AUDIX FP5 5-piece Fusion Drum Mic Package

5-piece Fusion Drum Mic Package - Affordable Excellence

The Fusion Series microphones, which are designed, assembled and tested by Audix in the USA, fulfill all the performance criteria required for professional stage and studio applications. These prepackaged sets of microphones offer convenience, quality, durability, and affordability. All mics come with high impact mic stand adapters and are packed in a heavy duty foam lined aluminum carrying case for safe keeping when the products are not in use.

THE MICS:

f5 x 1 -Snare, Timbale, Guitar Cabs
The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f5 is sturdy, compact and easy to position. With a wide frequency response of 55 Hz – 15 kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Other features include roadworthy construction, precision cast zinc alloy body, steel mesh grill, black coat finish, laser etched model number, gold XLR connector and a heavy duty nylon mic clip.

f2 x 3 - Rack Toms, Floor Toms, Congas
The f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f2 is lightweight, compact and easy to position. With a wide frequency response of 52 Hz - 15 kHz and the ability to handle sound pressure levels of 139 dB. Other features include roadworthy construction, a precision cast zinc alloy body, black coat finish, laser etched model, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.

f6 x 1 Kick drum, Cajon, Djembe, Bass Cabs
The f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f6 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 16 kHz and the ability to handle sound pressure levels of 140 dB, the f6 is an excellent choice for miking kick drum and instruments requiring extended low frequency reproduction such as large toms and bass cabinets, leslie bottom, cajon. Roadworthy construction includes a precision cast zinc alloy body, black coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

Features:

• Identical acoustics of the legendary CK 1.
• Rugged construction.
• Ruler-flat on-axis frequency response.
• Precise, nearly frequency independent cardioid.
• Extremely accurate signal transfer.
• Transformerless output stage for minimum distortion at low frequencies.
• Protected against electrostatic and magnetic interference.
• Selectable 10-dB and 20-dB preattenuation pads.
• Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
• Operates on phantom power to DIN/IEC between 12 V and 48 V.
• Complete with SA 40 stand adapter and W 90 windscreen.
• Each microphone comes with its own individual frequency response plot.

Specifications:

• Polar pattern: Cardioid
• Frequency range: 20 to 20,000 Hz
• Sensitivity: 9 mV/Pa (-41 dBV)
• Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
• Equivalent noise level (CCIR 468-3): 29 dB
• Equivalent noise level: 18 dB-A
• Signal/noise ratio (A-weighted): 76 dB
• Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
• Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
• Impedance: 1000 ohms
• Supply voltage: 9 to 52 V phantom power to DIN 45596
• Current consumption:

OVERVIEW

Cardioid dynamic kick drum mic with swivel mount and cable.

The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.

Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.

• Mountable microphone featuring swivel joint with quick-release latch for kick drum
• Dynamic cartridge (does not require phantom power) with cardioid polar pattern
• Tailored cartridge design for low-frequency clarity, including on bass amps
• Includes PGA52, zipper pouch and user guide
• XLR to XLR mic cable included

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

• Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
• Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
• Compact design reduces stage clutters
• Hardened steel mesh grille resists wear and abuse
• Neodymium magnet for high signal-to-noise ratio output
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Frequency response: 50 to 16,000 Hz