The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition. Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A […]
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.
Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to “brick wall” peak limiting.
Weight
1.00 kg
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The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.
Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting.
Product Features:
16-channel digital stereo mixer to create your personal monitor mix Ultra-intuitive \"analog\" operation with total recall and 16 presets for custom mixes State-of-the-art 24-bit D/A converters for premium audio quality 16 Channel Select buttons with dual LEDs for perfect overview Level and Pan/Spread control per channel with LED meter 3-band EQ per channel with mid-band frequency control Solo and Mute functions per channel Global Level and EQ controls plus Panic Mute function High power and \"drummer proof\" headphones output Fully adjustable limiter protects your ears and headphones Additional mono/stereo line output to connect your powered monitor MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc. Standard CAT5e connection delivers power and 16 signals to each Personal Mixers ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D) Ultra-low system latency of less than 1 millisecond Powered via external power supply (included) or P16-I / P16-D Mounts easily on a mic stand with the P16-MB mic stand mount (not included) Extremely rugged construction ensures long life even under the most demanding conditions Conceived and designed by BEHRINGER Germany
User\'s Manual
WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
Wireless Digital Audio Transmitter System
Operating Band ISM 2.4GHz (free band).
One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
GFSK digital modulation/demodulation.
External antenna can help to increase the transmission distance.
Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
Automatic mute in bad channel quality conditions or high error code rate.
Transmission distance higher than 30 meters in open places.
Up to three transmitters WDT 24 in a zone
Balanced XLR and ¼\'\' jack inputs.
Working mode: stereo or mono
Power Supply
AC 9V-500 mA 50/60 Hz
Frequency
2404-2476MHz
Channel
25
Modulation/Demodulation
GFSK
Receive Sensitivity (WDR 24)
-84dBm (min.)
Transmitted Power (WDT 24)
6 dBm
Output Level (WDR 24)
+13dBu (BAL max.)
Input Level (WDT 24)
+5dBu (max.)
Bandwidth
>=1.8 MHz
Frequency Response
20Hz - 20kHz, +3dB / -3dB
S/N
>80 dB
Dynamic Range @ 1 kHz
>90 dB
Crosstalk @ 1kHz
>90 dB
THD
The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).
The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.
The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.
The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.
Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan Connectors 2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements 90~240VAC, 50/60Hz, 150W
System Requirements Mac OS X 10.5.8 and above
Dimensions (WxDxH) 19 x 11.5 x 3.5" (483 x 292 x 89mm)
Κάρτα 4άρων εισόδων για BLU-800, BLU-320, BLU-160 & BLU-120 με δυνατότητα Echo cancellation.
The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!
With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.
Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520!
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