Audio Technica ATR6550 Condenser shotgun microphone

Crisp & intelligible pickup—far away or up close. In its "Tele” range setting, this cardioid condenser is engineered to pick up dialogue and sound effects at a distance, while bypassing ambient noise such as traffic, air-handling systems, room reverberation and mechanically coupled vibrations. Designed especially for use with video cameras.

• 3.5 mm connector plugs into your video camera
• Two range settings: "Normal" for close & medium-distance; "Tele" for long-distance
• Includes camera-mount, stand clamp, foam windscreen, battery

• Element: Condenser
• Polar Pattern: Normal: Cardioid, Tele: Supercardioid
• Frequency Response: 70 – 18,000 Hz
• Open Circuit Sensitivity: Normal: -56 dB, Tele: -45 dB
• Impedance: Normal: 1,000 ohms, Tele: 2,200 ohms
• Weight: 113 g (4 oz)
• Cable: 1 m (3') long, permanently attached cable with 3.5 mm (1/8“) output plug
• Accessories Furnished: Camera mount; microphone stand clamp; foam windscreen; AA battery

The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.

From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.

What's in the Box:

• Windscreen
• Desktop Prop
• Mic Stand Adapter
• L/R XLR Cable 6.56 feet (2m)
• Soft case
  
• 1 Year Warranty

Element: Externally polarized (DC bias) capacitor
Polar Pattern: Line + gradient
Frequency Response: 20-18,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: -29 dB (35.5 mV) re 1V at 1 Pa
Impedance: 50 ohms
Maximum Input Sound Level: 141 dB SPL, 1 kHz at 1% T.H.D.; 151 dB SPL, with 10 dB pad (nominal)
Dynamic Range: 128 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 81 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 48V DC, 4.8 mA typical
Weight: 175 g (6.2 oz)
Dimensions: 539.0 mm (21.22“) long, 21.0 mm (0.83“) maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8147 windscreen; two O-Rings; protective carrying case

This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.

Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.

Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.

You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews. Rode Stereo Video Mic Features

• Stereo X/Y condenser microphone
• Broadcast sound quality
• Two stp high-pass filter - flat or 80 Hz
• Rugged cast aluminum body
• 9V battery operation
• Custom designed integral windshield
• Low noise circuitry
• Low handling noise
• Integral camera-shoe mount
• Includes Dead Kitten windscreen

• Acoustic Principle: Pressure Gradient
• Directional Pattern: Super Cardioid
• Frequency range: 40 Hz - 20 kHz
• Output Impedance: 200 Ohms
• Signal/Noise Ratio: 74 dB SPL (A - weighted per IEC651)
• Equivalent Noise: 20 dB SPL (A - weighted per IEC651)
• Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
• Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
• Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
• Battery Life: 60+ hours
• Output Connection: Stereo mini jack plug - ø3.5mm (Right Channel - Ring, Left Channel - Tip)
• Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
• Weight: .72 lbs (330 grams)

Clear, directional audio on the GO!

Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise.

The integrated Rycote® Lyre® shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound.

Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

The VideoMic GO has no complicated switches or settings and is powered by your camera's external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.