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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone's extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.
- Unique side-address stick design maximizes placement options with minimal obstructions
- Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
- Integral 80 Hz HPF switch and 10 dB pad
- Durable performance for professional applications
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Rugged, all-metal design and construction for years of trouble-free use
- Includes isolation clamp for shock protection, secure mounting and easy positioning
- Element: Fixed-charge back plate permanently polarized condenser
- Polar Pattern: Cardioid
- Frequency Response: 40-20,000 Hz
- Low Frequency Roll Off: 80 Hz, 18 dB/octave
- Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
- Impedance: 200 ohms
- Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
- Dynamic Range: 127 dB, 1 kHz at Max SPL
- Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
- Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
- Weight: 98 g (3.5 oz)
- Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
- Output Connector: Integral 3-pin XLRM-type
- Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch
| Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
| Type |
Dynamic (moving coil) |
| Frequency Response |
20 to 10,000 Hz |
| Polar Pattern |
Supercardioid, rotationally symmetrical about microphone axis |
| Output Level |
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL |
| The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments.
Features
Rugged reinforced glass-fibre body
Low sensitivity to impact and handling noise
Very high sound pressure handling capability
Low distortion microphone
Hum compensating coil
Easy to position due to compact design
Integral stand mount
Delivery Includes
1 e 604
1 drum clip
1 pouch
Technical Data
Frequency Response 40.....18000 Hz
Sensitivity in free field, no load (1kHz) 1,8 mV/Pa
Min. terminating impedance 1000 Ohm
Dimensions d 33 x 59 mm
Weight w/o cable 60 g |
The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.
Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual
Technical Data
Pick-up pattern supercardioid
Frequency response 40...18000 Hz
Sensitivity in free field, no load (1kHz) 2,2 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 55 x 34 x 134 mm
Weight 140 g
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The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g
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The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g
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