| Content |
Features:
Two channel / four way split
Channels linkable for 1 in, 8 out
Ultra low noise design
?SilentSwitch? Phantom Power switch
?20 dB pad switch
0 to +40 dB Gain available via rear switches
Electronically Balanced Inputs and Outputs (standard)
Transformer Balanced Outputs option
12 VDC supply connector for remote or mobile applications
Intuitive, 'user friendly' layout
Flawless performance in any audio environment
Today?s venues face a growing need to provide a multiplicity of audio feeds
from presentations, conferences, orchestral performances and lectures. The
advent of digital broadcasting, the growth of webcasts and direct-to-CD
archiving highlight the deficiencies in audio splitting systems more than ever
before. Whether the final product is a broadcast feed or CD sales of an unrepeatable
lecture, performance or event, end-users? expectations of audio quality are
higher than ever.With these requirements in mind, ARX has developed the
MSX 8 Active Microphone/Line Splitter to deliver the performance required by
today?s standards of audio production. Active microphone and line splitting has
a number of benefits over passive splitters: primarily these are improved sound
quality, noise figures comparable to the best microphone inputs, and increased
resistance to RFI. All of which translate into superb audio quality for your clients.
About the MSX 8
The MSX 8 consists of two channels of actively buffered ultra low noise Microphone/
Line Splitter. Each of these channels has four electronically Balanced splits ? two
on the rear panel, plus two more on the front panel. All four output splits have the
option of transformer balancing if so specified.Each channel has a ?20 dB pad switch
plus silently switchable 48V Phantom power with indicator LED.Gain through the MSX 8
can be set individually by the small DIP switches on the rear of each channel, from 0dB
through to +40 dB in 10 dB stepsA ?Link? switch links Channel 1 to Channel 2, providing
an ultimate maximum of 8 Outputs from a single input. An indicator LED shows when this
is active. A Clip LED indicates imminent signal overload through the channel, and a
numbered marker panel on the front provides a space where individual channel connections
can be noted.For remote or mobile applications a 5 pin DIN connector on the rear panel
provides an access point to connect a 12V DC power supply
Inside Information
Internally, powerful RF input filtering removes both common mode and differential interference
at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components
throughout.Advanced user options include internally jumper linking Inputs to Main outputs, and
Ground lifting Output Pins 1as required.
Internal Power Supply
The MSX 8 has a low noise transformer based power supply to obtain the maximum benefit from
the ultra low noise design of the splitter circuitry.
Summing up, the feature packed MSX 8 is the answer wherever transparent signal buffering and
routing is required.
T E C H N I C A L S P E C I F I C A T I O N S
Signal / Noise Ratio -94dB
Distortion .008% 20Hz - 20KHz
Gain through unit Switchable 0, +10, +20, +30, +40 dB
Maximum Output +24dB
Pad Switch ?20dB attenuation
Gain Switch +20dB gain
Phantom Power +48VDC slow turn on/turn off
Output Impedance 100 Ohms Electronically Balanced
(Optional Transformer balancing available)
Clip LED 1dB before clipping
12 Volt Connector 5 pin DIN
AC Mains Input Fused IEC socket
AC Power 100-120VAC 2 amp, 220-240VAC 1 amp
Transformer Type Low noise toroidal
Size 19?W x 1??H x 6?D, 482 x 44 x 125 mm
Weight 5 lbs (2.2 Kg)
Front Panel
A and B balanced XLR Output splits Channels 1 and 2.
Pin 3?-, Pin 2 +, Pin 1 Ground
48V Phantom Power switch and LED
Channel link switch and LED switch
?20dB pad switch
Numbered marker panel for labelling individual channel
assigns
AC power LED
Rear Panel
Channel Gain DIP switches: 0, +10, +20, +30, +40dB
Balanced XLR Input Channels 1 and 2. Pin 3 ?, Pin 2 +,
Pin 1 Ground
Balanced XLR Main (FOH) Output (same wiring as Input)
Channels 1 and 2
Balanced XLR Monitor Output (same wiring as Input) Channels
1 and 2
12 Volt DC power supply input for remote or mobile applications
IEC 3 pin AC connector and integral fuseholder. Replace fuse with
correct value only: 100?120 V AC 2 amp, 220?240 V AC 1 amp |
- Connect HDMI sources to your audio equipment, even if they lack a dedicated audio output (Apple TV 4, Chromecast, Wii U, media players).
- Listen to music (MP3, audio streams, radio channels) without requiring the TV being turned on.
- Versatile problem solver when connecting your audio equipment to your TV, monitor or projector.
- Determine your desired audio format using the unique EDID switch.
- Play the audio from your Smart TV applications (Netflix, YouTube) or built-in TV decoder on your home cinema set, audio amplifier or soundbar.
- Use your TV's Audio Return Channel (ARC) function, even when your audio equipment is not suitable for this.
Still want to connect your Apple TV 4, Google Chromecast or TV without an audio output to your audio equipment? You can with the Connect AE14.
This HDMI audio extractor with ARC allows you to extract audio from your HDMI source or TV and to forward it to the speakers of a home cinema set, audio amplifier or soundbar.
The products the Connect-series can be used if the inputs and outputs of equipment cannot be connected with each other by default.
Connections
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|
| AV input |
1 x HDMI |
| AV output |
1 x HDMI |
| HDMI cable length |
15 metres (max.) |
| Digital audio output |
1 x Toslink (optical), 1x coaxial |
| Analogue audio output |
1 x stereo 3.5 mm jack |
Video
|
|
| Supported resolution |
Max. 2160@30Hz |
| HDMI standards |
HDMI 1.4, HDCP, CEC, ARC, EDID, DVI, Deep Color 36-bit, 3D formats and x.v. Colour |
| Video bandwidth |
10.2 Gbps |
| Clock frequency |
300 MHz |
| HDCP standards |
HDCP 1.4/2.2 |
| Colour formats |
RGB and YCbCr 4:4:4, 4:2:0 of 4:2:2 |
| Colour depth |
Max. 36-bit |
Audio
|
|
| Digital audio output |
DTS 5.1, Dolby Digital/AC3 and PCM 2.0 CH |
| Analogue audio output |
2.0 CH |
General
|
|
| Dimensions (h x w x d) |
20 x 70 x 68 mm |
| Weight |
130 grams |
| Ambient temperature |
+0 to +70 °C |
| Humidity |
10% to 85% |
| Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
| Overview
More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you\'ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world\'s finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs
Features
- XLR balanced ins and outs
- Mode switch for stereo 2-way or mono 3-way operation
- Low frequency summed (subwoofer) output
- x10 range switch on both channels
- 40Hz high pass (low cut) filter both channels
- Phase reverse switch on all outputs
- Individual level controls on all outputs
- 24dB per octave Linkwitz-Riley filters (the professional standard)
- Stereo/Mono status LEDs indicate the selected mode
- dbx® 2 year parts and labor as standard
- CSA NRTL/C approved
- CE compliant
Specifications
| Input Connectors |
XLR (pin 2 hot) |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
| Max Input |
>+22dBu balanced or unbalanced |
| CMRR |
>40dB, typically >55dB at 1kHz |
| Output Connectors |
XLR |
| Output Type |
Impedance-balanaced/unbalanced, RF filtered |
| Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
| Bandwidth |
20Hz to 20kHz, +/-0.5dB |
| Frequency Response |
90 kHz, +0/-3 dB |
| Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
| Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >91dB (High Output) |
| Signal-to-Noise (Mono Mode) |
>94dB (Low Output), >93dB (Mid Output), >91dB (High Output) |
| Dynamic Range |
> 106 dB, unweighted, any output |
| THD+Noise |
< 0.004% at +4 dBu, 1 kHz; < 0.04% at +20 dBu, 1 kHz |
| Interchannel Crosstalk |
< -80 dB, 20 Hz to 20 kHz |
| Crossover Frequencies (Stereo Mode) |
Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
| Crossover Frequencies (Mono Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
| Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
| Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
| Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
| x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
| Mode Switch |
Selects stereo/mono and 2/3-way operation |
| LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
| Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
| Operating Voltage |
100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC50 HZ |
| Operating Temperature |
32°F to 113°F (0°C to 45°C) |
| Power Consumption |
15W |
| Power Connector |
IEC receptacle |
| Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
| Unit Weight |
3.7 lbs. (1.7 kg) |
| Shipping Weight |
5.4 lbs. (2.5 kg) |
|
- With improved 192 kHz sample rate for the best sound reproduction.
- Supports uncompressed 2-channel LPCM (Linear Pulse Code Modulation) audio signals.
- Supports compressed 2-channel and multi-channel Dolby Digital and DTS audio signals.
- Ideal for presentation or distribution to another room.
- The optical (Toslink) digital audio splitter can split a single optical digital input to four outputs without delay or loss of quality.
- Supports the S/PDIF and Toslink standard.
Your TV has 1 Toslink output, but you use 4 amplifiers. This requires the Toslink cable to be split from 1 into 4. An additional amplifier could be, for example, a surround set, a sound bar of an amplifier in the kitchen
Connections
|
|
| Audio input |
1 x Toslink (optical) |
| Audio output |
4 x Toslink (optical) |
Audio
|
|
| Supported audio |
PCM2, Dolby Digital 5.1 and DTS |
| Sample rate |
32 kHz to 192 kHz |
General
|
|
| Dimensions (h x w x d) |
24 x 46 x 46 mm |
| Weight |
22 grams |
| Ambient temperature |
+0 to +40 °C |
| Humidity |
10% to 85% |
| Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
| 1231 Dual 31-Band Graphic Equalizer
The dbx? 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.
SPECIFICATIONS:
| INPUT |
| Connectors: |
1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip |
| Type: |
Electronically balanced/unbalanced, RF filtered |
| Impedance: |
Balanced 40 kOhm, unbalanced 20 kOhm |
| Max Input Level: |
>+21dBu balanced or unbalanced |
| CMRR: |
>40dB, typically >55dB at 1kHz |
| OUTPUTS |
| Connectors: |
1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip |
| Type: |
Impedance-balanaced/unbalanced, RF filtered |
| Impedance: |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output Level: |
>+21dBu balanced/unbalanced into 2 kOhm or greater
>+18dBm balanced/unbalanced (into 600 ohm) |
| SYSTEM PERFORMANCE |
| Bandwidth: |
20Hz to 20kHz, +0.5/-1dB |
| Frequency Response: |
50kHz, +0.5/-3dB |
|
+/-15dB range |
+/-6dB range |
| Dynamic Range: |
109dB |
115dB |
| Signal-to-Noise: |
90dB |
97dB |
| THD + Noise: |
|
| Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
| Input Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Input Impedance |
>50kΩ balanced, >25kΩ unbalanced |
| Max Input |
>+24dBu, Balanced or Unbalanced |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
| Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
| Sidechain Max Input Level |
>+20dBu (tip/input); >+20dBu (ring/output) |
| Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Output Impedance |
120Ω balanced, >60Ω unbalanced |
| Max Output |
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) |
| Frequency Response |
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain |
| Noise |
|
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