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Audio-Technicaʼs System 10 Stompbox digital high-fidelity guitar wireless system combines the advanced 24-bit operation, easy setup and clear, natural sound quality of other System 10 configurations with unique functionality for guitarists, bassists and other instrumentalists. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 Stompbox offers a rugged, metal, pedal board-mountable receiver with foot switch, two switched TRS balanced 1/4" outputs and an output mode selector. With the tap of a foot, musicians can toggle between outputs (e.g., for switching amps) or mute and unmute one output without muting the other (e.g., for convenient tuning). And a single receiver can be paired with up to eight UniPak® body-pack transmitters, allowing users to easily switch between instruments without having to move a body-pack from one instrument to the next.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
Each Stompbox system includes an ATW-R1500 Stompbox receiver, an ATW-T1001 UniPak body-pack transmitter with an AT-GcW guitar cable, and hook & loop strips for adding receiver to an effects pedal board. The ATW-R1500 is a digital receiver with sturdy, metal-body construction, easy-to-read digital ID and transmitter battery level displays, and AF Peak and Pair indicator lights.
- Digital 24-bit/48 kHz wireless operation for ultimate sound quality and dependable performance
- 2.4 GHz range – completely free from TV interference
- Three levels of diversity assurance: frequency, time, & space
- Two switched TRS balanced 1/4" output jacks
- Output mode selector and foot switch to toggle between outputs or mute/unmute Output A without muting Output B (e.g., for use with tuner)
- Multi-pairing function to link a single receiver with up to eight body-pack transmitters
- Transmitter battery level display on receiver
- Automatic frequency selection for seamless, interference-free operation
- Extremely easy operation with instantaneous channel selection, sync, and setup
- State-of-the-art digital receiver housed in a strong, metal, stompbox-style body for reliable performance and pedal board mounting
- Included hook & loop strips for adding receiver to effects pedal board
- Universal (center + or -) 9v–12v DC input
OVERALL SYSTEM SPECIFICATIONS - Operating Frequencies: 2.4 GHz ISM band
- Dynamic Range: >109 dB (A-weighted), typical
- Total Harmonic Distortion: 7 hours (alkaline)
- Depending on battery type and use pattern
Dimensions: 70.2 mm (2.76“) W x 107.0 mm (4.21“) H x 24.9 mm (0.98“) DNet Weight: 100 grams (3.5 oz) without batteriesAccessory Included: AT-GcW Guitar Input Cable
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ER-1193
1 channel 193 Freq. PLL Receiver 822-846 MHz
2 Frequencies available:
790 - 814 MHz (Germany)
822 - 846 MHz
• 193 selectable UHF Frequencies.
• Available for 1 transmitter
• True diversity technology permits minimum dropouts in the RF link
• PLL synthesised technology for
multi-channels.
• Compact half-rack metal housing for
space saving
• "Lock-on" mode avoids accidental modification of frequency, sensitivity and power-off.
Frequency Preparation: PLL Synthesised Control
Carrier Freq. range: 600 MHz- 960 MHz
Frequency Stability: ±0.005%
S/N Ratio: >100 dB
Display: LCD
Display Contents: Frequency, Antenna A/B, Mute display, RF/AF Lever Meter, battery fuel gauge
Controls: Power On/Off, Frequency Up/down Frequency Scan, Audio Level
Audio Output Level: -12 dB
AF Output Impedance: 600 Ohm
Squelch: Pilot Tone & Noise Mute
Operation Voltage: 12-18 VDC, 500 mA
Output Connector: XRL Balanced/ 6,3 mm Unbalanced
Dimension: 211 x 152 x 40 mm (LxWxH) |
The P9R is a compact, stereo bodypack receiver for use with the PSM®900 Wireless Personal Monitor System. It offers premium features like RF Scan and Automatic Gain Control for unparalleled RF stability and channel availability, all packed in the thinnest form factor available. Patent-pending CueMode allows monitoring of different stage mixes and storing of up to 20 separate channels from one bodypack for quick and easy reference.
Features:
Ultra-thin, low profile bodypack allows discreet placement on the performer
Enhanced digital stereo encoder provides an expansive soundstage for excellent audio clarity and detail
RF Scan: stand where the artist will be on stage and instantly check RF level
Automatic Gain Control greatly prevents signal dropout due to RF overload and allows more channels to be used simultaneously
Syncs to a P9T transmitter quickly and easily over IR link using Scan and Sync
Switchable 10/50/100 mW output power provides a robust RF link in a variety of performance environments
Separate, easily visible audio and RF status indicator LED's
Audio level and battery life metering
Selectable high-frequency EQ boost (+3/+6 dB @ 10 kHz)
Volume and balance controls
Extruded aluminum construction for rugged dependability
Specifications:
Front-End RF Filtering: –3 dB point 30.5 MHz from center frequency
Active RF Gain Control: 31 dB (adjusts RF sensitivity to provide more RF dynamic range)
RF Sensitivity (20 dB SINAD): 2.2 µV
Squelch Threshold (±3 dB SINAD): 22 dB SINAD
Adjacent Channel Rejection: >70 dB
Intermodulation Attenuation: >70 dB
Blocking: >80 dB
Image Rejection: >100 dB
Audio Output Power (1kHz @ |
True diversity receiver with all-metal case
Available in eight UHF bands 30 MHz wide each, with up to 1,200 selectable frequencies
Using several frequency bands allows up to 70 channels to be operated simultaneously.
Transmitter battery status monitoring and tone code squelch
Auto Setup, Environment Scan, and Rehearsal functions for quick and easy setup
Backlit, programmable color display and jog wheel with selectable warning signal for ease of use
Output for controlling external devices
-Theater, onstage miking
-Conferencing
-Houses of worship
-Live sound
-Sound/AV company
Carrier frequency range 500 to 530, 570 to 600, 650 to 680, 680 to 710, 720 to 750, 760 to 790, 790 to 820, 835 to 863 MHz
Audio bandwidth 35 to 20,000 Hz
THD 120 dB(A) typical
Modulation FM
Audio outputs balanced 3-pin XLR; unbalanced TS 1/4" jack; output level adjustable to -30, 0, +6 dB
Dimensions 200 x 44 x 190 mm (7.8 x 1.7 x 7.4 in.)
Net weight 972 g (2.2 lbs.)
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This wireless monitoring set's receiver uses adaptive-diversity technology. The earphone cable serves as a second antenna, which considerably reduces the number of drop-outs. Combined with IE 4 ear-canal phones for precise sound reproduction, EK 2000 IEM conveys an authentic acoustic pattern of live sound and allows you to monitor your own performance perfectly. |
It is nice when you can concentrate fully on the picture because you know the sound is reliable. This camera receiver allows you to do just that. Equipped with adaptive diversity, the camera receiver ensures reliable reception. Five frequency ranges with up to 75 MHz switching bandwidth also provide optimum flexibility for components of the 2000 series. The transmitter settings can be synchronized quickly from EK 2000 using infrared technology. |
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