BSS AUDIO FCS-966 Opal Constant Q Graphic Equalizer-Used-

Original price was: €558.00.Current price is: €285.00.

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PRICE WITHOUT V.A.T. BSS Opal FCS-966 Constant Q Graphic Eq Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. Traditionally, much general eq’ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for […]

 

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PRICE WITHOUT V.A.T.

BSS Opal FCS-966 Constant Q Graphic Eq

Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening.

Traditionally, much general eq’ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response.

These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity.

All these effects can be easily made without disturbing the critical fader settings already made.

Constant Q Filters
The modern generation of graphic eq’s
uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting.

Compared to the earlier ‘gyrator’ style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions.

More Gain Control Per Filter
Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq’s. The faders are long-throw 45mm types for precision control.

High Pass Filter
Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges.

Metering
BSS Audio believes in providing engineers with information, and the FCS-966’s 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the ‘dry’ and equalised signals using the gain control.

Centre Bypass
When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance.

Input/Outputs
All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we’ve provided three differerent interface connectors: XLR-type, 1/4″ TRS jack and Phoenix/Combicon screw terminals.

Relay Bypass
The EQ IN buttons switch the EQ path
into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors.

Control Descriptions

Faders
30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders.

HP Filter
Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz.

LF Contour
Smooth shelving filter, +/-6dB of gain at 50Hz

HF Contour
Smooth shelving filter, +/-6dB of gain at 14kHz.

GAIN
Used for overall unity gain adjustment. Adjustable from – infinity to +10dB.

CLIP
Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points.

LED Meter
Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps.

Weight 3.00 kg

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Quick Comparison

BSS AUDIO FCS-966 Opal Constant Q Graphic Equalizer-Used- removeDOD SR830 Graphic equalizer stereo USED (Made in USA) removePHONIC GEQ-3102F 31-band Stereo Graphic Equalizer removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor (USED) removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER remove
NameBSS AUDIO FCS-966 Opal Constant Q Graphic Equalizer-Used- removeDOD SR830 Graphic equalizer stereo USED (Made in USA) removePHONIC GEQ-3102F 31-band Stereo Graphic Equalizer removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor (USED) removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER remove
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SKUFCS966SHSR830H07PH00013DBX IEQ15SCOM 4 USEDDBX 1215
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Price Original price was: €558.00.Current price is: €285.00. Original price was: €160.00.Current price is: €100.00. Original price was: €283.00.Current price is: €249.00. incl. GR VAT Original price was: €806.00.Current price is: €770.00. incl. GR VAT Original price was: €178.05.Current price is: €80.00. Original price was: €403.87.Current price is: €364.00. incl. GR VAT
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Description
ContentPRICE WITHOUT V.A.T. BSS Opal FCS-966 Constant Q Graphic Eq Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response. These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity. All these effects can be easily made without disturbing the critical fader settings already made. Constant Q Filters The modern generation of graphic eq's uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. More Gain Control Per Filter Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control. High Pass Filter Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges. Metering BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control. Centre Bypass When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance. Input/Outputs All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals. Relay Bypass The EQ IN buttons switch the EQ path into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors. Control Descriptions Faders 30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders. HP Filter Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz. LF Contour Smooth shelving filter, +/-6dB of gain at 50Hz HF Contour Smooth shelving filter, +/-6dB of gain at 14kHz. GAIN Used for overall unity gain adjustment. Adjustable from - infinity to +10dB. CLIP Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points. LED Meter Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps.

Features
• Dual 15-band equalizer
 
• Constant Q
 
• Low cut filter at 50Hz with a 12dB/Octave slope
 
• Balanced XLR inputs and outputs
• Bal 1/4" inputs and impedance balanced 1/4" outputs
-
• ISO 2/3 octave frequency centers
PRICE DOES NOT INCLUDE VAT

Longer throw faders provide more precise adjustments when equalizing a room. The SR830QXLR offers 2 channels of equalization each with 15 bands of 45mm faders. The all steel chassis construction can handle the abuse of the road, or the solace of a permanent installation.

Phonic's GEQ3102F is the authentic soundman's choice of EQ - a dual channel 31-band equalizer, offering 6 or 12 dB of cut or boost on standard ISO center frequencies between 20 Hz and 20 KHz. The GEQ3102F is 2-rack space units high and accepts both 1/4" TRS phone jacks and XLR connectors, making it ideal for any studio or live venue setup.

  • Sweepable high and low cut filters on each channel to remove unwanted frequencies 
  • Ultra low-noise audio operational amplifiers offer outstanding sound performance 
  • Relay-controlled hard-bypass with an auto-bypass function during power failure 
  • Dedicated subwoofer output with user-adjustable low-pass filter
  • Feedback detection circuitry for indicating critical frequencies
  • Balanced inputs and outputs with 1/4" TRS and XLR connectors

 

iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?

With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.

The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.

  
? Advanced Feedback Suppression (AFS?)

? Type V? Noise Reduction

? PeakStopPlus? Limiting

? 2/3-octave Constant Q frequency bands

? Switchable boost/cut ranges of ±6 or ±15dB

? 18 dB per octave 40Hz low-cut filter

? ±12dB input gain range

? XLR, TRS and Euroblock Inputs and Outputs

? Internal Toroidal Transformer

? Frequency Response of 10Hz to 22kHz

? Dynamic range of greater than 113dB

? User Power Up Features

? Relay Bypass for Power Failure System Protection

USED IN GOOD CONDITION.

Price does not include vat

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4\'s Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA\'s
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

 

  •   Switchable boost/cut ranges of ±6 or ±15 dB
  •   Electronically balanced/unbalanced inputs
  •   Servo balanced/unbalanced inputs
  •   RF filtered inputs and outputs
  •  XLR, Barrier Strip, and 1/4" TRS connectors
  •  -12dB/+12dB input gain range
  •  18dB/octave 40Hz Bessel low-cut filter
  •  Chassis/signal ground lift capability
  •  Internal power supply transformer
  •  Power-off hardwire relay bypass with 2-second power-up delay
Weight3.00 kg3.00 kg2.15 kg3.86 kg3.40 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 3.00 kg
Weight 2.15 kg
Weight 3.86 kg
Weight 3.40 kg
Weight 2.00 kg