ARTURIA MiniBrute 2 – Analog Synthesizer

MiniBrute 2 has evolved from the legendary monosynth that revolutionized the analog scene with its mixable waveforms, Steiner-Parker filter, and Brute Factor. Now with semi-modular architecture, you can splice its genome and expand its raw power into the world of Eurorack modular.

Born from the lineage of its predecessor, MiniBrute 2 is an adaptable, dynamic synth with semi-modular architecture and huge connectivity. This is synth evolution.

From the earliest electronic instruments, synthesizers have expanded and enhanced the possibilities available to musicians. We decided not only to apply this mantra to the sound of our new instrument, but to synthesizer itself. MiniBrute 2 was born! A synthesizer that would sound huge and yet be compact, self-contained and versatile. An instrument that would be both comprehensive and evolving.

MiniBrute 2 sweeps conventions aside, in terms of sound, features, and preconceptions of what a synth should be.

Letʼs be honest, youʼre not here because you want the same old synth, are you?

The MiniBrute 2 has nothing to hide. Take a look at its front panel, get yourself acquainted. Youʼll notice the now-iconic Brute oscillators, the acidic Steiner-Parker filter, and the mayhem-inducing Brute Factor knob that has become the signature Arturia synth element for many fans.

Looking a bit further, beyond the usual modulation sources and controls, youʼll notice some exciting, unexpected features: a second VCO; a second LFO; new VCO and Filter frequency modulation possibilities; modifier-related modulation destinations; a brand new, loopable AD envelope. Once tamed, this little beast will reveal the full range of its vocalizations, including raging leads and piercing sequences, as well as smooth pads and purring bass.

The time is nigh, the moon is full, and MiniBrute 2 is ready to howl.

Analog Physical Modeling Engine with multiple synthesis and oscillator types, Each oscillator type has flexible LFO and ADSR routing plus unique Texture and Mod controls that work as follows:
Multi-saw Texture, control adds sub-oscillator Mod, layers multiple sawtooth waves Pulse Texture, changes pitch of 2nd square wave Mod, change pulse width Oscillator Sync Texture, changes pitch and tone of OSC2 Mod, sets pitch change amount Ring Modulation Texture, changes pitch of OSC1 Mod, changes pitch of OSC2 Frequency Modulation Texture, sets Modulation amount Mod, changes pitch of the Modulator

?Onboard effects processor with five types add depth to your sound The effect types are: OFF (effect bypass,) Delay, VCM Phaser, VCM Chorus/Flanger and Distortion ?8-note polyphony allows complex chords and pads or switch to mono Mode for fat synth bass or solo leads

Bass Station II is an analogue mono-synth based on the classic original Bass Station but re-worked for the 21st century. It has two filters, two oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.

• Osc 1
• Osc 2
• Sub Osc (3)
• Noise generator

Osc 1 & 2

Select between waveforms:

• sine
• triangle
• sawtooth
• square/variable pulse width

Features

• Sync 1 & 2
• Detune 
• Octave range
• Pitch bend
• Pitch modulation from Mod Envelope and/or LFO 1
• Pulse width modulation from Mod Envelope and/or LFO 2

Sub Osc (3) which is tracked to Osc 1

Select independently between waveforms:

• Sine
• Square
• Narrow pulse

Features

• All modulation and tuning tracked to Osc 1
• Independent octave select 

• Osc 1 level
• Osc 2 level
• Sub Osc level
• Noise generator level
• Ring modulation depth
• External signal level

Two filter types

• Acid type (diode ladder filter design)
• Classic type (derived from original Bass Station)

Features

• Cutoff
• Resonance
• Overdrive
• Filter frequency to Mod Envelope depth
• Filter frequency to LFO 2 depth

Select 'Classic' filter between:

• Low pass
• Band pass
• High pass
• 12dB slope
• 24dB slope

Two ADSR Envelopes  (Attack/Decay/Sustain/Release)

• Amp Envelope
• Mod Envelope
• Combined control of both Envelopes

Select triggering mode between:

• Single trigger (holds envelope state when new note is played)
• Multi trigger (re-triggers with every new note played)
• Autoglide (engages portamento) 

There is also a VCA limiter

Two LFOs each selectable between:

• Triangle
• Sawtooth
• Square
• Sample and hold
• Both LFOs independently adjustable between rate and delay time
• Key sync LFO 1 & 2
• LFO slew on LFO 1& 2 (low pass filter on the LFO waveform)

• Distortion send
• Oscillator filter mod amount (FM effect created by Oscillator 2 modulating filter freq)
   

Arpeggiator

• Up to 32 different patterns
• Select between 1-4 octave range
• Swing function
• Select direction:
• up
• down
• up / down 1
• up / down 2
• As played
• Random
• Latch (hold the arpeggiator)

Step Sequencer

• Up to four sequences
• Assign one of 32 preset rhythms or create your own
• insert rests or legato (slide)
• Sequencer re-trigger function

• Adjust glide time
• Single trigger or re-trigger modes
• Integrate into step sequencer and arpeggiator

• 25 note synth-action keyboard
• Aftertouch can be assigned to modulate:
• Filter frequency
• LFO 1to Osc pitch
• Osc 2 speed
• Pitch wheel
• Modulation wheel can be assigned to:
• LFO 2 to filter frequency
• LFO 1 to Osc pitch
• Osc 2 pitch
• Octave up/ down buttons
• 64 factory presets
• 64 slots for user patches (and patch dump facility for storing more)
• Master volume dial

• USB MIDI (for connecting & powering Bass Station II via host computer)
• Mono output on 1/4" TRS jack
• Headphone output on 1/4" TRS jack
• External input on 1/4" TRS jack
• Sustain pedal input on 1/4" TS jack
• MIDI IN / MIDI OUT ports on 5 pin din
• DC power input
• Switch between power off / DC powered / bus powered

• 18" wide x 10.75" deep x 3" tall

Intuitive and ultra-powerful volca sequencer
A fun to use sequencer with superb improvisatory potential

The step sequencer is designed for ease of editing and to allow parts to be inserted or removed "on the fly." Use the 16 step keys to enter notes intuitively while maintaining visual confirmation of the timing of the notes in a measure. You can also record your performance in real time.
Up to ten of the sequence patterns you create can be stored in internal memory.
Motion sequencer records and plays back up to 11 parameters

The motion sequence function records your knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances. The volca sample is able to record all knob movements that are related to sound editing. This allows sophisticated editing that had been impossible for hardware samplers of this category.

Parameters that can be used with Motion Sequence
・ Start Point (Playback start location)
・ Length (Playback length)
・ Hi Cut (Cutoff frequency)
・ Speed (Playback speed)
・ Pitch EG Int (Pitch EG depth)
・ Pitch EG Attack (Pitch EG attack time)
・ Pitch EG Decay (Pitch EG Decay time)
・ Amp Level
・ Pan
・ Amp EG Attack (Amp EG Attack time)
・ Amp EG Decay (Amp EG Decay time)

Keyboard

　
    Multi touch Keyboard

Sampler

Type
    PCM

Maximum Polyphony
    8

Number of Samples
    100 (User over writable)

Memory Size for Sample
    4 MB, Maximum 65 seconds

Sampling Frequency
    31.25 kHZ, 16 bit

Edit
    Sample(Start Point, Length, Hi Cut), Pitch(Speed, EG Int, Attack,Decay), Amp(Level, Pan, Attack, Decay), Reverse On/Off

Effects

Digital Reverb
    On/Off, Mix

Analogue Isolator
    Bass, Treble

Sequencer

Number of Parts
    10

Number of Steps
    16

Number of Recording Patterns
    10

Control
    Motion Sequence, Active Step, Step Jump, Swing

Song

Maximum Number of Sequence
    16

Number of Recording Songs
    6

Connectors

Audio Output
    Headphones (3.5mm stereo mini jack)

Sync
    Sync In (3.5mm monaural mini jack, Maximum input level: 20V)
    Sync Out(3.5mm monaural mini jack, Maximum Output level: 5V)

MIDI
    MIDI IN

Power

Battery Life
    Approximately 10 hours (using alkaline batteries)

Power Supply
    AA alkaline battery × 6 or AA nickel-metal hydride battery × 6 Or AC adapter (DC 9V) (optional)　

Others

Accessories
    AA alkaline battery ×6 (for verifying operation), Cable  

Options
    AC adapter (DC 9V)

Dimensions
(W x D x H)
    193 × 115 ×45 mm / 7.60” x 4.53” x 1.77”

Weight
    372 g / 13.12 oz. (Excluding batteries)