The Behringer Monitor2USB is a monitor controller and USB audio interface designed for home and project studios. It pairs a large VCA control knob for your overall output level with the ability to select among three sets of active studio monitors, as well as two sets of headphones. With its USB jack, you can connect […]
The Behringer Monitor2USB is a monitor controller and USB audio interface designed for home and project studios. It pairs a large VCA control knob for your overall output level with the ability to select among three sets of active studio monitors, as well as two sets of headphones. With its USB jack, you can connect your computer straight to the device so that you may play music from your digital library, or you can mix straight from your DAW. Through its XLR inputs, you can route analog sound, balanced or unbalanced.
The VCA amplifier provides several benefits. For example, it allows DC current to flow through the volume control, rather than the audio signal, and thus, bypasses any DC-related signal degradation. This also helps in making sure your stereo image doesn’t drift as you crank the volume knob; anyone who’s experienced in monitor controllers knows this can be a problem—a problem mitigated in the Monitor2USB. The volume knob itself is quite large, and this too serves a function: Such a large size allows for more precision as you turn the control, so you can achieve minutely specific level adjustments, which might be necessary as you switch from monitoring post-production projects to music mixes.
You can use its three sets of outputs in a variety of ways—for instance, you can hook up two monitors and a subwoofer, or three sets of monitors, one of which can serve as your dedicated mono check. On the headphone outputs, a crossfeed control mimics the stereo experience of sitting in front of your speakers by feeding a miniscule amount of signal from the right to the left and vice versa. Amongst other benefits, this feature helps mitigate ear fatigue over long sessions. Mono and Dim buttons are on hand to help you in the mixing process. Included with the Monitor2USB are a power cable and a full, complimentary copy of Tracktion—a DAW to help you in your recording, editing, and mixing journeys.
Key Features at a Glance
Large volume knob with VCA control for precise level adjustments
Built-in stereo USB audio interface
2 high-quality stereo inputs
3 independent monitor outputs to connect two stereo monitors and one mono monitor
2 headphone amplifiers with separate volume controls
Crossfeed control emulates the stereo speaker panorama when listening through your headphones
Convenient Mono and Dim functions
Included eco-friendly power supply
Designed and engineered in Germany
Analog Inputs
2 x XLR (input set 1) 2 x XLR (input set 2)
Input Impedance
20 kOhms balanced, 10 kOhms unbalanced
Input Sensitivity
Input Set 1: +4 dBu Input Set 2: +4 dBu / -10 dBV
Analog Outputs
Monitor Out A: 2 x XLR, balanced Monitor Out B: 2 x XLR, balanced Monitor Out C: 1 x XLR, balanced Phones: 2 x 1/4″ TRS, phone type
USB
USB 1.1, type-B
D/A Conversion
44.1 / 48 kHz
Frequency Response (-3 dB)
< 10 Hz to 120 kHz
SNR
85 dB at 0 dB, A-weighted
CMRR
> 50 dB at 1 kHz, 0 dBu input level, unity gain
THD+N
0.03% at 1 kHz, 0 dBu input level, unity gain
Crosstalk
> 75 dB at 1 kHz
Attenuation
Dim: -15 dB
Power Supply
100 to 240 VAC, 50 / 60 Hz
Dimensions (H x W x D)
3.3 x 8.5 x 7.8″ / 84.0 x 216.0 x 199.0 mm
Weight
3.3 lb / 1.5 kg
Weight
1.50 kg
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The Behringer Monitor2USB is a monitor controller and USB audio interface designed for home and project studios. It pairs a large VCA control knob for your overall output level with the ability to select among three sets of active studio monitors, as well as two sets of headphones. With its USB jack, you can connect your computer straight to the device so that you may play music from your digital library, or you can mix straight from your DAW. Through its XLR inputs, you can route analog sound, balanced or unbalanced.
The VCA amplifier provides several benefits. For example, it allows DC current to flow through the volume control, rather than the audio signal, and thus, bypasses any DC-related signal degradation. This also helps in making sure your stereo image doesn’t drift as you crank the volume knob; anyone who’s experienced in monitor controllers knows this can be a problem—a problem mitigated in the Monitor2USB. The volume knob itself is quite large, and this too serves a function: Such a large size allows for more precision as you turn the control, so you can achieve minutely specific level adjustments, which might be necessary as you switch from monitoring post-production projects to music mixes.
You can use its three sets of outputs in a variety of ways—for instance, you can hook up two monitors and a subwoofer, or three sets of monitors, one of which can serve as your dedicated mono check. On the headphone outputs, a crossfeed control mimics the stereo experience of sitting in front of your speakers by feeding a miniscule amount of signal from the right to the left and vice versa. Amongst other benefits, this feature helps mitigate ear fatigue over long sessions. Mono and Dim buttons are on hand to help you in the mixing process. Included with the Monitor2USB are a power cable and a full, complimentary copy of Tracktion—a DAW to help you in your recording, editing, and mixing journeys.
Key Features at a Glance
Large volume knob with VCA control for precise level adjustments
Built-in stereo USB audio interface
2 high-quality stereo inputs
3 independent monitor outputs to connect two stereo monitors and one mono monitor
2 headphone amplifiers with separate volume controls
Crossfeed control emulates the stereo speaker panorama when listening through your headphones
Convenient Mono and Dim functions
Included eco-friendly power supply
Designed and engineered in Germany
Analog Inputs
2 x XLR (input set 1) 2 x XLR (input set 2)
Input Impedance
20 kOhms balanced, 10 kOhms unbalanced
Input Sensitivity
Input Set 1: +4 dBu Input Set 2: +4 dBu / -10 dBV
Analog Outputs
Monitor Out A: 2 x XLR, balanced Monitor Out B: 2 x XLR, balanced Monitor Out C: 1 x XLR, balanced Phones: 2 x 1/4" TRS, phone type
USB
USB 1.1, type-B
D/A Conversion
44.1 / 48 kHz
Frequency Response (-3 dB)
< 10 Hz to 120 kHz
SNR
85 dB at 0 dB, A-weighted
CMRR
> 50 dB at 1 kHz, 0 dBu input level, unity gain
THD+N
0.03% at 1 kHz, 0 dBu input level, unity gain
Crosstalk
> 75 dB at 1 kHz
Attenuation
Dim: -15 dB
Power Supply
100 to 240 VAC, 50 / 60 Hz
Dimensions (H x W x D)
3.3 x 8.5 x 7.8" / 84.0 x 216.0 x 199.0 mm
Weight
3.3 lb / 1.5 kg
CMC3 - Monitor Controller
FULLY FEATURED MONITOR CONTROLLER FOR STUDIOS OF ALL SIZES. PRECISE, COMPACT & AFFORDABLE.
The CMC3 Compact Monitor Controller consolidates the feature sets of Drawmer's 3 most popular monitor controllers: Whilst retaining the famed accurate, and transparent audio quality of the MC2.1, it has the precision and control of the MC3.1 and the low profile, compact design of the CMC2. It is equally at home in a serious home studio as in a professional recording facility.
There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller. Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? There are far to many monitor controllers available that do in one way or another - Drawmer monitor controllers do not flavour, colour, warm, improve or brighten the signal, the active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear.
Accurate & Transparent
With the same Drawmer pedigree as the MC2.1, the CMC3 circuit is just as transparent and accurate. It has been designed to remove the limitations that a passive circuit brings, such as the ability to increase the volume for quiet passages and improved mix checking, without adding the artifacts that lesser quality active circuits introduce.
You hear exactly what you've recorded!
Precision
The CMC3 supports 3 sets of stereo monitors, plus a dedicated mono speaker/sub-woofer output, each can be switched individually and simultaneously and in any order, especially useful for A/B comparisons. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether.
The volume control utilizes a parallelled custom quad pot for excellent channel matching and smooth feel, as does the secondary preset volume control on the front. This provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.
Multiple Connections
The CMC3 is very well connected with 4 stereo inputs in total: 1x SPDIF digital input (24 bit/192kHz), using the same DAC chipset as our established MC3.1 monitor controller, 2 stereo balanced jack inputs, plus a 3.5mm jack with variable level control for your Smartphone/MP3 Player.
In addition, it has a 2 professional quality headphone outputs with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC3 does through the speakers. Talkback is also included with internal or external microphone, level control and audio routing to a dedicated mono output jack & headphones.
Advanced Mix Checking
The comprehensive mix checking facilities of the CMC3 include dim, mono, phase reverse, left and right cut as well as an easy access mute switch, allowing you to check the quality of your recordings: tune into your mix to hear any unwanted artefacts, test the effectiveness of the stereo mix, check for phase cancellation, listen to the stereo difference. Features that many monitor controllers lack.
Compact
The CMC3 packs a lot of features into a small unit. The whole package is presented in a very low profile desktop enclosure of just 3.5cm high with a footprint of 27x16cm (10.5”x6.5”x1.4”).
Tough & Secure
Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC3 is built to last. In addition, a Kensington security slot provides protection from thieves.
Features:
Ultra low noise and transparent circuit design.
Source switches can be active in any combination. 4 Inputs in Total - 1x Digital SPDIF (192 kHz / 24 Bit) & 2 on balanced analogue 1/4" jacks & 1 3.5mm Front Panel Aux jack for your Smartphone/MP3.
3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons.
Timed relay protection on all speaker outputs to prevent power up/down bangs.
Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel.
2x Headphone Amplifiers with Individual Level Controls with easy access to the jacks on the front.
Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc.
Built In Talkback with Level Control, Internal or External Microphone, and Internal Routing to a Mono Output Jack & Headphones.
Comprehensive Mix Checking facilities Include Dim, Phase Reverse and Mono, Left and Right Cut as well as an easy access Mute switch.
Kensington security slot (also called a K-Slot or Kensington lock).
Very low profile desktop enclosure with a footprint of just 18x16cm.
Stylish and Rugged Enclosure will withstand the knocks of the studio.
Designed and manufactured by Drawmer in the UK.
Sold in pairs, each PreSonus ISPD-4 isolation pad can be divided into halves and configured in several ways so you can use them with virtually any near-field studio monitors. For small, vertically placed speakers, use half of an isolator per side or employ the full pad, whichever works best. Place two half-pads side-by-side to accommodate larger speakers or horizontal placement.
The speakers shown on the photographs are sold separetely.
Mackie Big Knob Studio Plus Monitor Controller and Interface
Four Sources and Three Monitor Pairs
Classic Big Knob Volume Control
Independent Trim on All Sources
Mono, Mute, and Dim Functions
The Mackie Big Knob Studio Plus is a monitor controller and interface that allows you to choose between four input sources and three monitor pairs. It can be used for project and professional studios and is designed to increase your workflow for recording and mixing applications.
Featuring independent trim on all sources and monitor outs, the Big Knob Studio Plus has mono, mute, and dim functions along with a flexible 2x4 USB recording interface. It is built with two combo XLR-1/4" Onyx mic inputs with phantom power for condenser microphones. Recording and playback is at 24-bit / 192 kHz resolution and the cue mix allows for controlled blending of direct inputs with other signals for zero-latency recordings. Choice of recording paths provides flexibility for applications like podcasting and more.
Additionally, other features include flexible source connections, a convenient 3.5mm input for your smartphone, dual headphone outputs with independent level control, a built-in talkback mic and external mic input, a footswitch input, and 16-segment input metering.
Finally, with its sturdy and built-like-a-tank design, the interface is compatible with all major DAWs on both Mac and Windows platforms. The Big Knob Studio Plus features a download for ProTools | First and Waveform software and The Musician's Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer's serial number on the website.
Professional Source and Monitor Selection
Choose between four sources and three monitor pairs
Classic Big Knob volume control
Independent trim on all sources and monitor outs
Mono, mute, and dim functions
Flexible 2x4 USB Recording Interface
Two boutique-quality Onyx mic preamps including phantom power for condenser microphones
High-resolution 24-bit / 192 kHz recording and playback
Cue mix allows controlled blending of direct inputs with other signals for zero-latency recording
Comprehensive Feature Set for Professional Studios
Flexible source connections including convenient 3.5mm input for your smartphone Dual headphone outs with independent level control Built-in talkback mic and external talkback mic input for easy communication with artists 16-segment high-resolution input source metering
Professional Production Content
Content
Pro Tools | First and Waveform OEM professional software and plugin packages included
The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
Included Software from Avid, including Pro Tools | First
An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems.
In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
Black Op Distortion: Add rich distortion based on a classic distortion pedal
Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
Black Spring Reverb: Get the twang and space of a vintage amplifier
C1 Chorus: Emulates a classic chorus pedal
DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
Flanger: Create esoteric sounds with this homage to vintage and modern flangers
Graphic EQ: Sculpt frequencies with ease
Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
In-Tune: Keep your instruments in tune with this digital tuner
Orange Phaser: Create interesting effects with this phase shifter based on a classic design
Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
Sci-Fi: Add analog synth-type ring and frequency modulation
Studio Reverb: Create natural-sounding reverb and ambient effects
Tape Echo: Add vintage analog delay and chorus effects
Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
Vari-Fi: Create the effect of audio changing tape speed
Vibe Phaser: Add phase-shift and rotary speaker effects
White Boost: Boost gain without coloring tone
Inputs
2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Inputs 4 x 1/4" TRS Balanced/Unbalanced Line Inputs 2 x 1/4" TRS Balanced/Unbalanced Cue Input 1 x 1/8" / 3.5 mm TRS Unbalanced Stereo Input 1 x 3-Pin XLR Talkback Mic Input
Outputs
2 x 1/4" TRS Balanced/Unbalanced 2-Track Line Outputs 6 x 1/4" TRS Balanced/Unbalanced Monitor Outputs 2 x 1/4" TRS Balanced/Unbalanced Monitor/Line Outputs 2 x 1/4" TRS Unbalanced Headphone Outputs
Footswitch Input
1 x 1/4" TRS
USB I/O
1 x USB 2.0 Type-B
Resolution
24-Bit / 192 kHz
Frequency Response
20 Hz to 20 kHz (±0.5 dB, Unity Gain, +4 dBu Input)
Noise
Mic Inputs to Outputs: < -125 dBu RMS, A-Weighted (150 Ohms Terminated, 22 kHz Bandwidth) Line Inputs to Outputs: < -90 dBu RMS, Unweighted (150 Ohms Terminated, 22 kHz Bandwidth)
THD + N
<0.01% Unweighted (Unity Gain, 1 kHz at +4 dBu Input, 80 kHz Bandwidth)
Crosstalk
< -60 dB at 1 kHz (Unity Gain, -1 dBFS Input)
Attenuation
Muted: -60 dB Dim: -20 dB
Maximum Input Level
+22 dBu
Maximum Output Level
+22 dBu
Power Requirements
100 to 240 VAC, 50/60 Hz, 0.75 A via Universal Power Supply
Dimensions (W x D x H)
6.8 x 11.9 x 3.2" / 17.3 x 30.2 x 8.1 cm
Weight
4.6 lb / 2.1 kg
The Mackie Big Knob Passive is a monitor controller that allows you to choose between two audio sources and two monitor pairs. It can be used for project and professional studios and is designed to increase your workflow for recording and mixing applications.
It features mono, mute, and dim functions and delivers pristine audio quality. Built with the classic Big Knob volume control, it is designed with a passive audio path, which requires no power supply. The Big Knob Passive studio monitor controller is sturdy and has a built-like-a-tank design.
The Big Knob Passive features a download for ProTools | First and Waveform software and The Musician\'s Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer\'s serial number on the website.
Choose between two sources and two monitor pairs
Classic Big Knob volume control
Mono, mute, and dim functions
Flexible source connections including convenient 3.5mm input for your smartphone
1/4\" inputs and outputs support balanced or unbalanced connections
Passive design requires no power source
Content
Pro Tools | First and Waveform OEM professional software and plugin packages included
The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
Included Software from Avid, including Pro Tools | First
An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems.
In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
Black Op Distortion: Add rich distortion based on a classic distortion pedal
Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
Black Spring Reverb: Get the twang and space of a vintage amplifier
C1 Chorus: Emulates a classic chorus pedal
DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
Flanger: Create esoteric sounds with this homage to vintage and modern flangers
Graphic EQ: Sculpt frequencies with ease
Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
In-Tune: Keep your instruments in tune with this digital tuner
Orange Phaser: Create interesting effects with this phase shifter based on a classic design
Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
Sci-Fi: Add analog synth-type ring and frequency modulation
Studio Reverb: Create natural-sounding reverb and ambient effects
Tape Echo: Add vintage analog delay and chorus effects
Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
Vari-Fi: Create the effect of audio changing tape speed
Vibe Phaser: Add phase-shift and rotary speaker effects
White Boost: Boost gain without coloring tone
Inputs
4 x 1/4\" TRS Balanced/Unbalanced Line Inputs 1 x 1/8\" / 3.5 mm TRS Unbalanced Stereo Input
Outputs
4 x 1/4\" TRS Balanced/Unbalanced Monitor Outputs
Mono/Mute/Dim
Yes
Frequency Response
10 Hz to 30 kHz (±1 dB, 0 dBu Input)
THD + N
MC3.1 - Monitor Controller
Hear the music - not the equipment!
Building on the success of the MC2.1, the MC3.1 Monitor Controller is just as accurate and transparent and of the same build quality. It can still faithfully reproduce what has been recorded without colouring the sound, but comes with a much expanded feature set, including more inputs, better control, extended channel routing and a desk top \'wedge\' form factor.
Additions include a combined digital AES/SPDIF (24 bit/192kHz) input, giving a total of 5 individually switchable sources, including a front panel auxilary input with level control for the easy connection of your mp3 player, smartphone or tablet. Full cue mix facilities, with level control, provide separate source selection for main or cue outputs and the two headphone amplifiers, so the artist can listen to a completely different mix to the engineer, for example. A dedicated cue mix output is also available.
A secondary preset volume control on the front provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.
The MC3.1 incorporates three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. Furthermore each can be switched individually and simultaneously and in any order. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether.
Other improvements include additional mix checking capabilities, which now incorporate low, mid, high solo switches to hear how the lows bleed into the mid, or the stereo width of each, for example, and also the ability to swap the left and right channels. The talkback has been expanded to include an external mic in addition to the internal, and footswitch operation.
Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.
Ultra low noise and transparent circuit design.
Source switches for both Main & Cue can be active in any combination. 5 Inputs in Total - 1x Digital AES/SPDIF Neutrik XLR/JACK COMBI & 2 balanced analogue Neutrik XLR/JACK COMBI and 1 stereo RCA Analogue on the Rear Panel & 1 3.5mm Front Panel Aux.
3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons. Each has level trims to provide precise channel matching.
Timed relay protection on all speaker outputs to prevent power up/down bangs.
Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel.
2x Headphone Amplifiers with Individual Level Controls & Switching between Main & Cue Inputs so the Artist can listen to a Different Mix to the Engineer.
Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc.
Cue Level Control adjusts the volume for the Artist\'s Monitors.
Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, a Mono Output Jack & Internal Routing to Headphone and Cue Outputs.
Comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
Desktop \'wedge\' form factor.
Kensington security slot (also called a K-Slot or Kensington lock).
Rugged steel chasis and stylish brushed aluminium cover.
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