power supply is triple shielded to get the maximum benefit from the ultra low noise design of the splitter circuitry. An illuminated power switch on the front panel provides visual confirmation of AC power connection to the unit.The headphone output and the 6 LED PFL metering are both mounted on the right hand side of the front panel. Rear panel connectors enable this function to be linked when using multiple MSX 32 units. To sum up, this feature packed two RU device is the answer wherever transparent signal buffering and routing is required.
T E C H N I C A L S P E C I F I C A T I O N S Signal / Noise Ratio -94dB Distortion .008% 20Hz - 20KHz Gain through unit Switchable 0, +10, +20, +30, +40 dB Maximum Output +24dB Pad Switch ?20dB attenuation Phantom Power +48VDC slow turn on/turn off Output Impedance 100 Ohms Electronically Balanced (Optional Transformer balancing available) Clip LED 1dB before clipping Headphone Output 2 watts/8 ohms AC Mains Input Fused IEC socket AC Power 100-120V AC 2 amp 220-240V AC 1 amp Transformer Type Low noise shielded toroidal Size 2 RU - 19?W x 3½?H x 8?D, 482 x 89 x 200 mm Weight E model - 15 lbs (7 Kg) |
1215 Dual 15-Band Graphic Equalizer
The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.
- Switchable boost/cut ranges of ±6 or ±15 dB
- Electronically balanced/unbalanced inputs
- Servo balanced/unbalanced inputs
- RF filtered inputs and outputs
- XLR, Barrier Strip, and 1/4" TRS connectors
- -12dB/+12dB input gain range
- 18dB/octave 40Hz Bessel low-cut filter
- Chassis/signal ground lift capability
- Internal power supply transformer
- Power-off hardwire relay bypass with 2-second power-up delay
| Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
Input Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Input Impedance |
>50kΩ balanced, >25kΩ unbalanced |
Max Input |
>+24dBu, Balanced or Unbalanced |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
Sidechain Max Input Level |
>+20dBu (tip/input); >+20dBu (ring/output) |
Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Output Impedance |
120Ω balanced, >60Ω unbalanced |
Max Output |
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) |
Frequency Response |
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain |
Noise |
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Signal distributor. 1 stereo input / 4 stereo outputs or 1 mono input / 8 mono outputs
This audio distributor is very useful to supply several audio devices with only one audio source. Its 2 operating modes allow to work with mono or stereo signals. Output level can be controlled independently.
WD 421 adapts itself to work with different impedances, ensuring that output signal level is at least equal to input signal level. It avoids any undesired attenuation and features a LED vumeter to visualize the input signal level.
Audio signal distributor with 2 inputs and 8 outputs. Two operating modes: 1 stereo input with 4 stereo outputs. 1 mono input with 8 mono outputs. Adjusting Output level. Balanced LINK output for interconnecting several units. Individual gain control of each channel
Inputs: 2 x XLR3 female balanced. Outputs: 8 x XLR3 male balanced. Input sensitivity: 0 dBu. Max. level input: 22 dBu. Input impedance: 10 kohm. Level range: ? to - 12dBu. Frequency response: 20 Hz to 22 kHz. Distortion: 110 dBu. Noise and hum: < - 80 dB @ 20 Hz - 22 kHz. Crosstalk: < - 80 dB @ 20 Hz - 22 kHz. Output impedance: 120ohm. Main supply: 110 - 120 V / 220 - 240 V 50/60 Hz. Power consumption: 20 W. Dimensions (WxHxD): 483 x 44 x 220 mm. Weight: 2.75 kg. |
iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?
With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.
? Advanced Feedback Suppression (AFS?)
? Type V? Noise Reduction
? PeakStopPlus? Limiting
? 2/3-octave Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±15dB
? 18 dB per octave 40Hz low-cut filter
? ±12dB input gain range
? XLR, TRS and Euroblock Inputs and Outputs
? Internal Toroidal Transformer
? Frequency Response of 10Hz to 22kHz
? Dynamic range of greater than 113dB
? User Power Up Features
? Relay Bypass for Power Failure System Protection
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